Question… Fighting Drama, Queer Love is a Fight, the Masters & Kaylor are the Fight of her Life [Part 7]

30 Nov

Taylor wins the pronoun game.  I’m not even going to try to untangle the speaker/recipient/changing characters in this song.  It was written so convoluted that I haven’t even seen a satisfactory answer to this yet.  Instead, I took lyric snippets from other songs featuring the same word, to get a feeling about Taylor’s sentiment and even song-subject. Don’t get overwhelmed with the length of this post.  The word I’m trying to point-out from Question… lyrics is highlighted. 

Did you wish you’d put up more of a fight? (Oh)

Fight:

So many, so many…  It’s a pretty crucial and central piece of Taylor’s writing.

call it what you want

Me

Only the Young

Miss Americana and the Heartbreak Prince

paper rings

Afterglow

false god

Madwoman

my tears ricochet

Ivy

Evermore

Hoax

Emotions devolve with each mention of “fight.”  Taylor begins fighting other people.  In Call it What you Want Taylor’s reputation is bad due to Snakegate.  But there’s a lot of hope because Taylor’s baby loves her for who she is and sticks by her side despite the drama.  

In Me! Taylor acknowledges that she makes it all about her, which causes fights with her lover.  But she never wants the lover to leave her, she does care.

Taylor’s love life is linked to politics, because her lover’s beard is linked to the Trump clan.  When the U.S. becomes hyper-polarized and everything is politicized, Taylor can’t let her image be tainted by Republican evil.  Only the Young captures the fear of evil reigning, and Miss Americana and the Heartbreak Prince clearly ties political happenings to fights with her lover.  Not wanting to get caught up in bad politics hurts the WLW relationship because Karlie has ties to the Ku$hners, either contractually or for convenience/status/money. And Taylor is afraid because people are whispering, she’s a bad bad girl. They suspect she’s gay, and especially in this political environment, that is terrifying to her.

Paper Rings, Afterglow, and False God show Taylor’s emotional trajectory regarding the fights with her lover.  Paper Rings is upbeat and hopeful.  In Afterglow, Taylor takes responsibility for her part in the fighting.  She jumps to conclusions and gets paranoid.  And in False God, Taylor is dejected.  She is in hell when her and her love fight.

The Lover era is tainted by the master’s heist.  Taylor is angry at $cooter and $cott for stealing her lullabies.  Throughout the Lover album, Taylor still seems wistful about Kaylor.  She wants to lure Karlie back to her.  Taylor still loves her despite all the “fights and flaws.”  There is a distinct change in tone from Lover to the folklore era.  Taylor realizes or suspects something about her lover.  Madwoman and My Tears Ricochet are mostly lashing out at $cott and $cooter, but there are snippets about a lover’s betrayal in there too.

Madwoman

This is Karlie on $cooter’s yacht after the master’s heist.

My Tears Ricochet

I don’t know how involved the Ku$hners and/or Karlie were in the Master’s Heist. I don’t know if Taylor knows for sure, or just suspects foul play and betrayal by Karlie. In It’s Time to Go, Taylor was pretty explicit mention twin and crook who was caught. She knew fans would piece together that she was talking about Karlie. Yet, an album later, in Happiness Taylor mentions all the relationship troubles went both ways. Two people are to blame for the demise.

Ivy alludes to the fight of her life.  Taylor is talking about both the masters and Kaylor.  Evermore asks what she was fighting for, because ultimately she was double-crossed by this lover that she was so set on fixing things with.  Hoax is one of the saddest, most hopeless songs in all of Taylor’s catalog, and mentions her winless fight.  She is re-recording the masters, but she lost the girl.

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