Tag Archives: Alanis Morressette

Best of 2012: NEW ALBUMS

6 Jan

Best Music Produced in 2012:

Finally.  I intended on publishing this on New Years Eve when it’s a little more relevant.  These important decisions take time, and listening.  Several listenings to really pars apart the minute details between albums.  It’s a more subjective measure, then just copying LastFM statistics.  You can’t use the stats, because albums produced later in the year are at a disadvantage.  So this is based on my careful listening and whittling of songs–as well as my own unsubstantiated opinions and feelings.  Oh, and let’s get this out of the way right off the bat–I in no way italicized or put into quotations album or song titles.  This took a look time to write (as you can see by the post date of Jan 6), and I just didn’t devote any more time then necessary to grammar.  Just appreciate the music, and forget proper English, OK?  So finally, finally the long awaited, BEST OF 2012 ALBUMS blog (from good to *glorious–for you, mom).  Enjoy–I know I enjoyed listening and writing it.

Thriller

Honorable Mentions:

30.  The Fray–which I found a little too churchy to stand up.

29.  Jack Johnson’s live HI benefit album, which featured many other artists, but was too libertine.

28.  Rhythms Del Mundo with their African remixes of popular songs.

the Fray

27.  Carrie Underwood-Blown Away

Meh–I can’t say I was.  I found it too poppy for the most part.  I want a little more range and a little more country twang from Carrie.  What I got was a very commercial effort and three songs I could settle on liking.  Maybe next album, Carrie will write more of her own material, get back to her roots, or at least construct the CD without sales figures and commercial appeal in mind.

Carrie Underwood

26.  Matt & Kim-Sidewalks

I suppose I like the IDEA of the album much more then I actually liked Sidewalks.  Indie music seems so cool, so hipster.  But each song was too similar to the next for me to really appreciate the whole album.  After a quick couple of listens I was tired of hearing the same song in slightly different variation.  I found only two songs which I liked for longer then a day.

25.  Ke$ha-Warrior

Mmmm, this one was good for working out, and I’m sure dancing.  I fount it to be a slightly immature record though.  Maybe I dislike a very genre-specific record.  It certainly makes sense that I redered a very country-pop, indie, and dance-pop albums to the bottom of my 2012 list.  On this one my attention was only captured momentarily, the songs were too poppy to hold up even over a week.  I think Ke$ha has potential as an artist if she can write a little deeper lyrics, while keeping the dancy beats.

24.  Jason Mraz-Love is a Four Letter Word

At first I was very enamored with Love is a Four Letter Word.  I couldn’t get enough of the catchy tunes, and Jason’s commentaries about the songs.  It just didn’t hold up over time though.  The more I listened, the more I got annoyed with certain songs, or intros to the songs.  So unfortunately  what started out as a very, very good thing, ended up on the chopping block so to speak.  By the end of the year I was left with just 5 songs I felt were outstanding and liked to play repeatedly.

where's Peter

23.  White Rabbits-Milk Famous

Apparently, in my best-of 2012, I require several things:  Originality, while being true to the expected sound.  Check.  Coolness factor.  They have it.  Many good songs, that mean something to me and that I can listen to anywhere and on repeat.  Sure.  Several Genres.  This is where the White Rabbits fell flat.  They are indy and hipster and original, and yet each song on Milk Famous was much the same.  Just OK.

cherry

22.  Pink-The Truth About Love

I like Pink.  Always have.  I don’t care how immature or how volatile a person she is.  And this album was no exception, I found songs I could sing to, feel emotionally, and dance with.  And I loved how she featured other artists for the first time.  Good things–I like six songs.  But a good, chart-topping, year wowing album requires more then one awesome single and a few notable duets.  There is just no way to put The Truth About Love at the top of any list.  When you listen, you know it’s the junk food of female pop artists. Pink may have a little more staying power then most, and she may have slightly more to say lyrically, but there is just something about this album that isn’t adult.  Despite serious subject matter, Pink is unable to delve deep into her (or my) psyche to warrant serious success.  I want more songs like “Sober” and “Who Knew” that really stop me in my tracks while still being singable.

21.  Alicia Keys-Girl On Fire

Alicia does a good job straddling the line between R&B, piano, pop, soul, and jazz music.  For that, I have to rank Girl on Fire toward the top-more albums of 2012.  In addition, good CD title too.  That said, I only liked six of the offerings.  Usually, with Alicia’s music, I can’t really LOVE each song, but grow attached to at least one.  Not so with Girl on Fire.  No song really grew on me as they had with past albums.  So she gets mediocre rank.

LF polar bear

20.  Minus the Bear-Infinity Overhead

I just expected more.  There was nothing wrong with Infinity Overhead (except that terrible, gritty video for “Steel & Blood”) but I had hoped for more.  The songs were good.  Easy listeners, that were repeatable.  Indy and cool and true to their roots.  I guess I looked forward to the album release so much that these seven songs I ended up liking most did not measure up.  Good music, but a let-down all the same.

IMG_20120901_173242

19.  Dave Matthews Band-Away From the World

I really hate to say it–I do.  Especially as a relatively new fan, whose favorite moment of 2012 was The Gorge Concert on Labor Dave Weekend.  Away From the World wasn’t the best CD DMB has ever put out.  Sure, “Mercy” grows on you and the video concepts are amazing.  There are just no stand out songs, and certainly not of sufficent length, jams, or live footage.  Now, I’m hungering for a new album already, because 2012’s just didn’t do the band justice.  I wish I could rank this one higher. . .

18.  Alanis Morressette-Havoc and Bright Lights

I’m not afraid to say it–I loved Jagged Little Pieces.  Not a popular opinion anymore.  It was one of my staple CDs for years–still is in the case of a break up.  After Jagged though, Alanis sort of lost her edge for me.  I didn’t really love her efforts until this year.  And this album features a lot of songs I don’t hate.  Though I can’t really say I felt much toward them.  I would classify Havoc and Bright Lights as unobtrusive.  The best album Alanis has put out in years, but not a knock out, stand out by any means.  It’s good background or study music.

my x-mas 14

17.  Bon Iver-Stems Project

This album was produced very early in 2012.  And it’s sits toward the middle of my favorites list despite eventual categorization as just unobtrusive, because it has a couple things.  Different variations of the same song?  Surprisingly a good idea.  It has a very original vibe?  Yup.  Indie? sure.  Hipster? definitively.  And yet, it’s not presumptuous.  Stems Project may not have any stand-alone, stand out songs, but in it’s achievement as indy-hip minus the attitude, I commend it.

Fiona Apple-Criminal

16.  Fiona Apple-crazily long obnoxious title, I’m not going to try to write out.

Jarring.  That’s the most effective description I can think of for *insert longest most unwieldy album title of all time here*  This is over a couple of other artist offerings, because even though I could hardly listen to some of the songs, Fiona was saying something.  Sometimes in a good way, oftentimes exceeding my listening saturation point.  I do like that Fiona did her own thing.  She made her own rules, and really went for it–not keeping an eye on record label profits.  Respectful effort for sure, and I can see potential again, because we all know Fiona can be a little unstable and unpredictable as a person–though she channeled that nicely for the album.  I do suggest less shouting and a shorter title for the next project.  Oh, and by the way, I don’t know if anyone can beat Fiona’s singing chops with her garble-waver and range of pitch.

15.  Amy Ray-Lung of Love

I always have love for any half of the Indigo Girls.  And I feel like Lung of Love has a more country feel to it.  Which is an awesome addition to the rock, folk, and punk infused grooves she already has going.  Extra bonus points for incorporating Brandi Carlile’s voice.  I also like the other featured artists on this album.  Except, I don’t know what it is, but Amy Ray has this way of getting a momentum where every song has the same vibe.  Even with all those different genres and contributing artists.  I start to wonder where one songs ends and the other begins.  And it isn’t in a cohesive–this CD has a theme way.  It’s like she finds an original sound, then sticks to that same sound too much, so that by the end of the CD it’s not novel at all.  I say an album that goes together is fine–but too much of a good sound just becomes boring.

Indigo Girls

14.  A Fine Frenzy-PINES

I love the enchanting whimsy of A Fine Frenzy in general.  And this album, certainly gels together in a nice theme.  Problem the best presented cohesive package of the year.  The only trouble with PINES is the length of some of the songs.  A couple of my favorites are 6-7 minutes long.  A few are just extraneous in length.  Anyway, a nice dramatic effort, that will last in time for sure.

CO wildflower

13.  Green Day-Uno, Dose, Tres

Though there were technically three albums, I judge as one musical effort this year.  Of course, conceptually, the guys deserve kudos for thinking outside the box and producing three separate  yet combinable CDs each several months apart.  I think it’s a great marketing ploy, it’s different, and it’s creative.  Together-it’s a lot too many songs, that tend to blend toward one sound.  Many songs lack their own characteristics, instead being obvious “fillers.”  Yet, I’m not sure I would have liked the 12 songs I ended up liking well, AS much if they would have been on just one disc, as one offering.  So I rank Green Day as top of the middle in my 2012 list, if nothing else for their creativity in bucking a rigid label-system to produce three mini-albums at three intervals.

12.  Keane-Strangeland

There was a different vibe on 2012’s CD then Keane had in the past.  Still good, just another variety   The one thing I disliked was really based on a feeling, then tangible qualities.  I felt like Keane had a certain umm, what’s the right word?  Not arrogance–that’s too much.  Just a level of comfort and familiarity that comes with being sure of success.  I got the feeling Keane feels established enough to not TRY and struggle to make it anymore.  Which, they may have a well-established fan-base, but I think very few artists truly get to stop worrying about their number of listeners.  It ranked just slightly lower because it’s heavy Europe.  There is just a UK vibe that, as a true American (I suppose) turned me off.  This makes it sound like I didn’t like the record at all, which isn’t the case at all.  I felt very strongly toward the 12 songs I did like though, and there were plenty more offered on Strangeland.

11.  Eisley-The Valley

It’s difficult to believe that more then one person is singing.  The blending is impeccable.  I think the musicality, the beats especially, are improved from their last few albums.  If I had to describe what Eisley does to me when I listen to The Valley, it’s to tear delicately.  The lyrics and peaceful pitch gets inside my head and heart, and the emotion behind along with the instrumentation rips at my insides.  It’s a soft assault on my sensibilities.

NV Feb 2010 241

10.  Maroon 5-Overexposed

I have no idea what it is.  These guys are just different from everybody else.  I really can’t put my finger on what makes their music so outstanding.  They can say mean things in ways that get stuck in your head.  Their beat initiates dance moves unparalleled.  They are poppy, and seem uncategorizable (yeah, I make up words to suit my purposes) as anything else.  Yet, it isn’t mindless, bubble-gum dance pop that is fleeting and superficial.  A relative flurry of music in the last two years doesn’t hurt to keep them on the radar.  But it’s more than that, too.  I guess that’s what is so great about Overexposed–you don’t know what makes it shine, and why you can’t stop listening.  But you do.

9.  Trampled by Turtles-Stars & Satellites

Damn you Trampled by Turtles!  First off, they get marked down where no one else was even judged, for NOT having any merch featuring a group of turtles, or any turtle at all.  If an animal is in your band name you HAVE to have it on at least one piece of merchandise!  Rawr.  Anyway, the music–ugh, I wanted more fat-playing banjo and fiddle.  I wanted upbeat, dancing blue-grunge or whetever they call their hybrid bluegrass, country, rock, indy, folk music.  But Stars and Satellites was quiet and thoughtful.  Which is not bad.  Not at all.  Just not exactly what I wanted.  So even though I liked every single song, and found no problems (other than the afore-mentioned merch dearth) they are here.  Because the prior CD was better.  That’s all.

turtle line 2

8.  Lifehouse-Almeria

The same band, but just different enough to be totally new–that’s the beauty of Almeria.  I liked the bouncier, dancier songs, though they were still laid-back and chill as Lifehouse has ever been.  I liked this especially, because with such a dramatic change of style, it doesn’t seem forced or over-marketed.  I don’t see Lifehouse catering to record labels or commercial interests with this change.  It just feels like an establishment of maturity.  A great effort, and I can’t want for more.

7.  Ben Folds 5-The Sound of the Life On the Mind

Yay they’re back!  Ben Folds +/- Five is like a club.  You just have to know to understand.  And apparently, I hold membership, because I’m finding it difficult to explain this to outsiders:  It’s less piano (which I loved) but still awesome.  Though the songs on The Sound of the Life On the Mind (or something to that effect-damn, keep album titles short!) seem somehow more down-tempo they are still captivating.  And not really down-tempo.  I totally just said two opposing statements, but it makes sense if you compare the older stuff to this new release.  At any rate, I found seven really solid songs and can’t stop listening to them.  What else can you say, but listen?

6.  Matchbox Twenty-North

Another YAY, they’re back.  What’s the refrain–again with more feeling?  That’s how I felt with North.  It’s everything great about Matchbox 20, lyrically superior, emotion, singable, textured.  But with more feeling.  Every song resonated with me.  I left the CD wanting more.  That’s why they’re in this position.  Also, they don’t really transcend genres or have a purely original sound.  That’s not criticism, just when you have to rank the best albums of a year it comes down to the meticulous details to differentiate the top from the superior.  And these guys are comfortably at the top.

N. lights 10

5.  David Gray-Foundling

A surprise new favorite.  Like everybody else I had heard David Gray, liked some of the more popular songs, then regaled him to the background.  Between 2012 Draw the Line and Foundling, I found 20 songs that I could not tire of.  Yes, they are still good for the background, but the more I listened, the more I felt in tune with David’s unpretentious croonings.  A secret success, that’s already has a huge fan-base.  Add me.

4.  John Mayer-Born & Raised

Growth, so much growth can be ascertained from this album.  I’ve always liked John, but I found Born & Raised to be his best work yet.  It was just the right blend of emotional, country, soul-searching, and pop.  I liked nearly every song, and thought the effort raised above commercial marketing and genre alone.  He stood alone and was his own person, overcoming, sameness (cute guy + guitar) syndrome.  It feels like John grew up, and with that maturity found his real musical niche.

fireworks 13

3.  Adele-21

Oh the talent! I have nothing new to say, that hasn’t already been said or written throughout the year.  This gal is the real deal–no disputing that.  Belying her physical appearance, she can belt it out like a soul-queen.  Riveting and heart-felt, that’s how I would describe 21.  And the ONLY reason she doesn’t rate higher on my list, is she put the album out too early in the year.  Last January, and due to over-play, I’m somewhat over it.  As much as a person can be, anyway.  Not Adele’s fault, or by any lacking of the music quality at all either.  I’ve just had enough for now.  I see this album will be classic, and remain on best-off all-time lists.

2.  Brandi Carlile-Bear Creek

Believe you me–I wanted to pick Brandi’s CD as the top album of the year.  If only for cute-ness factor (Brandi’s not the album).  But there is that ONE song on Bear Creek that I alone just do not feel.  Everyone else likes it, but this is my list, and that song took the CD down a notch.  Anyway, Bear Creek is amazing.  I feel it transcends genres, is re-playable, goes with any activity or mood, and does well live. I also thing it will stand up to the test of time.

Brandi cute cowgirl

And–drumroll please–the number one album of 2012–as I see it:

1.  Mumford & Sons-Babel

Musically and lyrically.  Catchy with longevity.  Multiple listens in a variety of contexts.  I deem Babel the number one album of 2012, just because I was able to listen to it everywhere over and over without tiring of it.  Also, because I enthusiastically liked each song.  The ONLY downfall is Mumford & Sons don’t tour in the U.S. widely if at all.  I would happily take in a concert of theirs!

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