The Lakes: Analysis of Taylor Swift’s folklore (from larger post)

18 Nov

This is a more digestible portion of my album analysis:

Here, I have tried to analyze what and who each track of Folklore is about.  Which is complex because it’s not in a linear order.  Names are obscured.  Facts may be reality or story.  The narrator is unreliable.  And this whole thing is going to be from a Kaylor perspective, because that’s how the songs, and Taylor Swifts catalog as a whole makes the best sense to me.  I’ll show you what I mean.

I finally got The Lakes, and as such needed to add my analysis to the main post. And you really can’t without discussing Hoax too. They’re companion songs, yin and yang, can’t have one without the other.

Hoax:  I’m glad Taylor released an additional song, because I think this one is too negative and depressing to end an album.  It is melancholy and Taylor sounds a little defeated in it.  She basically says she’s sad, but nothing else will work, she is going to live with the sadness because her heart is taken with this person.  It’s a little bit, ‘victim of domestic abuse’ a mentality.  “This has frozen my ground”–pay attention, this becomes important later.  The piano and strings are beautiful, but the lyrics are just so dreary.  Don’t get me wrong, it’s a good song–I just wish Taylor was happy, and the subject was not hurting her.

The Lakes:  The first sounds remind me of when a movie shows a record player.  A litter antiquated and slightly degraded.  I think this song is chock full of poetry references, but let me be honest–that is not where my interests lie, so I didn’t take the time to do a true analysis.  The musical backing sounds much more optimistic than the prior couple of songs on the album (Peace and Hoax).  And Taylor makes sure to indicate she wants to leave her life for this dreamscape–but not without her muse.  “A red rose grew up out of ice frozen grounds…” is a good symbol for the barren loneliness and horribleness that Taylor’s relationship with her lover grew out of.  Things were bad and cold and icy, but from that stemmed (pun!) a beautiful red flower (glitch rose, Klossy?). 

Since it follows the depression of hoax, it shows Taylor has come through all of that negativity, that’s not where the story ends (a break up and toxicity) afterall.  It’s a more optimistic closer–thank goodness.  Also, Taylor is known to start the next album from the last song of the previous so this gives the listener a hint maybe the next album will be from some English chateaux where Taylor is holed up with her lover, doing what she does best–writing.

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