23rd Up to 17th Top 2017 Albums

10 Jan

#23-Eisley I’m always a big fan of how so many voices in the band come together.  I’m Only Dreaming reminds me of the album that the Princess in Super Mario Brothers might be listening to while locked in the castle.  It’s got a fantastic, whimsical sound.  As always, the songs stick with you but are also good background music.

#22-Minus the Bear

Truly alternative music.  VOIDS isn’t nearly as dark and depressing as 2012’s Infinity Overhead, and that’s a good thing.  But it didn’t hit that spot in my psyche like it used to.

#21-Emily Saliers Her first solo album is really exciting to me!  I have been a long time, huge, huge fan of the Indigo Girls (and I’ve always thought that Emily was the better writer and singer of the two).  I mean, there’s really no comparing Amy and Emily–they are different and each have their own strengths.   But I figured if I liked Amy’s solo material than I would really, really like Emily’s.  Murmuration is a little on the sentimental side.  A little folksy and quiet.  And most definitely an album that requires multiple listens before you feel attached to it.  It can try a little hard, like the line, “. . .  mother-phallic gun. . .”  I mean, I get it, I agree, but still. . .  I really love when the songs have violin, and I really like the Native American style wailing (if that’s the right thing to call it?  Sounds like powwow music) in some of the songs.  And I appreciate the story and sentiment in “OK Corral.”  For the most part, I’m on board.

Back at home, they’re shaking heads and asking why
He was so quiet, seemed like such a decent guy
A heart of darkness lies in wait in everyone
It opens like a hollow point when you point and shoot your motherphallic gun

#20-Pink I didn’t intend to make this blurb full of backhanded complements (though I have).  I have been with Pink for her entire career, from the competition with the bubblegum-pop Brittany/Christina set, to the introspective Funhouse, with songs like “Sober” that really evaluates a lifestyle.  And I like Pink with her “if you don’t like me, fuck you” attitude and edginess.  I know Pink may not be the most mature or marketable artist, but she is never phony.  My favorite thing about Beautiful Trauma is not the usual catchiness that makes Pink have a lot of radio hits.  None of the songs really struck me as stand-outs or singles.  It also wasn’t WHAT Pink had to say.  As a matter of fact, her song “What About Us” bothers me.  It’s unclear to me what exactly she’s trying to say, or who she’s talking to.  It’s a partially political, partial love song, but equates to saying nothing at all.  I can tell it’s a song written to appeal to the masses and say whatever you want it to say.  There’s no real message from Pink’s heart here–other than buy the album!  Speaking of buying, I’m disgruntled Pink is selling her worst concert tickets for $206! What. the. Fuck?!  But, but but!  The thing that I think is put forward in Beautiful Trauma is Pink’s singing.  It is perhaps her best vocal work yet, and definitely the album that showcases her pipes best to date.  She can really hit the notes, and does so in almost all these songs, and that’s really what the music industry should be all about.

#19 -Michelle Branch “Living a Lie” is ummm, sort of like No Doubt in the 1990s.  Its poppy but with a rebellious watered-down punk vibe, listen to “Living A Lie” = ska.  It’s a nice change for Branch.  “Not a Love Song” is a good ballad of regret and trying to get over someone, and very catchy.  I’m glad Branch is working again, and admire an artist that can successfully do adult contemporary, country, and alternative styles.  Keep it coming!

#18-Rachel Platton

Waves sounds very much like Taylor Swift’s new album.  The style is better suited for Platten, but “Whole Heart” is good even though it doesn’t match the intensity and uplifting feeling that “Fight Song” garners.  I can appreciate the sentiment in “Loose Ends.”

loose ends lyrics

And “Perfect for You” is a plea to take her as she is.

#17-Miley Cyrus

I’m surprised how high I ranked Younger Now.  Miley explores a more serious side here, more mature without being boring.  Her voice is different than any female vocalist around—very deep relatively.  A duet with Dolly Parton is always a crowd-pleaser and shows Cyrus still values and hones her country roots.  I would not call this album country, though.  If you had to categorize it Younger Now would be pop.  But not superficial pop.  “You’re Not Him” shows depth of writing and emotion.  “Week Without You” is about enjoying time away from a boyfriend and the ramifications of that.  I would like to hear more things from Cyrus not put out to instill shock and rebellion.

miley-cyrus-younger-now-video

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#30 best to 24th from the Top Album of 2017

9 Jan

#30-Jarod Nieman
This Ride is a perfect example of how much country has changed. The only thing that makes it different from other genres is singing with a twaing. The themes are much the same as any other type. Nieman is fun to listen to, and I like the stay-cation vibe he brings to the table.

Jared Nieman

#29 -Mary J. Blige

I like when Mary J. sings from a place of strength.  And she does just that in the aptly named Strength of a Woman.  In addition to the voice of empowerment for women, especially for women of color, I like the string instruments that are in the background.

#28-Luke Bryan

Fake country.  Still it’s a fun listen.  I watched a stand-up comedian (I can’t remember who) that hit the nail on the head when he accused country music of pandering.  The comedian was absolutely right when he said the current stars use certain buzz words:  Jeans, trucks, dirt road, etc. . .  to sell their album, even if that celebrity has NEVER lived that kind of lifestyle.  I think it’s true, and it makes sense since America has moved from an agricultural landscape to a mostly urban one.  But nobody wants to see a rich-ass musician crooning about hay bales when he, himself is wearing $800 boots that have known a day of physical labor.  Even if Luke Bryan is in that camp, I respect that he addresses the issue, right up front, in the first track.  He describes country as more of a mentality than a lifestyle these days, and I can buy into that idea.  I liked a couple of the songs that had a good hook.

Luke Bryan

#27-Nothing But Theives Good alternative.  The drum beats are kickin’!  He can hit some notes, but does it in such a chill way that it seems natural.

#26-Jack Johnson I WANT to feel Jack Johnson.  All the Light Above it Too is good, but it’s no In Between Dreams or Brushfire that will get mainstream air time.  The songs are cool, but you’re probably not going to be getting the lyrics stuck in your head.  I can appreciate Johnson’s vibe–his music personifies the laid-back, stoner, Hawaii-Hippy feeling/scene.  Jack Johnson has a message in his tunes that I can get behind too, and I respect his way of sharing it.  But to make the top of my list I need more–energy.

jack Johnson

#25-Zac Brown Band

Probably my favorite country album of 2017 is Welcome Home.  It has that twaing, is sentimental (without being saccharine or phony), and I think it speaks to a rural crowd.  “Real Thing” in particular is a stand out love song.

#24-Taylor Swift
Reputation ranks surprisingly low on my list, given how much of a Taylor Swift fan I have been in the past, and her mainstream status of undisputed queen of popular music.  Believe me, I can back up my opinion with more than the fact I feel like this album should be renamed, To Kanye, with Bitterness.  Though we will get to that after my primary point.  Does anyone else feel like Swift’s music has become formulas, statistics, physics, and mapping her way to sales and awards?  Yes, it’s irrefutable that Swift can write.  She can get together a catchy hook.  Obviously, she’s a self-promotional machine, almost unhuman with her uncanny ability to be on the forefront of the next sound-trend.  My question:  Is there any authenticity left in her process?  Or is it ALL promotion?  Get this big-name artist to feature.  Make that video with JUST enough skin to appeal to a male audience, but still support a good-girl image and not alienate female fans.  Drop this hint at that drama.  Release the singles and the album at the exact right moment.  I just have this bad feeling that Swift is all business.  I used to feel her emotion–and now it’s just strategy.  And the 10% emotion that’s left is bitterness and distrust.  I’m not in love with so, so much beef in the songs.  And you guys know how much I love a bitter song or a little hint of $hit-talking in a song!  But this is overkill. 

taylor swift fued

It seems like every song references Kanye in some way–or talks up some sexy relationship stuff, which to me sounds more like overcompensation, than actual love.  Taylor, get a grip and get over it already–we’ve heard these things, and you’re SO much better than this.  You are wasting your talent looking backward and unintentionally bringing attention to the wrong people, while you should be moving onward and upward.  It’s becoming overplayed.  Combine this uber-polished album with it’s super-poppy sound with too much rehashing of the same, tired story- and you get my opinion:  Maybe it’s somebody else’s turn to take the music crown. 

40th spot to 31st Best Albums of 2017

8 Jan

#40-TLC

You just can’t recapture the past.  Especially without a member, my personal favorite member.  But TLC’s self-titled 2017 album comes out strong, especially the song, “Haters” in which the message is absolutely true.  And it’s a good message.  Very relevant in these tumultuous times.  I’m not big on the very heavy sampling, but maybe the other 2/3 of the group can work out the kinks of being a duo and produce some quality tunes that are more in line with the past albums.

#39-Katy Perry

I think she was pushing a little hard to find that empowerment anthem, and because she was trying too hard it didn’t happen organically.  I like ‘Hey Hey Hey” but the first line of the song is, “A big, beautiful brain” which is a little over-the-top and not that singable.  Another example is “Power.”  It’s almost like Perry writes in soundbites that she hopes can become the next catch phrase or mantra.  I suggest she just write from her heart instead.

#38-John Mayer

I’m not gonna lie—Mayer is losing major points and positions because of his weird-ass cover art.  He looks like a junkie with unwashed hair that someone doodled over at the bus-stop.  WTF?!  Whoever convinced him to go that direction (or approved it) should be terminated.  Also, as much as Mayer tried to introduce some funk vibe into The Search for Everything, the album is mostly boring.  It’s like once he lost his arrogance, he also lost his inspiration.  The only songs I could attach to is “Never on the Day You Leave” and “Roll it On Home.”  The song “Changing” gets honorable mention from me.  But sometimes Mayer comes on a little too strong and tries to force emotion, which I do not like.  I would like to see John Mayer do something different but have that spark too.  Work on the whole package, man!  This album makes me wonder if he was just a flash in the pan-not a real talent.

John Mayer

#37-Kid Rock

He has that southern-fried rock going on, but I can’t help but think of Trump when I listen to it.  I don’t know if it’s true or not, but my impressions are Rock is more racist than rebellious these days.  I have no idea how he is as a person, but the type of music is a little too Lynard Skenard for me to feel comfortable jamming to.

kid rock racist

#36-Various Artists

Trios sounds like an experimental, jazzy cacophony.  Sometimes it’s just discordant sounds, others it intones a suspenseful mood.  The album is individual and cohesive.

#35-The Killers

It’s a little quiet, and a Lot less dancy.  Wonderful Wonderful was probably the best example of (just slightly alternative) rock & roll in the scene, which comes as a surprise to me.  “The Calling” is the most reminiscent of their other albums.  I also liked, “The Man…Remix” is a space-oriented shake-your-ass kind of song

#34-Drop Kick Murphys A little less pub-anthem, but still as cheeky as ever.  You can still sing to them when you’re drunk, but 11 Short Stories of Pain & Glory is more melodious than past fare.  Standout of the bunch is “First Class Loser” which is awesome!

Dropkick Murphys

#33-Evanescence

Synthesis is Epic to the point I was wondering if it was written for a show or at the very least a video game.  This gal can SING though and per the usual she proves it.

#32-Linkin Park I see Linkin parts as four distinct sounds:  The angsty scream-yelling (not too much), the rap with thoughtful lyrics that make sense, the melodious singing, and the catchy hooks.  This album is very melancholy, without a lot of that anger that I used to like.  The sound is too different in One More Light and alienates me as a long-term fan.  The songs are still catchy, but they’ve lost that edge.

#31-Maroon 5

Red Pill Blues doesn’t have that special Maroon 5 beat.  It’s also not dancy at all.  And it’s not really catchy like past albums.  It’s kind of soft and unassuming, a dud actually.  I’m disappointed and hope they will rev things up again.

Adam Levine douche

The Bottom 9 of My Top 50 Albums of 2017 (is that enough numbers for you?)

7 Jan

#41-HAIM
Is that an all-caps name? I don’t really care for this band because it’s too 1980s. I can’t get past that retro sound.

haim

#42-Ani DiFranco
I usually loathe her because I think she thinks of herself as clever. I almost didn’t even listen to Binary because I can’t take her pretention. But the few songs that made my list are pleasantly discordant, and Ani actually bothers to sing, rather than just talk through them like she has in the past.

#43-Fastball
The one hit wonders are back with Step into Light. They sound much the same, actually, and I liked, “Best Friend” and “I Will Never Let You Down.”

#44-Foster the People
There is such a thing as too much hipster. It’s Sacred Hearts Club. I could live with “Static Space Lovers” and “Lotus Eater” but the rest are only good if you’re the type of person that shops at pawn shops (ironically) and has a handle bar mustache. Too much!

foster the people

#45-James Blunt
Two songs made my cut with “Heartbeat” being the better.

#46-Dolly Parton
I didn’t get the memo about I Believe in You, and I really hate to rank Ms. Parton so low on any list. But this album must be aimed at children? It’s…nice. But I’m not really sure what is happening with it—it’s not for my age group. But I think Dolly Parton is a really good person, and I’m glad she’s putting some good advice and lessons within her songs. It’s just not terribly listenable if you’re out of pre-school.

#47-Seal
Don’t get me wrong—I think it’s smart to jump in the mostly empty genre of swing. Why should Michael Buble reap ALL the spoils of a whole category of music? I feel like Seal’s foray into Sinatra-inspired music isn’t the best fit. OR it could be the Jim Carey effect. Either way, a few of the songs are good, but I’m mostly left thinking, imposter.

#48-Lee Brice
A little too saccharine for me. But listenable.

#49-Lana del Ray
I don’t really care for “dream rock.” It’s too slow, and boring. It’s not stoner music like Jack Johnson, nor is it soft rock (since even that has a hook or a tune). It’s flake music. Like a space-cadet music. Honeymoon is the same as usual. I can’t even be bothered to listen to the lyrics or tell you if the songs are cohesive. It’s just too slow to catch my interest.

honeymoon

#50-Rascal Flatts
Too much. It is whiny! And Trying too hard, and disingenuous. They are trying to recapture earlier fame, but the content isn’t believable or relatable. Very disappointing of an effort–I suggest they sing about what they’re actually feeling, instead of trying to contrive emotion in order to pander.

Top 12 Songs of 2017

6 Jan

12-“Pills” St. Vincent
Remember how Savage Garden’s Throw-back alert! “I Want You” with that chicka cherry Cola would come on the radio, and you at first thought it was a commercial? This song has that same quality—it sounds like a Christmas song. It’s even got a “come…” break down that is very holiday-sounding. And then it sounds a little Destiney’s Child, too. But the subject matter is so NOT D.C. and I like how it questions society’s penchant to pop a pill to fix every little “problem.” It’s a unique song, and secretly makes you think.


11-“do re mi” by Blackbear
You know how I like a bitter song and a breakup song, and this one is very catchy.
10-“Unforgettable” Thomas Rhett
It’s a surprise to me how high this song ranked on my list of singles. It’s pop-country. The song is sweet, almost saccharine. Not my usual go-to sound. But it’s kind of nice, and it’s got a good hook.
9-“Slow Hands” Niall Horan
It’s not Horan’s fault that the radio has over-played this song to such an extent that I want to rip the nails off these slow hands. It’s a good song and I liked it a lot before I heard it too much.
8-Jens Lekman, “How We Met, the Long Version”
I mean a song that references evolution? How can you go wrong with a good disco sound AND a history lesson?! It makes me think of a lower key Flaming Lips. Experimental, fun, and smart. He’s an artist to watch.


7-“New Rules” by Dua Lipa
Clever and catchy anthem for gals struggling to be treated the way they deserve. I like the song as a feminist. I like the sassiness. It’s a stuck-in-your-head kind of thing. And the lyrics make sense and are positive.

new rules
6-Kelsea Ballerni, “Unapologetically”
I like the ‘over you’ sentiment of this song. She’s resolute and it’s good to hear someone singing a ‘back off, egomaniac’ song to some Douche who’s talking shit. Writing like this is worth paying attention to in the future.

unapologetically
5-“Something I’m Good At” Brett Elridge
This is a song that made me stop what I was doing and find the artist. I heard it on the radio, and had to remember a piece of the lyrics so I could Google it. What magnetized me to this song was how Elridge can sing so fast! It’s nice to hear a country singer rap. And the song is one of those that will get stuck in your head, but you don’t know the words. This is one to listen to on a boat, or before a party. The false endings are entertaining, and it makes me want to choreograph a clogging dance to it.


4-“Burned” Grace Vanderwaal
The piano is awesome. I think this is somebody to watch. Empowerment = wonderful. And such a strong voice! It reminds me of Fiona Apple and Beth Hart combined into a soulful, sultry sound at a smoky club. I love the lyrics—of course, that goes without saying!

__________
Special placement for the top 3 songs of the year, even though they’re not just singles they feature in an album on my countdown.

 

3. Demi Lovato, “Sorry Not Sorry”

sorry not sorry
1=2 Ke$ha, “Praying”

kesha
1=2 Imagine Dragons, “Believer”
believer
______________

Getting to the Top 10 singles of 2017 (but not yet)

5 Jan

Here are the songs that didn’t quite make it into the top twelve, from middle to towards the top for the sake of maintaining drama.

25-Cleopatrick, “Hometown”

Also draws upon alternative influences, like Fall Out Boy.  But they throw in some harder rock sounds, and can hit a range of singing notes.  They keep it interesting and unique by not straight up copying any ONE artist or style. 

24-AJR, Cuomo- “Sober Up

Also sounds like Twenty Once Pilots.  But there is some string instrumentation that’s alternative-orchestral, which brings something different to the table.

23-“In Cold Blood” by Alt-J
sounds like a cross between Cold War Kids and Twenty One Pilots

-“Young Dumb & Broke” by Khalid
Speaks to a recognizable stage of life.  Highly singable stuff.

22-“Despicito” feat. Justin Bieber

Jesus, that’s too many names to type for just a single song.  I suspect this is a career move and pandering to a growing audience/majority.  But “Despicito” adds some flavor into the music scene with its Spanish verses, tongue rolling, and flair.  Bonus points for something different getting heavy radio-play. 

21-“Back to You” by Louis Tomlinson feat Bebe Rexha & Digital Farm Animals

Some nice swearing and bitterness that neatly conveys staying in a relationship that is sour.

back to you

20-“Avalon” Foxygen

I’m not sure if this is for some soundtrack, but it sounds like a Disney movie or show-tune.  I can practically see the kick-line.  And, honestly, doesn’t that sound like Robin Williams singing?!

19-“Worst in Me” Julia Micaels

I like the lyrics more than anything else in this song, “. . .  work on things. . .  but the worst in me doesn’t want to.”  Bam-truth.

worst in me

18-Portugal.  The Man’s “Feel it Still”

I hate how much I like this song.  It’s upbeat and even though I don’t know what the fuck he’s talking about—I sure like the tune.  This song is like that, just a superficial jam who’s melody steals the motivation to look deeper for meaning.  I’m sure this song says something, but with a chorus like that—who cares!

17-“The Stage” Avenged Sevenfold.

It’s very video-game.  And a little theatrical.  Sounds a lot like Two Steps from Hell.  But it’s a good running song, and a good example of a hard-rocking song.

16-“Silent Skies” Seven Lions, Karra

It’s a party in a song.  There are plenty of electric things going on.  Cool classified it:  Dubstep Glam.

seven lions

15-“Stand Up for Something” Andrea Day, feat Common

I like the message of empowerment, and the gospel flavor.

14-“Drinkin’ Problem” Midland

Lines like, “living on the rocks” and “I got no problem drinkin’ at all” and “they call it a problem, I call it a solution” are very country and even more relatable.

13-“Paris Sun” Nelly Furtado

It’s different background music reminiscent of sirens, gaming noises, and buzz-saws.  The singing is different than I remember-more melodic.  It’s good.

The Remaining Singles

4 Jan

Here are the middle songs from bottom-middle to 4th best.

38-Jimmy Eat World, “Pass the Baby”
They are a little edgier than I remember from my high school days in 2002. Also, the song is a little darker in lyrics and tune than their older stuff. That said, I picked just a single because I wasn’t feeling the album as a whole.

37-“Party’s over” Astrid S
It’s a typical 2017 radio song. But it has some sweet singing.

36-Mali Music, “Still”
Another R&B song of 2017—can you see why I’m a little anti, yet? Not because I don’t like R&B, but because the market gets saturated after one or two strong songs, until any example is just one more of the same. See the early-otts bubblegum pop divas and boybands as a (more Caucasian) example of the same.

35-“Love Patiently” Shakey Graves
Is there enough whistling in song? This one helps fill that gap. It’s also clearly an independent song.

34-Tim McGraw & Faith Hill, “Break First”
Speaks of all too familiar break-up games people play. I like it, but it’s unnerving how well this couple can sing about being apart.

33-“I’m the One” DJ Kalid, Justin Bieber, etc. . .
Typical R&B of 2017, but I think this was one of the first singles of this genre out this year. So they were ahead of the curve, and dropped this single before the market was over doing the genre.

32-“Humble Pie” Musiq Soulchild
Don’t spell music with a Q. Other than that, I like the lyrics of this one.

31-El Ratico, “Juanes, Kali Uchis
Another one that I don’t know what they’re singing, but a good beat.

el ratico

30-Charli XCX feat Tove Lo, ALMA, “Out of My Head”
What a pain in the ass to write the artists! This song was higher on the list, but I didn’t like the ‘I kinda like it’ interlude near the end. I like the crazy sounds in the background music (squeaking), the weird manipulations of the voice, and her jazzy voice.

29-“Freeze Me” Death from Above 1979
Dumb and too long of a band name. This one reminds me of Bon Iver or Spoon.

freeze me

28-Harry Styles, “Sign of the Times”
It’s hard for me not to think about politics when I hear this one: “Just stop your crying, It’s a sign of the times, We gotta get away from here. . . We never learn, we’ve been here before, why are we always stuck and always running from the bullets.” The song recommends we open up and talk and learn from our mistakes. It’s a good thing to remember in this political climate.

27-“Villians of Circumstance” Queens of the Stone Age

26-“Born for Greatness” Papa Roach
Was the only song from the album that I could attach to–which is a shame, because when I was in high school Papa Roach was a staple in Northern Nevada. This song, is a nice rally cry in these uncertain times, and P.S. a good running song too.