Tag Archives: John Mayer

40th spot to 31st Best Albums of 2017

8 Jan

#40-TLC

You just can’t recapture the past.  Especially without a member, my personal favorite member.  But TLC’s self-titled 2017 album comes out strong, especially the song, “Haters” in which the message is absolutely true.  And it’s a good message.  Very relevant in these tumultuous times.  I’m not big on the very heavy sampling, but maybe the other 2/3 of the group can work out the kinks of being a duo and produce some quality tunes that are more in line with the past albums.

#39-Katy Perry

I think she was pushing a little hard to find that empowerment anthem, and because she was trying too hard it didn’t happen organically.  I like ‘Hey Hey Hey” but the first line of the song is, “A big, beautiful brain” which is a little over-the-top and not that singable.  Another example is “Power.”  It’s almost like Perry writes in soundbites that she hopes can become the next catch phrase or mantra.  I suggest she just write from her heart instead.

#38-John Mayer

I’m not gonna lie—Mayer is losing major points and positions because of his weird-ass cover art.  He looks like a junkie with unwashed hair that someone doodled over at the bus-stop.  WTF?!  Whoever convinced him to go that direction (or approved it) should be terminated.  Also, as much as Mayer tried to introduce some funk vibe into The Search for Everything, the album is mostly boring.  It’s like once he lost his arrogance, he also lost his inspiration.  The only songs I could attach to is “Never on the Day You Leave” and “Roll it On Home.”  The song “Changing” gets honorable mention from me.  But sometimes Mayer comes on a little too strong and tries to force emotion, which I do not like.  I would like to see John Mayer do something different but have that spark too.  Work on the whole package, man!  This album makes me wonder if he was just a flash in the pan-not a real talent.

John Mayer

#37-Kid Rock

He has that southern-fried rock going on, but I can’t help but think of Trump when I listen to it.  I don’t know if it’s true or not, but my impressions are Rock is more racist than rebellious these days.  I have no idea how he is as a person, but the type of music is a little too Lynard Skenard for me to feel comfortable jamming to.

kid rock racist

#36-Various Artists

Trios sounds like an experimental, jazzy cacophony.  Sometimes it’s just discordant sounds, others it intones a suspenseful mood.  The album is individual and cohesive.

#35-The Killers

It’s a little quiet, and a Lot less dancy.  Wonderful Wonderful was probably the best example of (just slightly alternative) rock & roll in the scene, which comes as a surprise to me.  “The Calling” is the most reminiscent of their other albums.  I also liked, “The Man…Remix” is a space-oriented shake-your-ass kind of song

#34-Drop Kick Murphys A little less pub-anthem, but still as cheeky as ever.  You can still sing to them when you’re drunk, but 11 Short Stories of Pain & Glory is more melodious than past fare.  Standout of the bunch is “First Class Loser” which is awesome!

Dropkick Murphys

#33-Evanescence

Synthesis is Epic to the point I was wondering if it was written for a show or at the very least a video game.  This gal can SING though and per the usual she proves it.

#32-Linkin Park I see Linkin parts as four distinct sounds:  The angsty scream-yelling (not too much), the rap with thoughtful lyrics that make sense, the melodious singing, and the catchy hooks.  This album is very melancholy, without a lot of that anger that I used to like.  The sound is too different in One More Light and alienates me as a long-term fan.  The songs are still catchy, but they’ve lost that edge.

#31-Maroon 5

Red Pill Blues doesn’t have that special Maroon 5 beat.  It’s also not dancy at all.  And it’s not really catchy like past albums.  It’s kind of soft and unassuming, a dud actually.  I’m disappointed and hope they will rev things up again.

Adam Levine douche

2013 New Albums

24 Mar

Yes, 2013.  I just want you to know I’ve been working on this all the time (save for Brandi Carlile’s new CD listens) since January.  And I had listened on and off since mid 2013.  The songs were all very long durations.  The albums included a lot of song.  2013 was no small feat!  But finally FINALLY!  I HAVE FINISHED.  Yes, all-caps is necessary.  And yes, this is 3-10-2015.  From good singles, to made the list, to least to most starred songs here’s the list:

freq inside cochlea

Worth mentioning (1 song made my list):

“Sacrilege” Yeah Yeahs

“It Should be Easy” Will-i-am (Brittany Spears).  It has the electric sound of The Flaming Lips, the electric-pop singing of Cher, and the dancey beats of Justin Timberlake.

“Evolve or be Extinct” Wiley.  Who can say no to rap with an English accent?  You don’t hear this every day!

“Fault Lines”  Tom Petty.

“Tik Tik Boom” T.I. (feat. Britney Spears)

“Autobahn” Starfuckers.  It’s long (5:41), it’s electronic, it’s dancy–but it’s a rave-reminding dance fun-time.

“To Hell With You” Sleigh Bell

“Aint Your Right” Sky Ferreira.  It has a little bit of an 80s sound with electric backing and waif-like singing, but unlike the eighties–it has a feminist sentiment.

“Never Wanted Your Love” She & Him

“Blurred Lines” Robin Thicke

“I’ve Got Soul” Hanson.  Was Hansen always this churchy?  I think the three guys probably were, but their sound used to have extremem pop influence.  This new album as a whole was more spiritually-oriented, but I liked their characteristic bounciness was still in “I’ve Got Soul.”

“Axis”  Pet Shop Boys

“Alligator” Paul McCartney

“Immortal” Kid Cudi

“Brave” Josh Groban.  An uplifting, catchy chorus, and obviously that resonant voice.

“State of the Art”  –robot toast remix, Jim James.  a low-key song at first, but warms to a dancable beat good for rockin’ or running.

“Vertigo”  Jason DeRulo feat. Jordan Sparks

“Get Lucky” Daft Punk, featuring everyone & their brother.  I couldn’t help but like this song, but I think the hyped Daft Punk was severely overrated in 2013.

“Water and a Flame” Celine Dion.  She sounds like a smoker and a lot more blues then the romantic style I’m used to.

“Monsters of Sunderland” British Sea Power

“A Light From Home” Bradley Joseph

“Put It In” Blue October

“I’m Not in Love”  10cc

DMB Chicago 2014

Buckcherry- Confessions.  Like Flaming Lips’ newest endeavor, I like this album mostly for the concept.  The songs are OK, and there might be a standout, but it’s not really a song-comparison kind of disc.  This one goes as a set, and must be judged as such.  I like that each song title is a seven deadly sins (mostly).  It’s a really cool idea and you should give the entire thing a listen.

Bret Michaels- Jammin’ With Friends.  Also a conceptually-driven album that has it’s strength in its collaborations.  He plays with a variety of other musicians, some famous, some more obscure.  The re-calibrated versions (covers) are good, and have Michaels’ own spin on them–some even for the better.

Blossom Music Center

–Made the List–

Kenny Chesney = 2 made the list.  I usually don’t love Kenny, and feel he’s waaaay overrated.  I did like the duets and island feel of Life on a Rock.  Even if it’s a Jimmy Buffet rip-off.

Eels = 2 songs made the list.  For some reason they remind me of “Spongebob Square Pants.”  The creepy, scratchy singing is cartoonish, but interesting.  It’s high energy, but almost villain music.

Jay Sean = 2 songs on the list.  I like the caribbean-island feel mixed with rap and R&B.  I also like that these songs don’t disparage anyone (especially women).

Trapt–3 made the list.  Their live sound is a little more edgy.

Stereophonics–4 made the list.

Hugh Laurie = 4 made the list.  This is one to watch!  I like the jazzy-blues feel, soulful singing, and instrumentation.  I hope there is a follow-up.

John Legend = 2 songs on the list.  Hero of the music industry.  Nuff said.

Franz Ferdinand = 2 songs on the list.  Just alright.  I was disappointed there were no beat changes, false-stars, or dancable songs like I remember in 2005(?).

R. Kelly = 2 songs on the list.  As expected it’s sexy, it’s R&B.  The album also features many other artists.

Pearl Jam = 3 songs made the list.  I have a hard time getting in tune with their slurry way of muddling through lyrics.

Lady Gaga = 3 on the list.  It’s fine.  Maybe I’m not her target audience.  It’s dance.  It’s pop.  It features catchy choruses.  I just don’t feel it.

Moby = 3 songs made the list.  This is more of a background album to study to then a forefront album to listen.  I like the mellowness, but said mellowness means no starred stand outs.

Iron and Wine = 3 on the list, none starred.  It’s OK.  Doesn’t make enough of a statement to say much more then this about it though.

Morgan Taylor Reid = 4 on the list.  It’s like a toned-down One Republic.  With a little The Fray sprinkled in.  I like the chill easy-listening, but nothing got me excited.

Panic!  At the Disco = 4 songs made the list.  I feel like Too. . .  [long of a title] is a fan-album.  The songs were ok, but there was no song that really hooked me in and spoke to me.  It’s fine and good to write entire albums for the die-hard fans, but I don’t think one catchy mass-appeal single would have killed them.

Sheryl Crow–4 songs, ugh.  Made the list, no favorites.  I HATE to say it, I really, really do.  Side-note] Sheryl Crow was one of the first 12 CDs I ever owned, the first album under heavy rotation, and the first poster of any musician to ever grace my bedroom wall.  I loved Tuesday. . .  Sang along with her self-titled album, and felt The Globe Sessions.  She is one artist that I’ve continuously appreciated.  So that’s why it hurts me to say with Feels Like Home, her country crossover album–she sold out.  I think this country is forced, and a way to play it safe in the ultra-competitive world of music.  As an (aging) female rock gal, I think she went to country where older women have more of a chance.  But it doesn’t really suit her and it’s contrived.  I always hoped to catch Sheryl Crow at a live show or festival before she’s ancient and washed up–I really hope I’m not too late. . .

Arcade Fire = 5 on the list.  I liked their other albums a lot, and they went on heavy rotation.  Reflektor is not only poor spelling, I didn’t get a feel for it in the same way.  It’s just OK, and that disappoints me.

Aaron Neville = 5 on the list.  I love his voice, so crooning and gentle.  The reworked classics sound nice too.  I don’t think they are starrable songs, because none are original.

Eric Clapton = 6 on the list.  Old Sock has a different sound from how I remember Clapton’s signature.  It’s country-blues, and it’s good.  There are no stand-outs, despite it’s easy listening.

The Dear Hunter = 6 on the list.  They sound like a softer Fall Out Boy.  It’s just ok, but there’s potential.

Kings of Leon = 7 on the list, none starred.  And not because I didn’t like Mechanical Bull, (random title) just because it’s kind of down-low music.  It’s good to study to or good chill party background.  I do think it’s as good as the last album though.

Gregory Allen Isakov = 8 on the list.  He’s a quiet, study song-writer, mello guy.  Not the kind of artist you star for catchy choruses.  More of a staying-power kind of vibe.

Nelly =  8 on the list.  I liked them enough to put on the list, but there are no new favorites here.  No club anthem or running song. . .  M.O. was good, not great.

DMB Australia

98 = 1 starred.  And 1 other song made the list.  It’s old school by now, but the starred song, “No Part of You” is ahh-mazing!

Nine Inch Nails = 1 starred and 1 more song on the list.  It sounds like dark computer electronica.  Really, it kind of bummed me out.  The sound is a little unfeeling.  But I guess it’s good. . .  I do like “Copy of a” for it’s catchy beat and a little more listener-friendly tone.

Vampire Weekend–3 on the list, 1 starred.  I like the fast music and frantic singing.

Natalie Maines =  1 starred, 3 on the list.  I thought she had a respectable solo effort.  Mother showed good potential.  And I liked her newfound seriousness.  But I don’t think showing her characteristic playfulness would hurt the next album.  I’d like to see more of a mix of both.

KT Tunstall = 3 on the list, 1 starred.  Invisible Empire is very different from KT’s other records in that it’s quiet and has an old-school country vibe.  Sure, it’s not as immediately catchy, but  don’t think that takes away from the quality.  The instrumentation is more nuanced and the vocals more thoughtful.  It’s a quiet album, but good.

Luke Bryan = 1 starred, 3 on the list.  Crash My Party certainly feels like you’re at a bonfire party.  Before I looked at the album title, I was going to write that.  Aptly titled.  I see a lot of potential here, but it’s a little superficial to be outstanding just yet.  With maturity, I think Bryan can be a key player.

Jake Bugg = 1 starred, 3 total on list.  It’s an interesting sound.  Hipster.  Across-the-pond.  (Soft?) punk.  He’s one to watch.

B.O.B = 1 starred, 3 on the list.  They have a more easy sound to them these days, and I liked the softer vibe.  BUT the starred song, is still a heavy-rock/rap tune that will help motivate me as I’m sprinting.

Dido = 1 starred, 3 on the list.  I usually don’t like Dido, but Girl Who Got Away was more jazzed up with a stronger percussion then before.  I also felt the lyrics were less meditative and more provocative in that she has feelings.

Lissie = 1 starred, 4 on the list.  What she lacks in superior singing ability, she makes up with passion.  There is something about her vocal quality that isn’t stellar (nasal-tone?  Crackle?) but I really didn’t even notice it til I was listening carefully in order to write this post.  I like her cheekiness and the fact she says important things.

Neko Case = 4 on the list, 1 starred.  I really like the mix of old-school country and hipster.  It’s sort of friendly and chill with just enough “you’re not in the scene” to remain cool.

Ciara =  1 starred, 4 on the list.  I liked the rapping in “I’m Out” but that may have been Nicki Minaj.

Everything Everything = 1 starred, 5 on the list.  Unapologetically superficial and clubster.  Listening makes me think of the gay-boys lip-syncing and choreographing moves for the club.  Arc is FUN, but don’t expect seriousness here.

Fall Out Boy = 1 starred, 5 on the list.  Save Rock & Roll makes me conger an outdoor rally trying to accomplish. . .  things.  The album seems motivational, with unifying cries, but for what, I’m not certain.  Maybe that’s not the point.  The point is to remind people that music is a driving force that still has the ability to MOVE people to action–of any kind.

Golgol Bordello = 1 starred, 6 total songs on the list.  This album is still good.  It’s still energetic.  Pura Vida Conspiracy is relatively quieter then their last album.  Which isn’t quiet at all, but it doesn’t make me want to spring like their past offerings.

Linkin Park = 1 starred, 6 made the list.  As one of my long-term favorites, Linkin Park rarely disappoints me.  Sadly, Recharged, did.  I didn’t like their new highly electronic sound that deviated from their passionate rock.  I get the impression this album is more of a filler between “real” albums. . .  Get back to your roots, Linkin Park.

Paramore = 1 starred, which I really like a lot, because it is different from most of the rest.  It’s a very serious tune–what can I say?  I like the heavy, substantial songs?  When I’m in the right mood, I like 6 songs off their self-titled album of 2013.  I have to say, they’re a little 80s-centric for my usual mood though.  It’s just too pseudo-punk, clappy, pop for my norm.  And for some reason I think the band (or maybe their core fans?) are a little too over the edge of hipster for us real, down-to-Earth-types.  But, in a light, dancy mood, I’m in!

DMB flower instruments

Everything, Everything-  I had 2 of their songs on my list and I would classify it as hipster bubble-gum gay.  The songs are in a falsetto for the most part (that gay) and it’s catchy (pop), but seems a little too cool for school (hipster).

Of Montreal = 2 starred, on the list.  This hipster, English sound reminds me of listening to a Juno movie.  It’s too cool for school.  But I like it–even if I’m not in the club.

James Blunt = 2 starred, 2 songs on the list.  Though he always reminds me of Douche, Moon Landing deviates from his past sound enough to take a new place in my mind.  The 2 songs I liked had his characteristic voice, but a new feel.

Sarah Brightman = 2 starred, 2 on the list.  It’s relaxed and easy-going.  Kind of like a more instrumental, less new-agey Enya.

Robin Thicke = 2 starred, 2 on list.

Demi Lovato = 2 starred, 2 on the list.  I really liked her independence and anger on Demi.  It’s still dancy, but she has something to say.  Can’t wait for the next album.

Frightened Rabbit = 2 starred, 2 on the list.  It’s a low-key listen, and that’s OK.

The Saturdays = 2 starred, and 3 on the list.  It’s very poppy, and a little eighties-electronic, but I think they have some potential.

Sara Bareilles = 2 starred, 4 on the list.  Same great singing and emotion, less anger.

Justin Bieber = 4 on the list, 2 starred.  Yes, the kid is a major-douche.  BUT I did like a few songs from Believe Acoustic.  I like the concept of making a filler-album acoustic.  Also, it’s got a nice, laid-back vibe that I enjoy and could study to.  Again, I acknowledge this dude is a tool-bag in real life.

Gary Allen = 2 starred, 4 on the list.  The songs have drinkin’, lovin’, and love lost as every good country album should.  It’s melancholy though–a sort of recovery album.  I look forward to a brighter version in the future.

Britney Spears = 2 starred, 4 on the list.  It’s very clubby.  Very dancy.  Some of the songs are unemotional as a result, but there’s one sentimental lyrically-driven song here.  Britney Jean is solid, but not a top contender.

Backstreet Boys = 2 starred, 5 on the list.  They’re baaacccck!  And not quite relevant in today’s market, especially given their humongous popularity in the late 1990s, but there’s still a little something there.  I am a fan of the highly polished slick studio magic, but the singing and ballads seem a little forced and phony this time around. . .

Cold War Kids = 2 starred, 5 on the list.  Seattle or not–I don’t think I’m a big fan.  I find the singing a little whiny and tedious and get this off-putting emo-hipster vibe that I can’t tolerate.  Tuxedos is quiet, without a radio-friendly stand-out, but if you like this kind of thing, you might feel it more than I do. . .

Twenty-One Pilots–6 on the list, 2 starred.  I get a gay-vibe and superficial dancey beats.

Arctic Monkeys = 2 starred, 7 songs.  Some might be disappointed, because the sound is very different from the first album.  It has more of a. . .  beat?  It’s more uptempo?  Something like that.

Sean Kingston = 2 starred, 7 made the list.  Has a fun sound.  I like the island influenced rap.

Elton John = 2 starred, 17 on the list.  Sir Elton John is always one of my favorites and The Diving Board is no exception.  Though the tracks aren’t star-material for the most part, the album as a whole is really great.  The songs work together to tell a story.  It’s a thoughtful and mature album, saturated with instrumentals.  I like the cover art and concept, and the meloncholy sound is great for concurrent reading or reflection.  It’s heavy on piano, which is a great reemergence of his skills.  There’s a definite sadness/blues feel to the 17 songs (entire album?) that I placed on my list.  And I feel like I’m sitting in a deep South, smoky bar while I listen.

John Mayer = 2 starred.  I like John.  Always have.  He was my 2nd concert ever, and I’m completely out of the celeb-gossip loop so I don’t know of any of his D-bag ways.  Anyway, with this album, which I added 10 songs to my list from, he’s gone country *insert Taylor Swift joke here* and I think it suits him.  I think the last album was deeper, more heartfelt, and more sincere, but this one is moving–in a cross-over type of way.  And there are shades of the last introspective tunes in songs like, “Waitin’ on the Day.”  I can see the John is trying to project a more adult, mature version of himself, but I’m not jaded by the marketing, it’s still John’s low-key voice and mellow strummings.

J.T. = 2 starred.  And an amazing 11 songs made my list.  But he kind of made me annoyed.  After such a long hiatus, I was expecting greatness that matched his last effort.  And I found the first CD of 20/20 just. . .  Meh.  There was no “Sexy Back,” that’s for sure.  And I felt it was–too much–that his songs were ALL so lengthy.  Like, Justin, who do you think you are?!  When he put out a part 2, I was so over it.  I felt like he thought the first CD would be more popular, then he thought–oops try again.  So instead of the 11 songs being awesome and wonderful, the whole marketing skeme mostly annoys me.  And the songs need to be snipped in half–or shorter.

fish bowl 2

Ra Ra Riot = 3 starred and 4 on the list.  They are heavy with the gay-sounding pop and pleads “I wanna be your toy…”  I like the upbeat, dancy tunes and hope to hear more in coming years.

Brad Paisley = 3 starred, 4 songs on the list.  I admit, I liked “Celebrity” a ton, but I never liked Brad Paisley as a person/lyrically.  I think thought he was sexist.  The words in his songs just rubbed me the wrong way.  Wheelhouse has a slightly different tone to it though–are you kidding me a song about a survivor of domestic abuse getting revenge?  Alright!  I can stand behind that.  I’m still undecided if Paisley is a chauvinist, but I can give him the benefit of the doubt for this album.

Daughtry = 3 starred, 5 on the list.  Baptized is a little stronger of a statement then the last album, and I like the feeling that jumps out of both the lyrics and the instrumentation.  It’s harder, but still meaningful.  I approve.

Barenakid Ladies = 3 starred, 5 on the list.  Like the other albums, Grinning Streak has a playful, fast-lyric thing going on.  This makes it catchy, and it also lends to a jingle-type sound.  I don’t mind, but it’ll never go on heavy rotation because of that.

Skillet = 3 starred and 7 made the list.  They are like a non-douchy Creed.  It’s hard-rock, but with an uplifting vibe.  I can tell they’re not posers like the afore-mentioned band, in it for the money.  They sing with authenticity and feeling.

Avril Lavigne = 3 starred, 9 on the list.  Her self-titled album has little to no substance, but that’s what we like about Lavigne, right?  She’s a mindless edgy-pop guilty pleasure.

dmb stage

Bon Jovi = starred, 4 on the list.  What about Now is more subtle, more thoughtful, but no less cool then any previous album.  There is a hopeful tone that I really like and though its less hard-rock, there are still catchy riffs and riveting choruses.  And “Because We Can” is probably my all-time favorite song of 2013.  It’s upbeat, yet sentimental, introspective, yet energetic and motivating.

Darius Rutger = 4 starred, 4 on the list.  I felt a lot of emotion in True Believers, and thought it was a nice mix between country and contemporary soft-rock.

New Kids. . . = 4 starred.  Out of 4 songs that made the cut.  They’re back!  And surprisingly, they are not totally washed up.  I liked the broken heart song, the dance party song, and I thought they were still surprisingly relevant.

Bad Religion = 4 starred, 6 on the list.  It’s heavy punkish-rock.  The songs jam out, and are super-short (unlike almost every other 2013 album).  I like the catchiness and harmonies, but wish each song was slightly longer. . .

Saliva = 4 starred, 9 made the list.  Saliva wasn’t as whiny!  Thank goodness they’ve matured a little, because I have always liked their hard-rock sound.

stage close up

Top Ten:  Tim McGraw-6 made the list, 5 starred.  There’s a real energy on this album.  It’s upbeat and well-thought.  The songs are catchy and have main-steam appeal without being contrived, formulaic, and sell-out.

#9:  Miley Cyrus = 5 starred, 13 on the list.  She’s a horrible human being (from what the media tells me) but the gal can sing.  And her sound is a deeper, different range than I’m used to hearing.

#8:  Gabriella Cilmi = 6 starred, 12 on the list.  My vote for Best New Artist.  Think Macy Gray with a thinner, more blues Southern vibe.  The Sting is solid, and she’s one to watch.

#7:  Avett Brothers = 6 starred, 13 on the list.  OK, last year I was mad they skewed my listening stats b/c I had investigated them as DMB’s Gorge opener.  And I hadn’t liked a lot of their library because they tend to scream a lot.  This year’s Magpie and the Dandilion has a nice album title, and I purposely added 13 songs to my list.  It’s more of a quiet, sweet, introspective sound this time around, a little love-lost.  I liked the seriousness the band has found.

#6:  Eminem = 1 super-starred (“Rap God”), several starred, 17 songs made the list.  The Marshall Mathers LP2 capitalizes on past fame and on current connections.  It’s heavy on featured artists and samples.  Em, has still got it though.  His raps are solid, hitting the right note between fun, catchy, and seriously making you question social issues.  I’m still a fan, even though he’s so controversial as an artist.

#5 of 2013:  Robbie Williams = 6 starred, 7 songs made the list.  He was smart to jump into the ring with Michael Buble who was the sole artist reaping the rewards of the vortex of swing/big-band.  What ever you call it, when ‘ol blue eyes was gone, so was a genre.  And Micheal Buble has certainly reaped many rewards for instilling new life into it.  Robbie Williams, I think, saw the success and left pop/electric to put out his best album to date-Swings Both Ways.  Good business decision, and surprisingly well backed up by the talent.  And a duet with Micheal Buble?  Sign me up!  He’s always a pleasant listen and one of my faves.

#4 of 2013:  Dropkick Murphys = 7 starred, 10 made the list.  They sound like a drunken Irish brawl band, high energy, lots of fight in their lyrics.  Signed and Sealed in Blood is in my top 5 for 2013, and I would get their next album in a heartbeat.

#3 of 2013:  Cher = 8 starred, 13 songs on the list.  Yes, she’s still got it.  Washed up?  Not at ALL!  Closer to the Truth is relevant, fun/clubby, yet mature and well-thought.  Her voice is clear and hopeful.  Listening to the album made me motivated to. . .  I don’t know what, but do more then dance.

#2 of 2013:  Rod Stewart = 7 starred, 8 made the list.  Rod Stewart shows that despite age, he KNOWS how to make a hit record.  Yes, the themes are slightly different–love for family, and gaining maturity.  Instead of sexy or superficial–it’s substancial and hopeful.  I’d dare to say that Time is Rod’s best album yet.  I really liked the instrumental backgrounds, the catchy hooks, and the more introspective lyrics.  I super-like most of the songs, but especially fell in love with, “Can’t Stop Me Now,” an autobiographical call to action.

#1 of 2013:  Michael Buble = 12 made the list.  Obviously, and of course.  All starred, 1 super-starred (“It’s a Beautiful Day”).  Aside from thinking Buble is genius for filling an abandoned genre, I think his music is universally pleasing.  He has a pleasant, crooning voice and a real likability within his albums.  Like his past records, I think To Be Loved appeals to a wide audience, including staple covers, duets, love songs, and even a bitter break up anthem–my afore-mentioned super-starred.  Come ’em coming Micheal I (and all the Vegas gagsta wannabes, and of course the cougars) can’t get enough!

And YES!  I did it.  I finished the listen and finished typing the list!!!!!!!!!!!!!

My Most listened in 2013

4 Jan

Next is my top artists that put out a CD in 2013.  But this one is purely statistical per data from LastFM.

DMB africa

Artists:

10]  Movie Sounds Unlimited

9]  Maroon 5 & Michael Buble tied with 130 listens

8]  Relaxing Piano (study purposes)

7]  Mumford & Sons–which dropped so much in rank because of a worrysome, cliche article in “Rollingstone.”

6]  Matchbox 20 tied with London Philharmonic Orchestra (another studious listen)

5]  John Mayer has 152 in 2013.

4]  Tbilisi Orchestra that started out for studying, but became a favorite b/c of “Fast Movements.”

3]  Dave Matthews Band with 329 listensDMB NY 2010

2]  Brandi Carlile with 506 listens

1]  909 plays of Vitamin String Quartet for their fantastic vocal-less covers of all types of music that allows study WITH recognizable songs.

I surprised even myself.  This is the first year Indigo Girls weren’t #1–they didn’t even make the list!  I still love them, but they haven’t made a new album in awhile and I’m pretty particular about which versions of their songs I like.  So various live albums don’t cut it.  I thought more of my staple-artists would make an appearance, actually.  Taylor Swift, Sheryl Crow, Akon, and more are usually in top rotation.  I’m also surprised how few listens there are.  And this is because I was spreading the artists thin, by listening to a huge vareity instead of just a few favorite people/bands.  So it’s good to branch out.  I also didn’t realize how much I was studying–good for me with top spot, #4, 6, 8, and 10 all studious listens.  If I dip down in the list four spots of just regular music listening I get:

11]  Green Day

12]  Eisley

13]  -study-

14]  Phillip Phillips

15]  and David Grey

Songs:

10]  “Canon in D Major”  Study, but a favorite too.  I want this one played at my “wedding” whatever form that event may take.

9]  “That Moon Song” by Gregory Alan Isakov, feat Brandi Carlile.  He is a relaxed, chill listen.  This is a song that make emotions choke up in your throat.  When Brandi comes in after the first verse, it’s hauntingly beautiful and always moves me.

8]  “I Will Wait” Mumford & Sons.  I had no idea I liked this song better then others in their catalog.  I do like their acoustic sounds, and any song really.

Brandi's band7]  “Closer to You” and “Rise Again”  Brandi Carlile.  Obviously.

6]  “I Didn’t” (tied with a random study song that must be on a lot of ipod play lists).  Another by Brandi.

5]  “Home,” Philip Phillips (live).  I like this because it’s an upbeat foot-stomper.  And the live version is really rooliking with the audience participating in literal foot stamping.

4]  “That Wasn’t Me.”  Though I don’t think it fits with the vibe of the rest of the album, I feel like it’s a substancial single that can really stand alone.  One of my fave Brandi songs.

3]  “Take Me Home, Country Roads,” Brandi Carlile covering John Denver.  I LOVE this!  The whole tribute album is cool–save for the horrible cover-photo.  Great for a road-trip especially.  DMB has a stand out song on it too.  Plus, John Denver always reminds me of Colorado–and THAT makes me excited to move.

2]  “So Much to Say,” by Dave Matthews Band, but it doesn’t really count b/c that was my Talent Show clogging song and I had to play it over and over for choreography, practice, and sound-check purposes.  So it’s skewed.

Brandi in Virginiareal 2]  “Raise Hell.”  So great a Brandi song.  It always helps me feel empowered and excited and it’s a great sing-along.

1]  “Hard Way Home” Brandi Carlile.  Best.  Ever.  Bear Creek is one of the best albums, maybe even my favorite better.  There’s a country feel, traveling/camping feel, and an authenticity to it.  And this song is the antithesis of that.  AND it speaks to my life, because I feel like I never have an easy path, but get things done all the same.

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A Music Update

22 Jul

Here is a fun post in honor of me going back to my part-time schedule tomorrow and being productive for the last 27 days of summer (WHERE DID THAT TIME GO?!):

The formula is taken from my last FM stats.  This captures i-tunes, i-pods, Spotify, all of it.  Also, I looked at each time increment captured and got an average that is representative of long and short term listening habits.

1.  MY FAVORITE LISTENING FORUM:

-Spotify.  It’s not perfect, and it always craps out when I try to use it to sync my i-pod, but it has almost everything and it’s free.  Sure, I could do without the ads, especially the ones that jump under my mouse when I scroll, but it’s still less spammy then Apple.

2.  FAVORITE ARTIST (most to least played status)

-Brandi Carlile avg 2nd

-Indigo Girls avg 7th = DMB avg 7th

-Maroon 5 avg 8th

-Mumford & Sons avg 9th

-Taylor Swift avg 10th

3.  FAVORITE SONG LYRICS

-Right now, “Age of Worry” by John Mayer resonates with me

4.  TOP PLAYED SONG

-in the last 6 months = Brandi Carlile’s remake of “Take Me Home, Country Roads”

– for the last year = Brandi Carlile “Hard Way Home”

-overall = Taylor Swift “Mean”

5.  TOP PLAYED BAND

-still the Indigo Girls overall with 6,253 listens

-in the last year, DMB = 1,441 listens

-past 6 months = Brandi Carlile = 448 listens

6.  BEST STUDY MUSIC

-Vitamin String Quartet

-I like the fast movements of Tbilisi Orchestra

http://youtu.be/83XU3aKZxiA

7.  BEST RUNNING MUSIC

-“Here Comes the Boom,” Nelly

-“Lose Yourself,” Eminem

-“My Time,” Fabolous

8.  BEST DRIVING MUSIC

-John Denver

-Trampled by Turtles

—>

Can I just say A] I must be tired because I’ve been working on this post for a ridiculous 2 hours now and B] I am now totally obsessed with watching DMB on YouTube now?  There is everything!  The show I actually saw at the Gorge, official videos, lyrics, and fan stuff!!!!  I never go on YouTube–THIS must be the reason, it’s a vortex-time-stealing machine. . .

Best of 2012: NEW ALBUMS

6 Jan

Best Music Produced in 2012:

Finally.  I intended on publishing this on New Years Eve when it’s a little more relevant.  These important decisions take time, and listening.  Several listenings to really pars apart the minute details between albums.  It’s a more subjective measure, then just copying LastFM statistics.  You can’t use the stats, because albums produced later in the year are at a disadvantage.  So this is based on my careful listening and whittling of songs–as well as my own unsubstantiated opinions and feelings.  Oh, and let’s get this out of the way right off the bat–I in no way italicized or put into quotations album or song titles.  This took a look time to write (as you can see by the post date of Jan 6), and I just didn’t devote any more time then necessary to grammar.  Just appreciate the music, and forget proper English, OK?  So finally, finally the long awaited, BEST OF 2012 ALBUMS blog (from good to *glorious–for you, mom).  Enjoy–I know I enjoyed listening and writing it.

Thriller

Honorable Mentions:

30.  The Fray–which I found a little too churchy to stand up.

29.  Jack Johnson’s live HI benefit album, which featured many other artists, but was too libertine.

28.  Rhythms Del Mundo with their African remixes of popular songs.

the Fray

27.  Carrie Underwood-Blown Away

Meh–I can’t say I was.  I found it too poppy for the most part.  I want a little more range and a little more country twang from Carrie.  What I got was a very commercial effort and three songs I could settle on liking.  Maybe next album, Carrie will write more of her own material, get back to her roots, or at least construct the CD without sales figures and commercial appeal in mind.

Carrie Underwood

26.  Matt & Kim-Sidewalks

I suppose I like the IDEA of the album much more then I actually liked Sidewalks.  Indie music seems so cool, so hipster.  But each song was too similar to the next for me to really appreciate the whole album.  After a quick couple of listens I was tired of hearing the same song in slightly different variation.  I found only two songs which I liked for longer then a day.

25.  Ke$ha-Warrior

Mmmm, this one was good for working out, and I’m sure dancing.  I fount it to be a slightly immature record though.  Maybe I dislike a very genre-specific record.  It certainly makes sense that I redered a very country-pop, indie, and dance-pop albums to the bottom of my 2012 list.  On this one my attention was only captured momentarily, the songs were too poppy to hold up even over a week.  I think Ke$ha has potential as an artist if she can write a little deeper lyrics, while keeping the dancy beats.

24.  Jason Mraz-Love is a Four Letter Word

At first I was very enamored with Love is a Four Letter Word.  I couldn’t get enough of the catchy tunes, and Jason’s commentaries about the songs.  It just didn’t hold up over time though.  The more I listened, the more I got annoyed with certain songs, or intros to the songs.  So unfortunately  what started out as a very, very good thing, ended up on the chopping block so to speak.  By the end of the year I was left with just 5 songs I felt were outstanding and liked to play repeatedly.

where's Peter

23.  White Rabbits-Milk Famous

Apparently, in my best-of 2012, I require several things:  Originality, while being true to the expected sound.  Check.  Coolness factor.  They have it.  Many good songs, that mean something to me and that I can listen to anywhere and on repeat.  Sure.  Several Genres.  This is where the White Rabbits fell flat.  They are indy and hipster and original, and yet each song on Milk Famous was much the same.  Just OK.

cherry

22.  Pink-The Truth About Love

I like Pink.  Always have.  I don’t care how immature or how volatile a person she is.  And this album was no exception, I found songs I could sing to, feel emotionally, and dance with.  And I loved how she featured other artists for the first time.  Good things–I like six songs.  But a good, chart-topping, year wowing album requires more then one awesome single and a few notable duets.  There is just no way to put The Truth About Love at the top of any list.  When you listen, you know it’s the junk food of female pop artists. Pink may have a little more staying power then most, and she may have slightly more to say lyrically, but there is just something about this album that isn’t adult.  Despite serious subject matter, Pink is unable to delve deep into her (or my) psyche to warrant serious success.  I want more songs like “Sober” and “Who Knew” that really stop me in my tracks while still being singable.

21.  Alicia Keys-Girl On Fire

Alicia does a good job straddling the line between R&B, piano, pop, soul, and jazz music.  For that, I have to rank Girl on Fire toward the top-more albums of 2012.  In addition, good CD title too.  That said, I only liked six of the offerings.  Usually, with Alicia’s music, I can’t really LOVE each song, but grow attached to at least one.  Not so with Girl on Fire.  No song really grew on me as they had with past albums.  So she gets mediocre rank.

LF polar bear

20.  Minus the Bear-Infinity Overhead

I just expected more.  There was nothing wrong with Infinity Overhead (except that terrible, gritty video for “Steel & Blood”) but I had hoped for more.  The songs were good.  Easy listeners, that were repeatable.  Indy and cool and true to their roots.  I guess I looked forward to the album release so much that these seven songs I ended up liking most did not measure up.  Good music, but a let-down all the same.

IMG_20120901_173242

19.  Dave Matthews Band-Away From the World

I really hate to say it–I do.  Especially as a relatively new fan, whose favorite moment of 2012 was The Gorge Concert on Labor Dave Weekend.  Away From the World wasn’t the best CD DMB has ever put out.  Sure, “Mercy” grows on you and the video concepts are amazing.  There are just no stand out songs, and certainly not of sufficent length, jams, or live footage.  Now, I’m hungering for a new album already, because 2012’s just didn’t do the band justice.  I wish I could rank this one higher. . .

18.  Alanis Morressette-Havoc and Bright Lights

I’m not afraid to say it–I loved Jagged Little Pieces.  Not a popular opinion anymore.  It was one of my staple CDs for years–still is in the case of a break up.  After Jagged though, Alanis sort of lost her edge for me.  I didn’t really love her efforts until this year.  And this album features a lot of songs I don’t hate.  Though I can’t really say I felt much toward them.  I would classify Havoc and Bright Lights as unobtrusive.  The best album Alanis has put out in years, but not a knock out, stand out by any means.  It’s good background or study music.

my x-mas 14

17.  Bon Iver-Stems Project

This album was produced very early in 2012.  And it’s sits toward the middle of my favorites list despite eventual categorization as just unobtrusive, because it has a couple things.  Different variations of the same song?  Surprisingly a good idea.  It has a very original vibe?  Yup.  Indie? sure.  Hipster? definitively.  And yet, it’s not presumptuous.  Stems Project may not have any stand-alone, stand out songs, but in it’s achievement as indy-hip minus the attitude, I commend it.

Fiona Apple-Criminal

16.  Fiona Apple-crazily long obnoxious title, I’m not going to try to write out.

Jarring.  That’s the most effective description I can think of for *insert longest most unwieldy album title of all time here*  This is over a couple of other artist offerings, because even though I could hardly listen to some of the songs, Fiona was saying something.  Sometimes in a good way, oftentimes exceeding my listening saturation point.  I do like that Fiona did her own thing.  She made her own rules, and really went for it–not keeping an eye on record label profits.  Respectful effort for sure, and I can see potential again, because we all know Fiona can be a little unstable and unpredictable as a person–though she channeled that nicely for the album.  I do suggest less shouting and a shorter title for the next project.  Oh, and by the way, I don’t know if anyone can beat Fiona’s singing chops with her garble-waver and range of pitch.

15.  Amy Ray-Lung of Love

I always have love for any half of the Indigo Girls.  And I feel like Lung of Love has a more country feel to it.  Which is an awesome addition to the rock, folk, and punk infused grooves she already has going.  Extra bonus points for incorporating Brandi Carlile’s voice.  I also like the other featured artists on this album.  Except, I don’t know what it is, but Amy Ray has this way of getting a momentum where every song has the same vibe.  Even with all those different genres and contributing artists.  I start to wonder where one songs ends and the other begins.  And it isn’t in a cohesive–this CD has a theme way.  It’s like she finds an original sound, then sticks to that same sound too much, so that by the end of the CD it’s not novel at all.  I say an album that goes together is fine–but too much of a good sound just becomes boring.

Indigo Girls

14.  A Fine Frenzy-PINES

I love the enchanting whimsy of A Fine Frenzy in general.  And this album, certainly gels together in a nice theme.  Problem the best presented cohesive package of the year.  The only trouble with PINES is the length of some of the songs.  A couple of my favorites are 6-7 minutes long.  A few are just extraneous in length.  Anyway, a nice dramatic effort, that will last in time for sure.

CO wildflower

13.  Green Day-Uno, Dose, Tres

Though there were technically three albums, I judge as one musical effort this year.  Of course, conceptually, the guys deserve kudos for thinking outside the box and producing three separate  yet combinable CDs each several months apart.  I think it’s a great marketing ploy, it’s different, and it’s creative.  Together-it’s a lot too many songs, that tend to blend toward one sound.  Many songs lack their own characteristics, instead being obvious “fillers.”  Yet, I’m not sure I would have liked the 12 songs I ended up liking well, AS much if they would have been on just one disc, as one offering.  So I rank Green Day as top of the middle in my 2012 list, if nothing else for their creativity in bucking a rigid label-system to produce three mini-albums at three intervals.

12.  Keane-Strangeland

There was a different vibe on 2012’s CD then Keane had in the past.  Still good, just another variety   The one thing I disliked was really based on a feeling, then tangible qualities.  I felt like Keane had a certain umm, what’s the right word?  Not arrogance–that’s too much.  Just a level of comfort and familiarity that comes with being sure of success.  I got the feeling Keane feels established enough to not TRY and struggle to make it anymore.  Which, they may have a well-established fan-base, but I think very few artists truly get to stop worrying about their number of listeners.  It ranked just slightly lower because it’s heavy Europe.  There is just a UK vibe that, as a true American (I suppose) turned me off.  This makes it sound like I didn’t like the record at all, which isn’t the case at all.  I felt very strongly toward the 12 songs I did like though, and there were plenty more offered on Strangeland.

11.  Eisley-The Valley

It’s difficult to believe that more then one person is singing.  The blending is impeccable.  I think the musicality, the beats especially, are improved from their last few albums.  If I had to describe what Eisley does to me when I listen to The Valley, it’s to tear delicately.  The lyrics and peaceful pitch gets inside my head and heart, and the emotion behind along with the instrumentation rips at my insides.  It’s a soft assault on my sensibilities.

NV Feb 2010 241

10.  Maroon 5-Overexposed

I have no idea what it is.  These guys are just different from everybody else.  I really can’t put my finger on what makes their music so outstanding.  They can say mean things in ways that get stuck in your head.  Their beat initiates dance moves unparalleled.  They are poppy, and seem uncategorizable (yeah, I make up words to suit my purposes) as anything else.  Yet, it isn’t mindless, bubble-gum dance pop that is fleeting and superficial.  A relative flurry of music in the last two years doesn’t hurt to keep them on the radar.  But it’s more than that, too.  I guess that’s what is so great about Overexposed–you don’t know what makes it shine, and why you can’t stop listening.  But you do.

9.  Trampled by Turtles-Stars & Satellites

Damn you Trampled by Turtles!  First off, they get marked down where no one else was even judged, for NOT having any merch featuring a group of turtles, or any turtle at all.  If an animal is in your band name you HAVE to have it on at least one piece of merchandise!  Rawr.  Anyway, the music–ugh, I wanted more fat-playing banjo and fiddle.  I wanted upbeat, dancing blue-grunge or whetever they call their hybrid bluegrass, country, rock, indy, folk music.  But Stars and Satellites was quiet and thoughtful.  Which is not bad.  Not at all.  Just not exactly what I wanted.  So even though I liked every single song, and found no problems (other than the afore-mentioned merch dearth) they are here.  Because the prior CD was better.  That’s all.

turtle line 2

8.  Lifehouse-Almeria

The same band, but just different enough to be totally new–that’s the beauty of Almeria.  I liked the bouncier, dancier songs, though they were still laid-back and chill as Lifehouse has ever been.  I liked this especially, because with such a dramatic change of style, it doesn’t seem forced or over-marketed.  I don’t see Lifehouse catering to record labels or commercial interests with this change.  It just feels like an establishment of maturity.  A great effort, and I can’t want for more.

7.  Ben Folds 5-The Sound of the Life On the Mind

Yay they’re back!  Ben Folds +/- Five is like a club.  You just have to know to understand.  And apparently, I hold membership, because I’m finding it difficult to explain this to outsiders:  It’s less piano (which I loved) but still awesome.  Though the songs on The Sound of the Life On the Mind (or something to that effect-damn, keep album titles short!) seem somehow more down-tempo they are still captivating.  And not really down-tempo.  I totally just said two opposing statements, but it makes sense if you compare the older stuff to this new release.  At any rate, I found seven really solid songs and can’t stop listening to them.  What else can you say, but listen?

6.  Matchbox Twenty-North

Another YAY, they’re back.  What’s the refrain–again with more feeling?  That’s how I felt with North.  It’s everything great about Matchbox 20, lyrically superior, emotion, singable, textured.  But with more feeling.  Every song resonated with me.  I left the CD wanting more.  That’s why they’re in this position.  Also, they don’t really transcend genres or have a purely original sound.  That’s not criticism, just when you have to rank the best albums of a year it comes down to the meticulous details to differentiate the top from the superior.  And these guys are comfortably at the top.

N. lights 10

5.  David Gray-Foundling

A surprise new favorite.  Like everybody else I had heard David Gray, liked some of the more popular songs, then regaled him to the background.  Between 2012 Draw the Line and Foundling, I found 20 songs that I could not tire of.  Yes, they are still good for the background, but the more I listened, the more I felt in tune with David’s unpretentious croonings.  A secret success, that’s already has a huge fan-base.  Add me.

4.  John Mayer-Born & Raised

Growth, so much growth can be ascertained from this album.  I’ve always liked John, but I found Born & Raised to be his best work yet.  It was just the right blend of emotional, country, soul-searching, and pop.  I liked nearly every song, and thought the effort raised above commercial marketing and genre alone.  He stood alone and was his own person, overcoming, sameness (cute guy + guitar) syndrome.  It feels like John grew up, and with that maturity found his real musical niche.

fireworks 13

3.  Adele-21

Oh the talent! I have nothing new to say, that hasn’t already been said or written throughout the year.  This gal is the real deal–no disputing that.  Belying her physical appearance, she can belt it out like a soul-queen.  Riveting and heart-felt, that’s how I would describe 21.  And the ONLY reason she doesn’t rate higher on my list, is she put the album out too early in the year.  Last January, and due to over-play, I’m somewhat over it.  As much as a person can be, anyway.  Not Adele’s fault, or by any lacking of the music quality at all either.  I’ve just had enough for now.  I see this album will be classic, and remain on best-off all-time lists.

2.  Brandi Carlile-Bear Creek

Believe you me–I wanted to pick Brandi’s CD as the top album of the year.  If only for cute-ness factor (Brandi’s not the album).  But there is that ONE song on Bear Creek that I alone just do not feel.  Everyone else likes it, but this is my list, and that song took the CD down a notch.  Anyway, Bear Creek is amazing.  I feel it transcends genres, is re-playable, goes with any activity or mood, and does well live. I also thing it will stand up to the test of time.

Brandi cute cowgirl

And–drumroll please–the number one album of 2012–as I see it:

1.  Mumford & Sons-Babel

Musically and lyrically.  Catchy with longevity.  Multiple listens in a variety of contexts.  I deem Babel the number one album of 2012, just because I was able to listen to it everywhere over and over without tiring of it.  Also, because I enthusiastically liked each song.  The ONLY downfall is Mumford & Sons don’t tour in the U.S. widely if at all.  I would happily take in a concert of theirs!

Concerts (2003 to Feb 2020)

20 Jun

2003 when I was 20 (so old!) was my first concert.  Randomly Mid-Missouri got a lot better people than Northern Nevada.  Steadman opened for Jason Mraz.  It was a really cool first concert, because Steadman sings amazingly and Jason Mraz talked a lot throughout the show, telling song origins and being funny.  that same year I saw John Mayer, who was good, and Shania Twain who is SUPER-talented!  I cheaped out and ended up in the second to last row, but boy can Shania belt it out!  She had costume changes and was totally giving things to the first few rows and singing autographs as she sang.  I wish I would have paid for better seats!

I saw Ani DiFranco, in Columbia, Missouri because she is Douche’s favorite.  All the lesbians young and old were there, so that was cool, but I am fairly unimpressed with Ani.  Firstly, she doesn’t vary her guiter riffs.  Her singing voice is sub-par.  She thinks she’s so profound, so her lyrics are pretentious.  She can’t really be a lesbian icon, because she was married to a man at the time.  I especially do not like the drug rumors.  And she did seem jittery and erratic to me, so I could see how she might be doing coke or some other upper.  I can say, she is very congenial and the audience wants to LIKE her.

I also saw Soggy Bottom Boys who opened for Blind Boys of Alabama because of Douche.  It was a really good show though I initially had no interest.  The blind guys would get up and rock out dangerously close to the edge of the stage, and their gospel flavors would just inspire the crowd to really get into it!

Then, I went to a flurry of Indigo Girls concerts.  The first was in Saint Louis with Douche.  Then, two years later I saw IG on all three tour stops near Missouri:  Saint Louis where Girlyman opened, the Blue Note in Columbia (which the Girls hated, b/c the acoustics weren’t right for them), and Kansas City.  The Kansas City show was especially good, as the crowd was really into it, and Amy and Emily were surprised by that, and geared up to meet the energy, and promised to come back in the future.  Then, I saw them again in 2006 in Saint Louis with Lori.  And in 2010, I saw them in Tacoma with Cool.  I make all my girlfriends go to their concerts with me, I guess!  Now Cool and I are going to see them at the Seattle Zoo next month.

In between, the IG I don’t remember going to any other concerts.  Maybe there are more that I just don’t remember right now. . .  I tried to see Dave Matthews Band with Cool, even had the tickets, and went to the Gorge and everything.  Only to find out that the tickets were for the day before.  It.  Was.  Heartbreaking.  That super-sucked!

 

In 2016 I saw Lord Huron and Trampled By Turtles at The Complex in SLC.  The venue was horrible!  It’s in a bad neighborhood of abandoned buildings, trash, and the edge of the homeless population.  The first thing was getting frisked.  The venue is literally a dark, dank warehouse that someone slapped a stage into.  There is no seating, sticky concrete floors, and the alcohol options are sorely lacking.  You can get over-priced watered-down (I assume) cocktails in a different room and miss the show, or pay for over-priced piss-water fratty beer in a sectioned-off portion of the main room.  Who doesn’t sell a single craft-beer option in 2016???  Get with the program!  The sound is loud, but garbled.  You are packed in like cattle, and as always, people are rude.  And the tall people always push to the front.  The two screens went black.  There were 45 minutes between the opening act and the main band.  The small of “fart” would waft by frequently.  It was hot.  I’ll never go back to that venue–I’m too old for that crap.  But both bands were awesome!  Lord Huron opened and I’m sure some of the crowd came just for them.  People seemed really into it, and knew the songs.  They made a fan out of me, too.  The light show was good, and they rocked!  It’s the very first time I’ve ever heard the crowd chant, “one more song” at the end of the opener.  I don’t think they prepared another song, or maybe someone told them time was too short, because there was no encore by the opener.  But the crowd most definitly clamored for one and it would have been awesome to see!  Looking back, I’m kinda glad they didn’t because things moved slowly enough as it was, and that standing in a jam-packed group on concrete super-sucks.  Then, Trampled By Turtles came on and were amazing.  I would describe their sound/genre as “hipster bluegrass.”  It’s the instrumentation of bluegrass, with less country of vocals, more indy/alternative singing.  I like them all the time, especially their fast songs.  But watching in person made it even better.  Their hands move so fast!  And the harmonies and timing are so awesome!  TBT just moved into my top 4 favorites.  I think this year (this moment) it goes:  Indigo Girls (because of 1sts/nostalgia, longevity, a huge catalog, ability to tame any crowd, and ability to grow with the times), Brandi Carlile, Dave Matthews Band, then TBT.

’03 Steadman opened for Jason Mraz- Jessie Hall(?) CoMo

’03 John Mayer-  Jessie Hall(?)(2nd x) CoMo

’03 Shania Twain- Arena(?) STL

’03 Indigo Girls (1st time)- The Pageant(?)(2nd x) STL

’04 Ani DiFranco- ____Theater(?) CoMo

’05 Soggy Bottom Boys opened for Blind Boys of Alabama- Blue Note, CoMo

’05 Indigo Girls (2nd x)- The Pageant(?)(3rd x) STL

’05 Indigo Girls (3rd x)- Blue Note (2nd x) CoMo

’05 Indigo Girls- _____ KC (4th x)

’06 Girlyman opened for Indigo Girls (5th x)- The Pageant(?)(4th x) STL

’10 Indigo Girls (6th x)- Pantages Theater Tacoma

06/’11 Empty Space Orchestra opened for Minus the Bear- Knitting Factory, Spokane

Got a table and beer service

07/’11 Indigo Girls (7th x)- Woodland Park Zoo, Seattle

10/’11 Brandi Carlile- Knitting Factory (2nd x), Spokane

(left an hour early b/c of super late start and necessity of working early the next day)

Sat, 9/1/’12 Avett Brothers opened for DMB- Gorge

Thurs, 10/’12 Brandi Carlile (2nd x)- Knitting Factory (3rd x) Spokane

Sat, 11/23/’12 Brandi Carlile (3rd x) w/Seattle Symphony- Benaroya Hall, Seattle

Sun, 8/31/’13 DMB (2nd x) @ Gorge (2nd x)

Fri, 8/29/14 Brandi Carlile (4th x) opened for DMB (3rd x) @ The Gorge (3rd x)

Sun, 8/31/14 Brandi Carlile (5th x) opened for DMB (4th x) @ The Gorge (4th x)

Sun, 8/16/15 Anderson East opened for Brandi Carlile (6th time) @ Red Butte Gardens, SLC, UT

Wed, 9/9/15 DMB (5th time) @ Stateline (Harvey’s, Lake Tahoe)

Sat 8/13/16 Blind Pilot opened for Brandi Carlile (7th time) @ Deer Valley Resort in Park City

Mon 8/15/16 Lord Huron opened for Trampled By Turtles @ The Complex in SLC, UT.

TBT didn’t take the stage til 10 PM, so we left after 2 songs. I never want to have to leave a concert early again!!!

3/23/18-3/25/18: 1st Annual Innigsfestival (Young the Giant, Cold War Kids, Lord Huron, White Buffalo, Luke Combs, The Head and the Heart, MT Joy) @Tempe Town Park

10/3/19: Tour de Fat- Trampled by Turtles. @tempe town park

8/11/19: bought ticks to see Young the Giant in Phoenix, but Cool was being bipolar & it was on a Sun and I had to work at McKesson early Mon, so we didn’t go. I hate that so much!

2/29/20: 3rd Innings Festival (Portugal the Man, Jason Isbell, DMB (6th time)). @tempe town park

Music: With Love (Part 4)

14 Jun

18. The song that you’d want to be playing in the background when you meet your soulmate

“Head Over Feet,” Alanis Moressette

I had no choice but to hear you, You stated your case time and again, I thought about it

You treat me like I’m a princess, I’m not used to liking that, You ask how my day was

You’ve already won me over in spite of me, And don’t be alarmed if I fall head over feet, Don’t be surprised if I love you for all that you are, I couldn’t help it, It’s all your fault

Your love is thick and it swallowed me whole, You’re so much braver than I gave you credit for, That’s not lip service

You’ve already won me over in spite of me, And don’t be alarmed if I fall head over feet, Don’t be surprised if I love you for all that you are, I couldn’t help it, It’s all your fault

You are the bearer of unconditional things, You held your breath and the door for me, Thanks for your patience

You’re the best listener that I’ve ever met, You’re my best friend, Best friend with benefits, What took me so long

I’ve never felt this healthy before, I’ve never wanted something rational, I am aware now, I am aware now

You’ve already won me over in spite of me, And don’t be alarmed if I fall head over feet, Don’t be surprised if I love you for all that you are, I couldn’t help it, It’s all your fault

24. Dedicate a song to someone special in your life.

-Michael Buble

-“Everything”

You’re a falling star, You’re the get away car.  You’re the line in the sand when I go too far.  You’re the swimming pool, on an August day.
And you’re the perfect thing to say.

And you play it coy, but it’s kinda cute.  Ah, When you smile at me you know exactly what you do.  Baby don’t pretend, that you don’t know it’s true.  Cause you can see it when I look at you.

[Chorus:]
And in this crazy life, and through these crazy times, It’s you, it’s you, You make me sing.  You’re every line, you’re every word, you’re everything.

You’re a carousel, you’re a wishing well, And you light me up, when you ring my bell.  You’re a mystery, you’re from outer space,
You’re every minute of my everyday.  And I can’t believe, uh that I’m your man, And I get to kiss you baby just because I can.  Whatever comes our way, ah we’ll see it through, And you know that’s what our love can do.

[Chorus:]
And in this crazy life, and through these crazy times, It’s you, it’s you, You make me sing, You’re every line, you’re every word, you’re everything.

So, La, La, La, La, La, La, La.  So, La, La, La, La, La, La, La

[Chorus:]
And in this crazy life, and through these crazy times, It’s you, it’s you, You make me sing.  You’re every line, you’re every word, you’re everything.  You’re every song, and I sing along.  ‘Cause you’re my everything.  Yeah, yeah

So, La, La, La, La, La, La, La.  So, La, La, La, La, La, La, La, La, La, La, La

25. Songs that you’d like to have with you on a desert island

-Elton John’s “Answer in the Sky”

http://www.last.fm/music/Elton+John/_/Answer+In+The+Sky

-Jo Dee Messina, “Bring on the Rain”

-John Mayer, “Bigger Than My Body”

-“Fighter,” by Christina Aguileria

22. A song that relaxes you

-Linkin Park piano music

http://www.last.fm/music/Linkin%2520Park/Piano%2520Instrumentals?ac=linkin%20park%20piano