Tag Archives: album

This Time Tomorrow [Brandi Carlile In These Silent Days]

20 Jan

The third track is This Time Tomorrow.

This song compares well with a few other songs in Brandi Carlile’s catalogue [see my post about these songs, Travelin’ Man: https://kit10phish.wordpress.com/wp-admin/post.php?post=11954&action=edit%5D. It’s a song from the perspective of a person that travels a lot, and is very busy. But in all of those songs, the narrator says their heart is always with the other person. And that narrator looks forward to physically being with their lover again. But this iteration is more downtrodden and hopeless, with lyrics like:

begins to grow faded/hard to see the ground on which you stand/feel like a stranger/carve a faith/broken spirit /hope that you hold tightly to has all but vanished/no words of comfort/lost and without love/fight to kill that deafening sound/holy dreams of yesterday aren’t gone/haunt us like the ghosts of Babylon

The light has gone out of the partner’s eyes. Not only can this partner not be counted on anymore to ground our troubled narrator, the main character is indicating that the other person is so unstable, the ground cannot even be seen. The lover isn’t grounded at all anymore.

Thus, instead of feeling comfort when physically home with the partner, the narrator feels lost, like a stranger. There is no familiarity anymore. Carving a faith is laborious and doesn’t come easily. Spirits were once hopeful, but now the partner left home is broken. The narrator holds their lover tightly, though every positive emotion has already vanished. Instead of coming home to comfort and love, the narrator only finds a stranger they have lost track of, and who gives them silence.

Through all theses signs of being over, the narrator insists their previous dreams (hopes) haven’t disappeared. Haunt us like ghosts of Babylon is saying their tangible love, which had the couple feeling so hopeful despite constant distance (and a damaged traveler) haunts them now. The love and hope and support are only ghosts of Babylon. Babylon was the club in Queer as Folk. Queers like to use it because it’s this supposed wonder of the world. It’s supposed to be a comforting, accepting place of beauty. But it might not have even existed. It’s a good stand-in for something hidden, ephemeral, or elusive. Which also describes these past positive feelings in this relationship.

You and Me on the Rock [Brandi Carlile In These Silent Days]

19 Jan

The second song on the album is, You and Me on the Rock. I think it’s a double meaning: Physically living on a rock, like rocky land, or a cliff, or some island? And also a relationship on the rock(s).

The first verse beautifully describes ice fishing in vivid detail. The point is transient shelters are built on an unstable, impermanent surface, fun is had during the season, then everything is cleaned up so you can’t tell anything was ever there. The song is also describing a relationship built on a slippery foundation, where both people knew it couldn’t last forever, but they had fun anyway. And now fishing season is over, so to speak.

The chorus is very co-dependent with the main character saying she can’t even stand to be apart from her lover while one is in the garden and the other is on a walk. The narrator says she doesn’t need their (our/the audience/fans) money, just her relationship/marriage.

The 2nd verse explains that the narrator didn’t build a strong, airplane out of her life, so to speak. She says it was paper (vs strong metal) and crooked (so it’s not a sound vessel to start with). Because of this faulty construction of both plane and person, ending up in the water has always been a consequence close at hand.

The narrator tells the other person (and us) that nobody cared about them in the way this wife(?) does. Nobody was asking why’s she so thin (unhealthy, not getting nourishment) and why’s she drinking again (ending up addicted or ‘in the water’). The narrator was close to crashing into the water when this other person caught her and saved her from that terrible fate (sloppiness? alcoholism?).

The bridge[is that what it’s called?] uses a tsunami as a metaphor for their relationship problems. It’s a big wave, but the couple can make it through. They will avoid the water together.

In the bigger picture of the album theme, the 1st song made clear there were relationship problems (caused by the narrator?) but this problematic main person doesn’t want to give up, and thinks things can get sorted out. In this 2nd song, the narrator acknowledges they are a bit faulty as a person, but that’s why they need their lover (as Taylor would say). And together crises can be averted.

Brandi Carlile: Right on Time

17 Jan

First of all, I don’t understand Brandi’s new look.

It’s like David Bowe & wild-days Elton John mashed up. I get that those were her heroes/idols, but the look is definitely a “show look” not street wear. So I figured it must be like an era (al la Taylor Swift) and probably fit the theme of the new album. But it was confusing that the twins didn’t change their look at all. They looked the same as they ever did. But I waited for the album, hoping it would fall into place once I heard it.

Nope.

I don’t know what’s happening. The album is not a funsy-disco, or campy gay theme, nor is it thematic like outer space, or anything that warrants a costumy look. So I chalk it up to midlife crises. And the album might support that view…

It opens with Right On Time– With the words, “It’s not too late” this song sets the album’s tone. The piano-driven, lyrically-centered tune reminds me of “That Wasn’t Me.” That latter song was the single off of Bear Creek which is apt, because I think that album was the beginning of the story arc discussed in this current album. I feel like Bear Creek was all excitement and hope for what was to come, all getting together and family-building. While In These Silent Days is the impending ending/inevitable divorce, maybe staying together unhappily in co-dependence

There are nice bits of electric guitar w/the piano, to show both regret and a bit of edginess. And oh, the singing! Brandi’s voice shines through this song, as well as every song on the entire album. She is always a stunner on vocals, but in each track she makes sure to showcase it, not in just one or two outstanding singles. In this album-opener, Brandi hits that high note. Twice. Then it’s an even higher note!

Brandi/the narrator of the song acknowledges bad behavior, which does warrant anger/hurt in the other person, but makes clear it’s not too late, and she(?) wants to try again. So this album starts at big relationship problems, and indicates things are about to fall apart. But the main character is grasping tightly, not wanting to give up and let go.

2021 Album Ranking [bottom of the barrel]

20 Dec

Gone are the days when artists can hide meh-bad songs in an album and still sell based on 1-2 singles (thank goodness).  As such, I penalized the less than good songs more than I scored the awesomes high.  Streaming is harsh.  Here’s the scale I used for this entire list:

  • awesome 5
  • A-Gr cusp 4.5
  • Great 4
  • Gr-G cusp 3.5
  • Good 3
  • G-N cusp 1
  • Neutral -1
  • N-M cusp -2
  • Meh -3
  • M-S cusp -4.5
  • Skip -6

Another aside-I try only to rank songs released on the calendar year.  Sometimes I’m unaware a ‘live’ song isn’t new, or I judge a remix or something.  This year I must say there were a LOT of cheatee, not actually new, music put out in 2021:

Madonna-True Blue (35th Anniversary Edition); Green Day- Insomniac (25th Anniversary Deluxe Edition); Avril Lavigne- Bite Me single; Metallica single; Sam Smith-Love Goes (live) & soundtrack produced by him?  Rufus Wainwright-live; Jason Isbell- live; Sarah Bareilles-live; The Black Keys- remastered, live; Pink-remixes; Blondie-Spanish; Kelly Clarkson-Christmas

You see there were a lot of people putting something out, so the Wiki 2021 Albums list looked overwhelming, but a lot of artists were tricky.  They got their name out, but didn’t put in a lot of work *side-eye* Seems to me like everyone had a lot of time to think and write and get something together during the 2020 Covid-pause.

There’s my parameters.  Let’s commence the count-from bottom of my reviewed to the best of the best 2021!

Vampire Weekend– S (too experimental & discordant)

tot = nope

I abandoned this one, because I just couldn’t.  You’ll see a theme this year-not everything is made for me, not everything is appreciated by me.  It’s fine.  This is one of those.

John Mayer-Sob Rock

I was torn about even reviewing this album.  John Mayer has been a long time staple of mine, but new information has come to light (Jessica Simpson) and I feel like it isn’t all that ethical to support him.  But I thought I’d at least give it a chance.  Well, I shouldn’t have.  It’s nothing special.  Nothing much was going on in the songs.  Boring.  And by the time I got to the baby-talking track (cringe!) I was over it.  There are just too many albums this year to fuss about with a meh one.  So I aborted mission halfway through.

tot = NOPE

Last Train Home M

Shouldn’t Matter but It Does G

New Light M

Why You No Love Me S (baby talk)

Wild Blue M

Shot in the Dark; I Guess I Just Feel Like; Til the Right One Comes; Carry Me Away; All I Want is to be With You

Those were the only two albums that I could not make myself finish.  The next ones scored in the negatives.  That just means they either had tracks to skip, mehs, or not enough songs that moved me.

Neil Young Crazy Horse-Way Down the Rust Bucket-Live

I really couldn’t get past the awful singing.  IDK why listeners are very hard on women who don’t/can’t/lose their singing, but it seems like it’s tolerated if men do it *cough patriarchy/misogyny*

awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6

0awesome; 2Great8; 5Good15; 3Neutral-3; 5Meh-15; 2Skip-24 = tot-20

Country Home- S (pretty bad singing)
Surfer Joe and Moe the Sleeze- S (bad)
Love to Burn- N
Days that Used to be- G
Bite the Bullet- M
Cinnamon Girl- M
Farmer John- M
Over and Over- G
Danger Bird- N (terrible singing knocks the score down)
Don’t Cry No Tears- G
Sedan Delivery- G
Roll Another Number (for the Road)- M (bad singing)
Fuckin’ Up- M
T-Bone- S (About 5 words in the song)
Homegrown- N (good harmonies)
Mansion on the Hill- S (bad)
Like a Hurricane- Gr (probably best on album)
Love and Only Love- Gr
Cortez the Killer- G

David Gray-Skellig

awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6

0awesome; 3Good9; 1G-N cusp1; 2Neutral-2; 6Meh-18; 1M-S cusp-4.5; 0Skip =tot-14.5

Skellig- M
Dun Loaghaire- G
Accumulates- G
Heart and Soul- N-G cusp
Laughing Gas- N
No False Gods- M-S cusp
Deep Water Swim- G
Spiral Arms- M (repetitive)
The White Owl- M
Dares My Heart be Free- N
House with No Walls-M
Can’t Hurt More Than This- M
All That We Asked for- M

Doja Cat- Planet Her:
Now, I know.  This is the album that is getting the most hype this year.  I only listened to it for that reason.  And last year I listened to Dua Lipa for the same reason, and really liked it.  The magic didn’t happen this year.  I like the title of this album, and that’s about it for me.  And that’s OK.  Not every album is made for me, nor enjoyed by me.  I wasn’t feelin’ this one.  I might be the only one on the planet.
awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; G-M cusp 0; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6
A; 1Gr4; 2Gr-G7; 2G3; 1G-N1; 1G-M0; 3N-3; 7M-21; S = tot -9
Woman- G (Repetitive.)
Naked- N
Payday- Gr-G (Good ambient sounds, but Minnie Mouse singing.)
Get Into It (Yuh)-  Gr-G (Baby-voice is ehhhh, but rap is good and fast.)
Need to Know- Gr (Catchy and I like the repeated words)
I Don’t Do Drugs- N (Xylophone is interesting and different, but the rest of the song is kinda boring.)
Love to Dream- M
You Right- N
been Like This- N-M (Somewhat high note is good, but the song is just boring.)
Options-Gr (Moag!)
Ain’t Shit- M (The only thing I liked was the counting.)
Imagine- M
Alone- M
Kiss Me More- G-M (Disco sound)
You Right (Extended)- G (The duet is probably the best on the album.  I also liked the breathes/breathing sounds.)
Up and Down- G-N
Tonight – M
Ride- M
Why Why- M

Kaleo

I wanted to love this one like I loved their last album.  But it really fell off in the second half.  It probably would have ranked higher if the latter half was edited out completely.

awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6

0awesome; 0Great; 2Good6; 2N-G cusp2; 2Neutral-2; 1M-N cusp-2; 4Meh-12; 0Skip = tot-8

Brother Run Fast G

Break My Baby N-G

Alter Ego G

Free the Slave N-G

Skinny N

Hey Gringo M-N

My Fair Lady M

I Want More M

Backbone N

I Walk on Water M

Into My Mother’s Arms M

Aly & AJ:  a touch of the beat…[title is long and annoying, I’m not writing all of it]

awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6

0A; 0Gr; 2Gr-G7; 0G; 3G-N3; 2N-2; 3M-9; 1S-6 = tot-7

Pretty Places M

Lost Cause G-Gr (I love a bitter song)

Break Yourself S (I died of boredom)

Slow Dancing M

Paradise N

Symptom of Your Touch Lucky to Get Him G-N

Listen!!! N-G (the brr brr noise saves it.  and nice piano)

Don’t Need Nothing N-G (finally, a beat!  is this what the album is missing?)

Stomach N

Personal Cathedrals Gr-G (a better singing style, more lyrically intricate)

Hold Out M

Billie Eilish- Happier Than Ever:
I almost aborted listening, because the entire first half of this long album was pretty ‘background music’ (boring).  But it bothers me to not finish things so I pressed on a little more, and I’m kinda glad I did, bc it did get better.  Track order is a major problem here!  Mix it up or cut the front half.
awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; G-N cusp 1; Gr-S cusp -1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6
0A; 1A-Gr4.5; 1Gr4; 4G12; 2G-N2; 2N-2; 6M-18; 1S-6 = tot -3.5
Getting Older-M
I Didn’t Change My Number- G
Billie Bossa Nova- N
my future- M
Oxytocin- G-N (Good base and moag)
Goldwing- G
Lost Cause- M
Hailey’s Comet- N-G (Sounds a lot like 1930s type of singing/crooning.  This goes on for too short of a time.  There’s a pause and then it seems to be a whole different song?  Then, that’s too short as well.)
Not My Responsibility- S (Need to sing)
Overheated M
Everybody Dies- M (I can hear her breathes a lot, and it doesn’t sound good. Big yawn.)
Your power- G
NDA- Gr-A.  (catchy . Same tune as  her 1st album. Good moàg)
Therefore I Am- N
Happier Than Ever- Gr
Male fantasy- G
M (Glitch is always welcome.  Has rap :-/  .)

Shovels & Rope- Busted Jukebox Volume 3

Soooo?  Is this supposed to be a kid’s album? Title it better, because I needed to listen with that expectation in mind.

awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6

1awesome5; 0Great; 3Good9; 3Neutral-3; 2Meh-6; 1Skip-6 =tot-1

Hush Little Baby- S (WTF is this shit?)
In My Room- G
What a Wonderful World- N (Great song, played too slow. Whistle & talking sucked)
You Are My Sunshine- N
Cry Baby- G
My Little Buckaroo- M
Everybody Hurts- N (Weird choice for a kid’s album, if this is one…)
Mother Earth and Father Time- M
The Ants Go Marching- A (Fucking great syncopation!)
Tomorrow- G

We’ll get into the middle of the pack tomorrow.  And I’ll come back and number these when I finish the last two album-rankings.

Travelin’ Man: A Trilogy of Related Brandi Carlile Songs

2 Nov

The song, “This Time Tomorrow” on the new album, ‘In These Silent Days’ is quiet and a bit inconspicuous. But I noticed a theme running through Brandi’s catalogue: This song compares well with “Closer to You” and also to “Wherever is Your Heart” off Firewatcher’s Daughter. It’s (all 3, really are) a song from the perspective of a person that travels a lot, and is very busy. But in all three songs, the narrator says their heart is always with their love back at home (GF? wife? the subject may change over time). And that narrator looks forward to physically being with their partner again. I’m going to awkwardly refer to whoever the primary perspective in the song as “narrator” because I’m not certain who this story belongs to. All 3 seem to write a lot of the music, and maybe it’s the combined experience of Brandi, Phil, and Tim. I haven’t seen interviews or other info that tells which one might be talking for sure.

Closer to You (the first written of these 3 similar sentiments):

I’m staring out at endless rows of green
There are miles of hay like I have never seen
Just when you think you’ve had enough and
your dreams come true
I just want to be closer to you

My mind wanders through all that I’ve been hiding from
I tried not to let you down
Now I wonder if I’ve been doin’ something wrong
Help me get my feet back on the ground

Tomorrow I’ll be lying under you
With a heart of gold and arms to fall into
I know that there might come a day
where my life is through
But I just want to be closer to you

My mind wanders through all that I’ve been hiding from
I tried not to let you down
Now I wonder if I’ve been doin’ something wrong
Help me get my feet back on the ground

Someday we might learn to tell the truth
We might even find the fountains of our youth
We all needed something real we all need proof
I just want to be closer to you
I only want to be closer to you

The tone of this song is excited, almost wonderous at these novel sights. And when the narrator gets fatigued of all the travel–all their dreams (of adventure? money? fame? musical growth?) come true. They will press on with the travel over the long term. The writer of this song thinks maybe they’re going about the relationship, career, and/or life wrong, The final verse conveys a searching for something higher-and alludes to a spiritual crises. Even so, the narrator has the tangible in their mate. And knows their loved one will be there to ground them when they get back home. It is indicated that the narrator KNOWS this person with golden heart will be there. There’s no doubt.



In Wherever is Your Heart, written early on in relationships, it’s decidedly upbeat and hopeful:

I think it’s time we found a way back home
You lose so many things you love as you grow
I missed the days when I was just a kid
My fear became my shadow, I swear it did

Wherever is your heart I call home
Wherever is your heart I call home
Though your feet may take you far from me, I know
Wherever is your heart I call home

You made me feel like I was always falling
Always falling down without a place to land
Somewhere in the distance I heard you calling
Oh it hurts so bad to let go of your hand

Wherever is your heart I call home
Wherever is your heart I call home
Though your feet may take you far from me, I know
Wherever is your heart I call home

Even when you’re high, you can get low
Even with your friends you love, you’re still alone
We always find the darkest place to go
God forgive our minds, we were born to roam

Wherever is your heart I call home
Wherever is your heart I call home
Though your feet may take you far from me, I know
Wherever is your heart I call home

Oh God forgive my mind, oh God forgive my mind
When I come home, when I come home
Oh God forgive my mind
There’s a road that’s long and winding, it hollers home
I’m calling home

Oh God forgive my mind, oh God forgive my mind
When I come home, when I come home
Oh God forgive my mind, oh God forgive my mind
When I come home, when I come home

Wherever is your heart I call home
Wherever is your heart I call home
Though your feet may take you far from me, I know
Wherever is your heart I call home

Wherever is your heart I call home
Wherever is your heart I call home
Though your feet may take you far from me, I know
Wherever is your heart I call home



Or, might I say, the song of the song is upbeat and gives an optimistic vibe, and the chorus is true to that sentiment. This 2nd song says no matter how far apart geographically the two partners are, they both take solace in the fact that their hearts are together. They don’t need to be physically together to feel and know the love they share. BUT the verses betray a darkness in the narrator. They lost things/people as they aged, and reminisce about a simpler time of when they were a child. Now, they feel fear nearly always. The falling verse that’s next directly ties back to the plane metaphor in “You and Me on the Rock” and tells of that broken foundation that comprises this person. The narrator tells that even with this beautiful sentiment of loving and spiritually being with your lover, even when separate, their mind still fights. The mind is still lonesome amongst friends, sad during happy times, aberrant from the happy chorus.

Which brings us back to this current song, You and Me on the Rock:

When the fire inside that burns
So bright begins to grow faded
It can be hard to see the ground on which you stand
Though you may not be afraid of walkin’ in the darkness
You will feel like a stranger in this land

You can try to carve a faith out of your own
But a broken spirit may dry out the bone
And the edges of the night may cause you sorrow
You know I may not be around this time tomorrow
But I’ll always be with you
Yeah, I’ll always be with you

When the hope that you hold tightly to has all but vanished
And there are no words of comfort to be found
You will know what it means to be lost and without love
May you fight to kill that deafening sound

But our holy dreams of yesterday aren’t gone
They still haunt us like the ghosts of Babylon
And the breakin’ of the day might bring you sorrow
You know I may not be around this time tomorrow
But I’ll always be with you
I’ll always be with you

Ooh
Ooh
Ooh

repeats

Now the person at home doesn’t have a golden heart, but that bright fire faded. They can’t even find the ground, and aren’t the stable force they were in “Closer to You” anymore. Instead of coming home to comfort, the narrator feels like a stranger. Carving faith is more laborious than how easily it came in the first 2 songs… What is the exact same in all the songs, is the narrator will always be with this other person in spirit when they travel, just as before. The next verse gets at the heart of this entire album again. The lyrics reiterate that love has all but vanished, yet the narrator grasps tightly to whatever is left of it. The person left at home, no longer has words of comfort as mentioned in the prior songs, which makes the narrator feel even more lost than they already felt.

I like the new album, but it’s a bleak story. And this trilogy of songs shows the trajectory of a traveling person with a broken foundation who found, and then lost, love and now lives in a codependent state. ‘In These Silent Days’ tells the same story of the catalogue, just in a more condensed form.

PS- I think I’m going to do a few of these similar song postings, as I heard a lot of pairs and triplet songs while going through the album.

Dave Matthews Band Studio (Only!) Songs Ranked

3 May

Here is another ranking list.  You can check out my methodology here (I’ve done them all the same way):

https://kit10phish.wordpress.com/wp-admin/post.php?post=11721&action=final

I want to really emphasize that I judged the list purely on the merits of the studio version, to the exclusion of any live version, or knowledge of the live version.  They are ranked as if these versions are the only ones that exist–because I KNOW the live versions are so much better/more exciting/longer jams/medleys/etc!  But it would take a lifetime to listen to every version of every live.  So the album songs are ranked as-is.

Also, I’m trying something new with the formatting.  I took each post it and posted them as they were written, which is best song in that particular category to worst song in that group.  And like Memento, I did the big reveal by putting the post it categories worst to best.  Got it?  Groups are worst at the top of this post to best at the bottom.  But within each category/group the songs are listed best to worst.

So here we go:

SKIPs  (best to worst)
Let You Down (C) =M
Christmas Song (RTT)=M
Say Goodbye (C) =S
That Girl is You (CT) =S (terrible singing)
Dreaming Tree (BtCS) =S (long & boring)
Cry Freedom (C) =S
Captain (BS) =S
Pay for What You Get (UtTaD) =S
#34 (UtTaD) =S
Pantala Naga Pampa (BtCS) =S
Grux (BW) = S (very short)
#35 (BW) =S

MEH (Best to worst)
Dreams of Our Fathers (E) =M
Lying in the Hands of God-live (BW) =M
When I’m Weary (CT) =M
Out of My Hands (SU) =M
Busted Stuff (BS) =M
Belly Full (AftW) =M (short)

Kit Kat Jam (BS) =M
Dreamgirl (SU) =M
The Song that Jane Likes (RTT) =M
The Song that Jane Likes-acoustic (UtTaD) =M
Pay for What You Get (RTT)=N
Baby Blue (BW) =M

OK/NEUTRAL 3rd group (best to worst)
Here On Out (CT) =N
Virginia in the Rain (CT) =N
Sleep to Dream Her (E) =N
American Baby (SU) =N
Lover Lay Down (UtTaD) =N
Black and Blue Bird (CT) =G
Old Dirt Hill (Bring that Beat Back) (SU) =N
I’ll Back You Up (RTT)=N
bkdbdkd (CT) =N
Stay (Wasting Time) (BtCS) = N (Lovely Ladies turned me off the band)

OK/NEUTRAL 2nd/middle grouping (best to worst)
Idea of You (CT) =N
Come On Come On (CT) =N
Lying in the Hands of God (BW) =N
Granny (UtTaD) =N
Proudest Monkey (C) =N
Beach Ball-Live (BW) =N
Stolen Away on 55th & 3rd (SU) =N
Steady as We Go (SU) =N
Fool to Think (E) =N
What You Are (E) =N

OK/NEUTRAL 1st/top of list (best to worst)
Mercy-Live (AftW) =N
Samurai Cop (Oh Joy Begin) (CT) =N
The Riff AftW) =N
One Sweet World (RTT) =N
Smooth Rider (SU) =N
Dancing Nancies-acoustic (UtTaD) =N
Seek Up (RTT)=N
Gaucho (AftW) =N (awesome, but hate the kids singing)
Minarets (RTT)=N
So Right (E) =N
Sweet-live (AftW) =Gr
If I Had It All (E) =N

low good (2nd half of good list, best to worst)
Typical Situation (RTT)=G
Mercy (AftW) =Gr
You Might Die Trying (SU) =Gr
Everybody Wake Up (SU) =G
Raven (BS) =G
Satellite (RTT) =G
Snow Outside (AftW) =Gr
Where Are You Going (BS) =G
The Space Between (E) =G
Typical Situtation (UtTaD) =G
Digging a Ditch (BS) =G
Pig (BtCS) =G
Stand Up (For It) (SU) =G
Dive In (BW) =G
#41 (C) =G
You Never Know (BS) =G

Med Good (middle list of the goods, best to worst)
Drunken Soldier (AftW) =G
Satellite (UtTaD) =G
If Only (AftW) =G
Sweet (AftW) =A
The Best of What’s Around (UtTaD) =G
Grey Street (BS) =G
Broken Things (AftW) =G
Spoon (BtCS) =Gr (bango!)
Angel (E) =G
Again and Again (CT) =Gr
Can’t Stop (CT) =G

High Good (top of Good list, best to worst)
Ants Marching (RTT) =G
Time Bomb (BW) =Gr (singing passionately!)
Squirm (BW) =G
Funny the Way It Is (BW) =G
Grace is Gone (BS) =G
So Much to Say (C) =Gr
Shake Me Like a Monkey (BW) = G
Drive in Drive Out (C) =Gr
When the World Ends (E) =Gr
Shake Me Like a Monkey-live (BW) =Gr
Gaucho-Live (AftW) =G (the baseline!)
She (CT) =G (sounds like Lifehouse)
Rhyme & Reason (UtTaD) =G
Halloween (BtCS) =G (I’m too concerned about wrecked voice to enjoy this song)
Rooftop (AftW) =G
Belly Belly Nice (AftW) =G
Everyday (E) =Gr

Lower Awesome (bottom of Awesome list, best to worst)
Don’t Drink the Water (BtCS) =A
Too Much (C) =A (funky guitar, fast guitar, overindugence)
Time Bomb-Live (BW) =A (guitar solo! Passionate singing!)
Lie in Our Graves (C) =A (violin-centric)
Louisana Bayou (SU) =A
Jimi Thing (UtTaD) =A
You and Me-live (BW) =A
Hunger for the Great Light (SU) =A
I Did It (E) =A
Hello Again (SU) =A
Bartender (BS) =A
The Last Stop (BtCS) =A
What Would You Say (UtTaD) =A (Blues Traveler!)
Come Tomorrow (CT) =A (Brandi)
Recently (RTT) (interlude) =A (good hoe-down)
Mother Father (E) =A (guitar!)
Tripping Billies (RTT) =A
Spaceman (BW) =A
Seven (BW) =A
Crash into Me (C) =A
Do You Remember (CT) =A

Top AWESOME (these are the best of the STUDIO songs, best to worst)
Two Step (C) =A
Ants Marching (UtTaD) =A
The Stone (BtCS) =A (Epic!)
Crush (BtCS) =A (this is my all-time favorite, but the live versions, not this studio one)
Alligator Pie-Live (BW) =A
Alligator Pie (BW) =A
Warehouse (UtTaD) =A
Big Eyed Fish (BS) =A
Tripping Billies (C) =A
Repunzel (BtCS) =A
Dancing Nancies (UtTaD) =A
Why I Am (BW) =A
You and Me (BW) =A

Taylor Swift’s Catalogue Ranked by Kit10Phish (final)

14 Mar

I ranked all album songs from least favorite to my very most delightful favorite of all the songs!

How I made this list:

https://kit10phish.wordpress.com/wp-admin/post.php?post=11721&action=edit

and check out the many (not final) lists for more description

(numbers) are the album/era

(C)atchy, (D)etailed story, (G)aylor references, (I)nstrumentals, (L)yrical complexity, very high/low (N)otes, (P)roduction stands out in a good way, (S)entimental

Skips
Last Place Song:
Superman (3)

Soon You’ll Get Better (7)
(best skip) Epiphany (8)

Mehs
3 boring:
A Perfectly Good Heart (1): I, N
(best boring-meh) The Archer (7): G, L

Mehs
2 Personally Dislike:
The Lakes (8): G, L, N, P
End Game (6): C, G, L, P (terrible feat!)
(best disliked meh) Coney Island (9): G, L, N (terrible feat!)

Mehs
1 Exactly Meh:
It’s Nice to Have a Friend (7); D, G, L (Ambiguity bothers me; weird production)
The Other Side of the Door (2): I, L, N
A Place in This World (1): I, N
Right Where You Left Me (9): C, G, L, N (repetitive)
(best exactly meh) The Outside (1): I, N (weak)

OK3 = nearly meh (final)
OK-3B BOTTOM OF LIST:
Tell Me Why (2): C, I, N = 3b (thin voice & a bit generic lyrically)
Sad, Beautiful, Tragic (4): C = 3B (both blah and bummer)
Superstar (2); D = 3B (zzzzzz)
I Almost Do (4); C = 3 (too needy/pathetic/un-feminist. Yet catchy)
(best OK-bottom of nearly meh) Jump Than Fall (2): C, I = 3B

OK3 = nearly meh (final)
OK-3A = TOP OF LIST:
The Other Side of the Door (2); C, I, L, N = 3A
Innocent (3): C, I, N = 3A
Last Kiss (3): C, D, N = 3A
The Best Day (2): C, D, = 3A
(best nearly meh) Fearless (2); C, I, N = 3a

OK2 = exactly neutral
OK-2B = BOTTOM OF LIST:
Peace (8): C, D, G, L = 2b (hate pulsing; lyrics condescending(?))
Miss Americana & the Heartbreak Prince (7); C, D, G, L, N = 2b (don’t care for HS/politics mixing & end chant is too much. But lots of good one-liners)
I Wish You Would (5): C, G = 2A
It’s Time to Go (9): C, D, G, L, N = 2B
Illicit Affairs (8); C, D, G, L = 2B
August (8); C, G, L = 2B
(best OK-bottom of exactly neutral) A Place in the World (1): C, I, N = 2B

OK2 = exactly neutral
OK-2A = TOP OF LIST:
The Way I Loved You (2): C, D, I, N = 2A
False God (7): C, G, L = 2A
Breathe (2): C, G(?), L = 2A
Dorthea (9): C, D, G, L, N = 2A
Happiness (9): C, D, L = 2A
Seven (8); C, D, G, L, N = 2a
(best of OK-exactly neutral) Long Live (3): C, D, I, N = 2A

OK1 = almost good
OK-1B= BOTTOM OF LIST:
Mary’s Song (oh my my) (1): C, D, I, N = 1B
This Love (5): C, G, L, N, P = 1b
I Think He Knows (7): C, G, L, P = 1b
(best OK-bottom of almost good) London Boy; C, D, L, P = 1b

OK1 = almost good
OK-1A= TOP OF LIST:
New Romantics (5): C, D, G, L, N, P = 1A
Hey Stephen (2): C, D = C2
Call It What You Want (6); C, G, L, P = 1A
Tied Together w/a Smile (1): C, D, I, N = C2 (less repetition, some more notes & instrumentals
Gorgeous (6): C, D, L, N, P = 1A
King of My Heart (6): C, L, N, P = 1A (ENDING)
Change (2); C, I (@ END!), N = 1A
Back to December-acoustic (3): C, D, I, N, S = 1A
(best OK-almost good) Cornelia Street (7); C, D, G, L, N = 1A

Good c = almost OK
Gc2 = bottom of category:
State of Grace-acoustic (4): C, L = C2
Begin Again (4): D, I, L = C2
The Last Time (4): C, I = C2 (weird collaboration)
(best Good-bottom of almost OK) Cold as You (1): I, N = C2

Good c = almost OK
Gc1 = top of category:
22 (4): C = c1
Untouchable (2): C, I, N = C1
Come in w/the Rain (2): C, I = C1
All Too Well (4): D, I, L, N = C1 (almost a powwow beat; and yup I did rank it this low)
Starlight (4); C, I = C1
(best Good-almost OK) Sparks Fly (3); C, I = C1

Good b= exactly good
Gb2 = bottom of category:
If this was a Movie (3): C, D, I, N = B2
Never Grow Up (3): C, D, I, N = B2 (problematic sentiment)
’tis the damn Season (9): C, D, L, B2
You are in Love (5): C, N = B2
Stay Beautiful (1): C, I, N = B2
Treacherous-demo (4): C, G(!), L = B2
Cardigan (8): C, D, G, L = B2
Red-demo (4): C = B2
The Last Great American Dynasty (8): C, D = B2
How You Get the Girl (5): C, D, G = B2
(best Good-bottom of exactly good) White Horse (2): D, I, N = B2

Good b= exactly good
Gb1 = top of category:
Everything has Changed (4); C, N = B1
Holy Ground (4): C, D, G, L = B1
This is Me Trying (8): C, I, L(!) = B1
Afterglow (7): C, P = B1
Treacherous (4): C, G(!), L =B1
Daylight (7): C, G, L, N = b1
Come Back…Be Here (4): C, N = B1
Mirrorball (8): C, G, L = B1
I’m Only Me When I’m w/You (1): C, I(!) = b1
Forever & Always-piano (2): C, I, N = B1
The Lucky One (4): C, D, N, = B1
(best Good-exactly good) Fifteen (2): C, D, I = B1

Good a= almost awesome
Ga2 = bottom of category:
This is Why We Can’t Have Nice Things (6): a2
Welcome to New York (5): C, D, G, N, P = A2
Me! (7): C, G, I, N = A2 (yup, I ranked it this high–it grew on me)
Wildest Dreams (5): C, N, S = A2 (sexy)
Delicate (6): C, D, G, L, P = A2
So It Goes…(6): C, G, P, L, N = A2 (sexy lines)
Mine-pop (3): D, I, N = A2
Clean (5): C, G, L, P = A2
Tim McGraw (1): C, D, G, I, N = A2
Champagne Problems (9): C (bridge), D, G, L = A2a
(best Good-bottom of almost awesome) Betty (8): C, D, I, G, L = A2a (catchy, & swelling instrumentals)

Good a= almost awesome
Ga1 = top of category:
Mine (3): C, D, I, N = A1
Haunted-acoustic (3): C, I, N, P = A1
Getaway Car (6): C, D, G, P = A1
Death by a Thousand Cuts (7): C, D, G, L, = A1b
Gold Rush (9): C, G, L = A1b
tolerate it (9): G, I, L = A1
Cruel Summer (7): C, G, L, N = A1b
Red (4): C, I, L, P = A1
New Year’s Day (6): C, D, I, N =A1
Cowboy Like Me (9): C, D, G, I, L = A1
willow (9): C, G, L, N = A1 (so effing catchy!)
Dress (6): C, G, L = A1 (SEXY)
Haunted (3): C, I (!), N, P = A1a
Teardrops On My Guitar-RADIO (1): C, I, L, N = A1 (sounds almost the same to me)
(best Good-almost awesome) Teardrops On My Guitar-POP (1): C, I, L, N = A1 (more beat & echo)

Awesome- 3 BETTER THAN GOOD:
All You had to do was Stay (5): C, N = 3
Evermore (9): C, L, N = 3
Stay, Stay, Stay (4): C, D, S = 3
Bad Blood (6): C, N = 3
The Moment I Knew (4): D, N = 3
(best Awesome-better than good) Ours (3); C, L, N = 3

Awesome-2 SOLID AWESOME
2b = bottom of list:
You Belong w/Me (2); C, D, I, N, S = 2b
I Forgot that You Existed (7); C = 2b
Girl at Home (4): C, N = 2b
Our Song (1): C, D, I =2b
Paper Rings (7): C, D, G, P = 2b
No Body, No Crime (9): C, D, L (pronoun/subject) = 2a
Closure (9); C, G, L, P = 2b
The 1 (8): C, D, G, L = 2b
Wonderland (5); C, G, L, N, P = 2b
(best Awesome-bottom of solid awesome) Ivy (9); C, G, L = 2b

Awesome-2 SOLID AWESOME
2a = top of list:
my tears ricochet (8): D, L, P = 2a
Mad Women (8): C, L, N = 2a
Out of the Woods (5): D (bridge), G, L = 2a (is this car crash real? who and when? major gay closet vibes)
The Man (7): C, G, L = 2a
Invisible String (8); C, D, L = 2A
You Need to Calm Down (7): C, G, S = 2a (the 3 things being compared aren’t related? enthusiastic!)
Back to December (3): C, D, S(!) = 2a
Blank Space (5): C, G, L, N = 2a
(best of Awesome-solid awesome) I Knew You Were Trouble (4); C, N, P = 2a (subtle-moag)

Awesome-1 ELITE
1b= bottom of list:
Love Story (2-TV): C, D, I, N = 1a (same except staccato reme-o & fa-ding)
Love Story (2): C, D, I, N = 1a (her 1st crowd favorite, but rom-com effect w/princess stuff & severe heteronormativity)
Dear John (3); C, D, L, N = 2a
Enchanted (3): C, D(!), I, N, S = 1b
Better Than Revenge (3): C, D, I(!), N, S = 1B (sounds like Paramore; problematic mean-girl stuff, but it was a time)
Exile (8): C, G, I, L, N = 1b
Dancing with Our Hands Tied (6): C, G, L, N, P = 1b
Marjorie (9); C, G, L, P, S = 1b (I love the sentiment more than the song. Intense memories of my Grandma, thanks Taylor, for that)
(best of awesome- bottom of elite) Long Story Short (9): C, G, L, P = 1b

Awesome-1 ELITE
1a = top of list:
Style (5): C, G, I, L, N, P = 1a (who is she talking about, what car crash is referenced, is it real?)
Lover (7): C, G, L, S = 1a
Shake It Off (5): C, N = 1a (love the sentiment, & catchiest of ever!)
I Did Something Bad (6): C, N, P = 1a (moag is the star here)
We Are Never Ever Getting Back Together (4): C, I, P = 1a
Look What You Made Me Do (6): C, P = 1a (exciting like several songs w/in 1 song, I don’t trust nobody bridge)
The Story of Us (3): C, I, S = 1a ( like the next chapter, the end)
Picture to Burn (1): C, I, S = 1a
Shoulda Said No (1): C, I, N, S(!) = 1a
…Ready for It? (6); C, G, N, P = 1a (sexy sounds & moag)
(4th best song) I Know Places (5): C, G, L, N, P = 1a

–and the top 3 songs in the entire catalogue (in my opinion):
*Don’t Blame Me (6): C, G, L, N(!), P = 1a (that moag! She sings her ASS off! Probably the best, barring sentimental favorites)

You’re Not Sorry (2): C, I, N, S(!) = 1a

(My #1 song) Mean (3): C, L, S(!) =1a (after all the listening I learned sentimental really does trump every other characteristic.)

Indigo Girls: Neutral/OK Songs (not final)

2 Mar

These are the songs that aren’t meh or skip, but also aren’t great enough to make the goods. They’re A-OK. I split it into 3 parts: OA which are nearly good, OB = exactly neutral, and OC which are just above a meh. Then, I split the 3 groups into top of that list (1) and bottom of that list (2)–just to make it a bit more manageable. The songs within each group aren’t in order quite yet.

IG OK
OA
1

Bitterroot (BY): C =OA1
Compromise (CoNS): C, I, L, N, P = OA1
Ghost (LwtUoCSO): I, L, N = OA1
Ghost of the Gang (PatBB); C, L, P = OA1
In the Bleak Midwinter (HHD): I, N = OA1
Pendulum Swinger-live (DOD): C, L, P = OA1
Prince of Darkness (SDtBD): C, N, P, S = OA1
Rise Up (AtWLI): C = OA1
Three County Highway (DOD): L, S = OA1
Three Hits-live (RoP): C, I, L, P = OA1
Virginia Woolf (LwtUoCSO): C, I, L, N = OA1
War Rugs (BQS): C, I, L, P = OA1 (instruments!)
We Get to Feel it All (BQS); C, I, L, N = OA1
What are You Like (SDtBD); C, I, L = OA1

It was tough narrowing down each group, and it took many, many listens to get the Awesomes, goods, neutrals, mehs, and actually the skips were easy bc you know what you don’t like. And these just weren’t as good as the good-list. But it’s VERY close!

IG OK
OA
2

Caramia (SotS): C, I, L, N = OA2
Come On Home (LwtUoCSO): C, I, L, N = OA2
Crazy Game (SF): C, N = oa2
Don’t Give that Girl a Gun (SotS): C, L, N, P = OA2
Fleet of Hope (PatBB): C, L = OA2
Share the Moon (BQS): C, I, L = OA2
She’s Saving Me (BY); L, N, S = OA2

IG OK
OB
1

Digging for Your Dream-acoustic (PatBB): C, L, P = OB1
Dirt and Dead Ends (PatBB): L, N, P =ob1
Driver Education-acoustic (PatBB); C, L, P = OB1
Fly Away-acoustic (DOD): L, N =OB1

I pretty much like all these songs a lot, but picked better versions of each to rank higher.


I’ll Be Home for Christmass (HHD); N, S = OB1
Sister (CoNS): L = (too quiet) = OB1
Sugar Tongue-acoustic (PatBB): C, L = OB1
Virginia Woolf (1200); C, L, N = OB1

IG OK
OB
2

Center Stage-live (ST): C, L, P = OB2 (little off-key)
Come On Home (SDtBD): C, L = ob2
Cordova (SDtBD): C, L = OB2
Everything in it’s Own Time (SotS): C, I, L, P = OB2

These are good songs, and in any other catalogue would be ranked that way. But relative to the other good songs, they just don’t hold up as well.


Fishtails (OLD): L, N, P = OB2
Ghost-live (1200): L, N = OB2
Look Long (LL): C, L, N, P = OB2
Soon be to Nothing (CoNS); C, L =ob2
Virginia Woolf (RoP): C, L = OB2

IG OK
OC
1

All That We Let In (AtWLI): C, L = OC1
Fly Away (DOD): C, L, N, P = OC1
If I Don’t Leave Here Now (OLD): N = OC1


Language or the Kiss (1200): L, N = OC1
Power of Two (SO); L = OC1

The fans love these 2, but I find them overrated. I just find them OK, no matter how many times I listen.

IG OK
OC
2

Findly, Ohio 1968 (OLD); L, P = OC2
Language or the Kiss (SO); L = OC2
Closer to Fine (LwtUoCSO): C, I, L, P = OC2 (Emily sounds out of breath; slow)
Hey Kind Friend (SotS): I, L = OC2
Love Will Come to You-live (RoP): L = OC2
Mystery (SO): L, N = OC2
Texas was Clean (OLD): L = oc2

Taylor Swift MEHs (early draft)

1 Mar

This list is not final, and it’s not really in order either.  I made it after the 3rd listen of each song, so there’s been a lot of jostling since then.  But it’s a snapshot in time for the songs that weren’t quite a skip, but were below neutral/OK.

I think I published the skips list without indicating the key:

(numbers) are the album/era

(C)atchy, (D)etailed story, (G)aylor references, (I)nstrumentals, (L)yrical complexity, very high/low (N)otes, (P)roduction stands out in a good way, (S)entimental

Dancing w/Our Hands Tied (6): C, G, L, N, P (Ambiguity bothers me)

Maybe it’s not quite a meh after all, but I am mad at this song.  I want this song to directly say who the subject is, and what is happening.  I find it unfulfilling when the interpretations can be 180 degrees apart.

Tis the Damn Season (9): C, D, G
King of My Heart (6): C, G, N, P
The Outside (1): I, N (weak)

I’m ranking both Taylor Swift’s catalogue and the Indigo Girls simultaneously. And after so many listens to both I noticed something about a few of Taylor Swift’s songs (b/c she wrote them second). I have this theory that young Taylor listened to the Indigo Girls at some point, and a few of their themes might have inspired her:

Fugitive: Song by Indigo Girls (Amy Elizabeth Ray, specifically)

I’m harboring a fugitive, a defector of a kind / And she lives in my soul and drinks of my wine / And I’d give my last breath to keep us alive / Are they coming for us with cameras or guns? / We don’t know which but we gotta run / And you say, “This is not what I bargained for” So hide yourself / For me / All for me / We swore to ourselves we’d go to the end of the world / But I got caught up in the whirl and the twirl of it all / A day in the sun dancing alone / Baby, I’m so sorry / Now it’s coming to you the lessons I’ve learned / Won’t do you any good you’ve got to get burned / Well the curse and the blessing they’re one in the same / Baby, it’s all such a treacherous gain / Hide yourself from me / I said hide yourself from me / All for meOoh! / Ooh! I stood without clothes danced in the sand / I was aching with freedom kissing the damned / I said remember this as how it should be / Oh baby, I said it’s all in our hands / Got to learn to respect what we don’t understand / We are fortunate ones, fortunate ones, I swear / Hide yourself for me / I will hide myself for you / All for you / All for you / I will myself for you / All for you / I stood without clothes I danced in the sand / I was aching with freedom kissing the damned / I said remember this as how it should be

This song brings to mind pretty much Taylor’s whole M.O. of writing about secret love and love that society won’t like. Specific songs I thought of are Out of the Woods, I Know Places and the next meh song on my list:

Treacherous (4): G, L

I like the anxiety and definite closeted vibes going on in the song.  I like the hints that something LGBT is happening here.  But I wish there was more of a hook or something so latch on to.  This one is usually over before I know it.


Right Where You Left Me (9): C, G, L, N (repetitive)
State of Grace (5): C, G, N (weak)
Call It What You Want (6): C, G, L, P (Ambiguity bothers me)
A Place in This World (1): I, N


The Other Side of the Door (2): I, L, N

I think this song has potential.  And I’d love to hear an updated twist on it, or see a newer song that evolves from this, but is better.


It’s Nice to Have a Friend (7); D, G, L (Ambiguity bothers me; weird production)

What. the. fuck is going on in the production of this song?  It’s Englishy, it’s like hunting brass, it is weird.  Just like this friendship-love going on and then there is hand holding.  Which I find non-platonic, but it’s pretty subtle so it just makes the song weird instead of gay…

–Personally Dislike:
Coney Island (9): G, L, N (terrible feat!)
End Game (6): C, G, L, P (terrible feat!)

God dammit!  Why does Taylor always work with these men who bring their own style rather than blending with hers?  It totally ruins songs!  It sounds baaad, and odd within even a very diverse catalogue such as Taylor’s.  Actually, there’s one exception–I do really like the “Lover” remix, but that douche is (internally?) homophobic, so I will not give that streaming clicks to support him in any way.

The Lakes (8): G, L, N, P

This song is pretentious with the analog distortion and it sounds old and kinda British in a ‘high school forcing you to slog through Chaucer’ kind of way.  It evokes poetry analysis nightmares, and I don’t like the forced association to Oat Milk.

–Boring:
The Archer (7): G, L
A Perfectly Good Heart (1): I, N

These aren’t quite skips, but I don’t really like them all that much.  Archer would be better if something more was going on.  Don’t kill the vibe, but do make it punchier.  It’s just zzzzzzzz.

Indigo Girls: The MEHs

27 Feb

You know when you’re listening to your playlist and you just kinda tune out?  And like 10 min later you’re like, what songs just played, I don’t even know.  The funny thing is that it’s not an anomaly (usually, unless you had to focus hard on work, or actually got distracted doing something) these songs are just meh.  Even in trying to re-listen several times to rank these, my mind would wander.  I listened to this set the very most bc of tuning out.  You know what you don’t like pretty readily, you know what you love, and even the songs that aren’t quite love, but really good.  But the neutral to meh are the most difficult to decipher.  So here are the below neutral/OK and above skip songs:

Meh (in order)

-Strange Fire (1200):  C, I, L, P

-Come On Home (AtWLI):  C, L

It’s a nice little song, and fits perfectly with the vibe of the All That We Let In album.  But as a stand alone song–It’s just meh.

-Dead Man’s Hill (1200):  N, P

-Able to Sing (BQS):  C, N

-Mystery (LwtUoCSO): I, N

-Neuvose Senorita (BY):  L, P

-Cordova (AtWLI):  C, L, N, P

I like the Latin-X (is this the proper term now?) flair in these two, but I guess I’d like a little more going on.  Maybe live, or with the orchestra or something would be better.

-Mistletoe (HHD):  C, L

-John (BQS):  L, N, P

I like the sentiment, and it tells a detailed story, but *yawn*

-Peace Child (HHD):  C, L, N

-There’s Still My Joy (HHD):  L, N

-Cedar Tree (RoP):  I, N, U (bag pipe sounding)

-Power of Two (LwtUoCSO):  I, L, N

-Power of Two (1200):  L, N

I know, this is a travesty–this is a fan-favorite.  But yup, I think it’s over-rated.  I just can’t get into it.

-Andy (CoNS):  L, N

-When We Were Writers (LL):  N

P.S. Spotify ranked this my very top listened to song in 2020.  Which is…  I just tuned out EVERY damn time I tried to rank it.  This song is pretty much the ultimate definition of meh.

-Mystery (1200):  L, N