I Can Feel You Dancing: Would have benefited from another verse. It’s too much chorus repeating. I do like the touch of brass.
Good Times; The bass is cool, there are brass instruments which is great, and the keyboard is nice. I like the brass!
Wonder; The harmonic humming sounds good, then when it turns into the sample material it’s still somewhat unique. They do just enough to tell you it’s a take on the original and call it back, but most of the song is completely original.
Count On Me: The bass drum heart-beating throughout the song is the strongest part of this one. The lyrics are a little cliche’, but they sound nice sung as a group.
Wash It Clean: It is a nice song, but larely forgettable.
Enemies: Quiet, very quiet.
Interlude:
Just Enough to Get By: This song suddenly sounds like a completely different band. There is no indication of this singer or sound prior to this track. So I like it, it’s a little soulful and bluesy more than the rest–but let’s hear some of this elsewhere on the album.
Martingales: This song is also a bit of a departure from the rest of the album (in a good way) save for the choral backing.
Illegal Immigrant: Not an attention getter. Too soft, too unassuming. I do give props for any country-leaning group to tackle anything even adjacent to race relations. This is a pretty mellow and coded and safe take on a hot-button issue.
Friends: More jazzed up, but I don’t really like that talk-singing stuff. I do like a touch of whistling so good on ‘em for that.
Dust Settles: I think it might be a heavily coded political unity song. And it tells a story in detail, as a good country song tends to do. But my opinion is that it’s not a very original, or genuine story. It’s a bunch of cliche’s and probably guesses about how other people feel. I don’t get a big sense of introspection or personal feeling from the song. It’s a bit distant, instead of from the heart. Again though, I really give the band credit for writing on anything political–however coded and arms-length.
August: big strings are the reason I was attracted to Lone Bellow’s earlier work. So I’m happy some are included. But disappointed they’re not center-stage in the song, or featured on more of the album.
finale:
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