Logistics:
Remember we’re looking at words in the lyrics of Question… to try to decipher who and what and when.
We’ve almost gone through the entire song, pulling lyrics containing the same words to get a sort of consensus or feeling about Taylor’s intention.
Now that we’re toward the end of Question… lyrics, we need to address the central part of the song: Kiss in a crowded room. And the kiss really brings to mind Dancing with our Hands Tied and maybe Kissgate.
We will analyze Dancing with our Hands Tied to see if it parallels Question….
Except this particular line within Dancing with our Hands Tied got a bit long because I really don’t know for sure and there was no solid direction to take the analysis. I will go into it in detail in this post so the guesses don’t overwhelm the analysis of the song as a whole.
And I’ll spell out my conclusions from this post in the full analysis of Dancing with our Hands Tied.
Then we’ll get back to the end of Question…
Was that explanation as confusing as trying to guess who Taylor’s songs are about?
And I had a bad feeling
Taylor is chronically anxious about a lot of things. Primarily, (and in her words) her house (physical embodiment of her sensibilities) is haunted (gay) (Question…[Part 6]. Taylor feels torn between her “aberrant” sexuality and being seen as the ideal woman, or at least politically correct. It’s a struggle for Taylor to be authentic to who she is, but also appeal to a wide swath of people to maintain her fame (Question… [Part 12]). She’s gay, rattled, and drunk, yet she projects hyper-femininity and confidence to be palatable to the masses. Throughout Taylor’s life her sexuality caused her to hide, panic, and scheme.
The middle of the night is a time for Taylor to ruminate and contemplate why she is in cages. Taylor is a super-star. Her every move is published for the world to judge. A primary problem is that Taylor has to retract central parts of her branding if she wants to be open about her sexuality. If she sticks to the tenants of the Taylor Swift brand, Taylor, the individual, must closet and beard (Question… [Part 6]). She has strife about this difficult choice, because Taylor worries that her sexuality will accelerate her losing everyone and everything.
But Taylor already loses her important romances. This is part of the reason why, even at the early stages of a relationship, Taylor is terrified to lose the love. She senses it’s fickle and fears it could go away at any time (Question… [Part 11]). Taylor has suffered loss and loneliness with at least Emily, Dianna, and Karlie. Emily was out of the band suddenly and Taylor felt sorry. A fake article about Swiftgron went viral and Dianna erased her blog and tattoo then Taylor was only seen with her one more time. Karlie’s timeline is complicated, but the last four albums tell us they couldn’t get on the same page about how to proceed with their relationship. For instance, Call It What You Want tells Karlie [I hear her name in the song and can’t hear anything else] they don’t have to name what they are. It speaks to Karlie being nervous about calling herself Sapphic. Taylor urges her to just go with it and don’t worry about labels–she just wants this love.
Yet, in Cruel Summer Taylor still paid a man to be her beard. Taylor’s lifelong defense mechanism is closeting so when she sees a shiny toy, this bad boy with a price, she bought it.
The night of Kissgate, Taylor went on a Kaylor-liking spree online, signaling some pre-gaming had occurred even before the 1975 concert. Taylor drinks to calm her anxiety, and anything too gay makes her especially anxious. She correlates the overwhelming feelings of Sapphic love with drunkeness. Being drunk is cathartic and freeing, allowing inhibitions to be lowered. But it can also make your head spin, cause you to go rougue, and can make you throw up (the blurple color shows she’s gay inside) on the street (Question… [Part 11]). The night Taylor is talking about in Question… she was “on something” is both liquor and the high of gay love (Question… [Part 11]).

Taylor can’t stand the heat, is constantly afraid of impending fire, and the invisible smoke hangs over her. The smoke (hint of a fire) is unrealized events that Taylor fears. The heat of the fire is every time Taylor is overtly gay and too many people notice. The (anticipated) fire is getting burned by coming out or worse, being outed. The water rushing in is damage control by Taylor’s PR team.
The rain is Taylor’s own overcorrections when things look too queer. It’s rain, a naturally occurring more passive event (vs. firefighting, a planned, aggressive action). Taylor uses rain to describe herself putting out the gay fire to show it’s compulsory and imposed when she yields to her team’s straight-washing. It makes her feel safe, yet contrite.
Taylor suffers because she loves the gal, but also knows how “out(ed)” celebrities lose their fame and die all alone.
Catty Remarks