Lauren Alaina: Getting Good EP Review

I didn’t realize Alaina had put out two EPs until (embarrassingly late) the day before I was ready to publish the finalized list.  Why not just make them 1 album?  So to all the people I said edit and put out an EP if you need to–never mind on that.  Spotify made it a complete pain in the ass!  It was hard to see them.  Hey Spotify developers, if you’re reading this–puh-leeze make all kinds of music chronological.  

In My Veins:  Very Catchy!  I like that it’s a very down-to-Earth take, lyrically.  And I love the fiddle.

Getting Good:  It’s optimistic and a good life lesson.  While we’re waiting for life to improve, we forget that life is swell at the moment.  Appreciate what you have, but don’t forget to dream.

Somebody Else’s Problem:  Did Alaina and I have the same car?!  And same first relationship?!  This is about not being loyal to the point of stupidity–a lesson I had to learn the hard way also.  If it’s relatable to me, it’s probably something others have experienced too.

Ladies in the 90s:  My favorite track on the EP!  It’s an ear-worm, and I love all the references.  Artists, song titles, and lyrics are name-dropped making the song both sentimental and cool.

Country in Me:  About a boy she likes.  He’s just her type, and it brings her back to her roots.

The Other Side:  Kind of a weak ending, after such a good set of songs.  But the signing is there, showing skill.  

I never knew given the choice between some drinking break-up album and a more traditional country good-girl album, that I would prefer the latter.  But in this case I did.  I felt like the Getting Over Him wasn’t very authentic for Alaina.  I suggest she #1, just combine into an album in the future.  #2, stay true to herself, because without even knowing there was a choice I gravitated to her more true story.

Bon Jovi: 2020 Album Review

Bon Jovi wins easiest, most genuine segway into current events.  He does a seamless job of staying true to his own sound, and having an album that discusses all of today’s issues.  He hits on:  Political ugliness, the division in the country, war, racial justice, covid, and I applaud him for taking it on, and doing it well.  Every artist has a responsibility to do that right now.

Limitless:  It’s an upbeat and exciting opener.  Well, it took a long time, but Bon Jovi’s voice is shot.  The shimmer & jitter have impacted the vocal quality throughout.

Do What You Can:  Speaks to the anxiety of our nation right now.  It’s a reminder to stay vigilant and social distance, but that doesn’t preclude helping a neighbor or stranger.  America needs to hear it.  It’s nice to have a covid song that stays within the band’s typical sound, where the writing is not forced.  

American Reckoning:  “Our conscience has been looted, and our soul is under siege.”  Bon Jovi discusses our racial tensions and how history repeats.

Beautiful Drug:  Extending syllables “lo-ah ah ah ah uv” does a lot to make a song catchy.  It goes all the way back to our first infant babbling of phonemes like ba ba, na na, etc.  It’s used effectively in this tune, and was the first song on the album that really caught my attention.  And though I think the sentiment is naive (for where we are as a country) I can appreciate the optimism.

Story of Love;  I totally tuned out of this one.  The song tells of relationships between parents and children, which is nice.  It’s a little too melodramatic, though.  The instrumentals in the last third of the song redeem it.  I was about to take it off the list, but it goes out pretty nicely.

Let it Rain:  Good beat to start.  I can tell it’ll be exciting.  The sample is cool, and just a bit overused.

Lower the Flag:  A somber tone.  This is really meaningful, and genuine.  I like the idea of limiting the jingoism a bit.  We can be more moderate is what Bon Jovi suggests.  The fast part is catchy and I like it.  I’m not sure about the call outs, but it doesn’t ruin the song.

Blood in the Water:  I don’t know…  I can see he’s going for a relevant song , but it’s too much with devils and sharks.

Brothers in Arms:  I think this song represents Bon Jovi’s catalogue best.  It’s rock and a little gritty.  And it’s a message we’re all related and need to stick together.  And hello, is this miraca that I’m hearing–it’s pretty much the best.

Unbroken:  This song is Ok.  I like how the cadence is like a hymn and the subject is military.  But I just–maybe it’s too much religious imagery for me?  I’m not sure what exactly, i don’t care for that makes it a meh for me.  

Do What You Can (duet):  It’s a livelier, country version of the first song, and it sounds good as a duet.

Shine:  A nice ballad.  Excellent harmonies, and good guitar works. I like when artists use volume to convey importance and emotion.

Luv Can:  The sentiment of love speaking when words don’t work is a nice one.  He uses some phrases that I think he used in other songs before, so I’d like new material.  The breakdown is also kind of 1980s.  The “love is like a rolling thunder refrain” is nice, and perhaps the best portion of the song.