Tag Archives: pink

23rd Up to 17th Top 2017 Albums

10 Jan

#23-Eisley I’m always a big fan of how so many voices in the band come together.  I’m Only Dreaming reminds me of the album that the Princess in Super Mario Brothers might be listening to while locked in the castle.  It’s got a fantastic, whimsical sound.  As always, the songs stick with you but are also good background music.

#22-Minus the Bear

Truly alternative music.  VOIDS isn’t nearly as dark and depressing as 2012’s Infinity Overhead, and that’s a good thing.  But it didn’t hit that spot in my psyche like it used to.

#21-Emily Saliers Her first solo album is really exciting to me!  I have been a long time, huge, huge fan of the Indigo Girls (and I’ve always thought that Emily was the better writer and singer of the two).  I mean, there’s really no comparing Amy and Emily–they are different and each have their own strengths.   But I figured if I liked Amy’s solo material than I would really, really like Emily’s.  Murmuration is a little on the sentimental side.  A little folksy and quiet.  And most definitely an album that requires multiple listens before you feel attached to it.  It can try a little hard, like the line, “. . .  mother-phallic gun. . .”  I mean, I get it, I agree, but still. . .  I really love when the songs have violin, and I really like the Native American style wailing (if that’s the right thing to call it?  Sounds like powwow music) in some of the songs.  And I appreciate the story and sentiment in “OK Corral.”  For the most part, I’m on board.

Back at home, they’re shaking heads and asking why
He was so quiet, seemed like such a decent guy
A heart of darkness lies in wait in everyone
It opens like a hollow point when you point and shoot your motherphallic gun

#20-Pink I didn’t intend to make this blurb full of backhanded complements (though I have).  I have been with Pink for her entire career, from the competition with the bubblegum-pop Brittany/Christina set, to the introspective Funhouse, with songs like “Sober” that really evaluates a lifestyle.  And I like Pink with her “if you don’t like me, fuck you” attitude and edginess.  I know Pink may not be the most mature or marketable artist, but she is never phony.  My favorite thing about Beautiful Trauma is not the usual catchiness that makes Pink have a lot of radio hits.  None of the songs really struck me as stand-outs or singles.  It also wasn’t WHAT Pink had to say.  As a matter of fact, her song “What About Us” bothers me.  It’s unclear to me what exactly she’s trying to say, or who she’s talking to.  It’s a partially political, partial love song, but equates to saying nothing at all.  I can tell it’s a song written to appeal to the masses and say whatever you want it to say.  There’s no real message from Pink’s heart here–other than buy the album!  Speaking of buying, I’m disgruntled Pink is selling her worst concert tickets for $206! What. the. Fuck?!  But, but but!  The thing that I think is put forward in Beautiful Trauma is Pink’s singing.  It is perhaps her best vocal work yet, and definitely the album that showcases her pipes best to date.  She can really hit the notes, and does so in almost all these songs, and that’s really what the music industry should be all about.

#19 -Michelle Branch “Living a Lie” is ummm, sort of like No Doubt in the 1990s.  Its poppy but with a rebellious watered-down punk vibe, listen to “Living A Lie” = ska.  It’s a nice change for Branch.  “Not a Love Song” is a good ballad of regret and trying to get over someone, and very catchy.  I’m glad Branch is working again, and admire an artist that can successfully do adult contemporary, country, and alternative styles.  Keep it coming!

#18-Rachel Platton

Waves sounds very much like Taylor Swift’s new album.  The style is better suited for Platten, but “Whole Heart” is good even though it doesn’t match the intensity and uplifting feeling that “Fight Song” garners.  I can appreciate the sentiment in “Loose Ends.”

loose ends lyrics

And “Perfect for You” is a plea to take her as she is.

#17-Miley Cyrus

I’m surprised how high I ranked Younger Now.  Miley explores a more serious side here, more mature without being boring.  Her voice is different than any female vocalist around—very deep relatively.  A duet with Dolly Parton is always a crowd-pleaser and shows Cyrus still values and hones her country roots.  I would not call this album country, though.  If you had to categorize it Younger Now would be pop.  But not superficial pop.  “You’re Not Him” shows depth of writing and emotion.  “Week Without You” is about enjoying time away from a boyfriend and the ramifications of that.  I would like to hear more things from Cyrus not put out to instill shock and rebellion.

miley-cyrus-younger-now-video

I Don’t Subscribe: Celebrate Something Else [Anti-Valentine’s #7]

14 Feb

As the obnoxious gay fellow sitting next to me in class found out when he cheerfully asked if I was excited for the impending “holiday.”  If you don’t remember my practical explanations of why the day is created for gains of capitalism, unfair to males, encourages gendered and unreasonable expectations from women, is detrimental to the environment, and HURTS people (diamond miners), look back at my annual blog post.  

2 year anneversary 013

As I have exhausted all angles trying to persuade you to discontinue celebrating such an awful tradition, this year, I appeal to choice.  OK, I get it, February isn’t the greatest month.  Especially following those gigantic holidays of Novemeber, December, and January.  February is back to the grind.  And it’s still cold.  And there’s really nothing real to celebrate until Memorial Day.  By real, I exclude St. Patty’s day, another concocted day that is abused to celebrate getting drunk on green beer.  And Cinco de Mayo, where Mexican restaurants get into the black for the year by peddling. . .  “Mexican” food, and yet more alcohol.  

Lesle's eye-breasts

But I’m getting off the point here are some special events that have occured on February 14 in years past.  And any one of them could have a celebratory holiday devoted to it.  More Worthy Cause for Celebration:

1778:

  • The United States Flag was formally recognized by a foreign naval vessel for the first time, Anatomy 28when French Admiral Toussaint-Guillaume Picquet de la Motte rendered a nine gun salute to USS Ranger, commanded by John Paul Jones.

Yay!  Boating and America and the flag!  What’s not to like?  OK, we already have Flag Day, Independence Day, and you’re not feeling a holiday devoted to sailing for whatever reason.  There’s more:

1794:  1st U.S. textile machinery patent granted, to James Davenport, Philadelphia

Clothes and fashion!  But I see this becoming a capitalistic nightmare–let’s move on.

1872:  1st state bird refuge authorized (Lake Merritt, California)

LF unicornsNothing here to hate on.  And maybe a parade featuring birds would be in order.  Or free admission to all avian-related places.

1876:  A G Bell & Elisha Gray apply separately for telephone patents Supreme Court eventually rules Bell rightful inventor

Yes!  Phones and communication–we cannot live without those.  This could easily take over V-Day with all those Apple-heads everywhere.

1889:  1st train load of fruit (oranges) leaves Los Angeles for east

1899:  U.S. Congress begins using voting machines

Politics get more honest.  But they have a long way to go before a fair system is achieved *cough heffalumps and woozelsabolish lobbies*

1919:  United Parcel Service forms

Again, another service we absolutely could not live without.  

1920:  League of Women Voters forms in Chicago

Girl-Power!

1924:  IBM Corporation founded by Thomas Watson

wine countryMore communication things–I see a trend here. . .

1936:  National Negro Congress organizes in Chicago

Yes!  The beginning of Civil Rights!

1946:  Bank of England nationalized

1963:  U.S. launches communications satellite Syncom 1

1966:  Wilt Chamberlain breaks NBA career scoring record at 20,884 points

Such a great fact, but without drinking involved I’m not sure non-sports enthusiasts would be on Oct 2011 031board–and definitely not so close to Superbowl and the Daytona 500.  Moving on. . .

1966:  Australian currency is decimalised.

1971:  Richard Nixon installs secret taping system in White House

1976:  U.S. performs nuclear test at Nevada Test Site

LF penguinsBoo, hiss to all the resultant nuclear waste getting dumped in the state.

1978:  1st “micro on a chip” patented by Texas Instruments

Communication!  I’m telling you, this needs to be the communication holiday.  Pay homage to all of this technology we can’t get by without for even 10 minutes.

1989:  World’s 1st satellite Skyphone opens

See?

1989:  The first of 24 satellites of the Global Positioning System are placed into orbit.heart flowers

GPS too?  I’ve decided I’m replacing Valentine’s Day with some sort of communication celebration.

1990:  Space probe Voyager 1 takes photograph of entire solar system

All right!  So I think I’ve decided on the history of communication technology holiday.  Now, what makes a holiday great?  Food, definitely   Special beverages for sure.  A parade never hurts.  Something–festive.  And obviously, communicating to many people or in  some awesome way to celebrate history.  Well, we have until next year to decide 🙂  Happy Communication Day everyone!

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Best of 2012: NEW ALBUMS

6 Jan

Best Music Produced in 2012:

Finally.  I intended on publishing this on New Years Eve when it’s a little more relevant.  These important decisions take time, and listening.  Several listenings to really pars apart the minute details between albums.  It’s a more subjective measure, then just copying LastFM statistics.  You can’t use the stats, because albums produced later in the year are at a disadvantage.  So this is based on my careful listening and whittling of songs–as well as my own unsubstantiated opinions and feelings.  Oh, and let’s get this out of the way right off the bat–I in no way italicized or put into quotations album or song titles.  This took a look time to write (as you can see by the post date of Jan 6), and I just didn’t devote any more time then necessary to grammar.  Just appreciate the music, and forget proper English, OK?  So finally, finally the long awaited, BEST OF 2012 ALBUMS blog (from good to *glorious–for you, mom).  Enjoy–I know I enjoyed listening and writing it.

Thriller

Honorable Mentions:

30.  The Fray–which I found a little too churchy to stand up.

29.  Jack Johnson’s live HI benefit album, which featured many other artists, but was too libertine.

28.  Rhythms Del Mundo with their African remixes of popular songs.

the Fray

27.  Carrie Underwood-Blown Away

Meh–I can’t say I was.  I found it too poppy for the most part.  I want a little more range and a little more country twang from Carrie.  What I got was a very commercial effort and three songs I could settle on liking.  Maybe next album, Carrie will write more of her own material, get back to her roots, or at least construct the CD without sales figures and commercial appeal in mind.

Carrie Underwood

26.  Matt & Kim-Sidewalks

I suppose I like the IDEA of the album much more then I actually liked Sidewalks.  Indie music seems so cool, so hipster.  But each song was too similar to the next for me to really appreciate the whole album.  After a quick couple of listens I was tired of hearing the same song in slightly different variation.  I found only two songs which I liked for longer then a day.

25.  Ke$ha-Warrior

Mmmm, this one was good for working out, and I’m sure dancing.  I fount it to be a slightly immature record though.  Maybe I dislike a very genre-specific record.  It certainly makes sense that I redered a very country-pop, indie, and dance-pop albums to the bottom of my 2012 list.  On this one my attention was only captured momentarily, the songs were too poppy to hold up even over a week.  I think Ke$ha has potential as an artist if she can write a little deeper lyrics, while keeping the dancy beats.

24.  Jason Mraz-Love is a Four Letter Word

At first I was very enamored with Love is a Four Letter Word.  I couldn’t get enough of the catchy tunes, and Jason’s commentaries about the songs.  It just didn’t hold up over time though.  The more I listened, the more I got annoyed with certain songs, or intros to the songs.  So unfortunately  what started out as a very, very good thing, ended up on the chopping block so to speak.  By the end of the year I was left with just 5 songs I felt were outstanding and liked to play repeatedly.

where's Peter

23.  White Rabbits-Milk Famous

Apparently, in my best-of 2012, I require several things:  Originality, while being true to the expected sound.  Check.  Coolness factor.  They have it.  Many good songs, that mean something to me and that I can listen to anywhere and on repeat.  Sure.  Several Genres.  This is where the White Rabbits fell flat.  They are indy and hipster and original, and yet each song on Milk Famous was much the same.  Just OK.

cherry

22.  Pink-The Truth About Love

I like Pink.  Always have.  I don’t care how immature or how volatile a person she is.  And this album was no exception, I found songs I could sing to, feel emotionally, and dance with.  And I loved how she featured other artists for the first time.  Good things–I like six songs.  But a good, chart-topping, year wowing album requires more then one awesome single and a few notable duets.  There is just no way to put The Truth About Love at the top of any list.  When you listen, you know it’s the junk food of female pop artists. Pink may have a little more staying power then most, and she may have slightly more to say lyrically, but there is just something about this album that isn’t adult.  Despite serious subject matter, Pink is unable to delve deep into her (or my) psyche to warrant serious success.  I want more songs like “Sober” and “Who Knew” that really stop me in my tracks while still being singable.

21.  Alicia Keys-Girl On Fire

Alicia does a good job straddling the line between R&B, piano, pop, soul, and jazz music.  For that, I have to rank Girl on Fire toward the top-more albums of 2012.  In addition, good CD title too.  That said, I only liked six of the offerings.  Usually, with Alicia’s music, I can’t really LOVE each song, but grow attached to at least one.  Not so with Girl on Fire.  No song really grew on me as they had with past albums.  So she gets mediocre rank.

LF polar bear

20.  Minus the Bear-Infinity Overhead

I just expected more.  There was nothing wrong with Infinity Overhead (except that terrible, gritty video for “Steel & Blood”) but I had hoped for more.  The songs were good.  Easy listeners, that were repeatable.  Indy and cool and true to their roots.  I guess I looked forward to the album release so much that these seven songs I ended up liking most did not measure up.  Good music, but a let-down all the same.

IMG_20120901_173242

19.  Dave Matthews Band-Away From the World

I really hate to say it–I do.  Especially as a relatively new fan, whose favorite moment of 2012 was The Gorge Concert on Labor Dave Weekend.  Away From the World wasn’t the best CD DMB has ever put out.  Sure, “Mercy” grows on you and the video concepts are amazing.  There are just no stand out songs, and certainly not of sufficent length, jams, or live footage.  Now, I’m hungering for a new album already, because 2012’s just didn’t do the band justice.  I wish I could rank this one higher. . .

18.  Alanis Morressette-Havoc and Bright Lights

I’m not afraid to say it–I loved Jagged Little Pieces.  Not a popular opinion anymore.  It was one of my staple CDs for years–still is in the case of a break up.  After Jagged though, Alanis sort of lost her edge for me.  I didn’t really love her efforts until this year.  And this album features a lot of songs I don’t hate.  Though I can’t really say I felt much toward them.  I would classify Havoc and Bright Lights as unobtrusive.  The best album Alanis has put out in years, but not a knock out, stand out by any means.  It’s good background or study music.

my x-mas 14

17.  Bon Iver-Stems Project

This album was produced very early in 2012.  And it’s sits toward the middle of my favorites list despite eventual categorization as just unobtrusive, because it has a couple things.  Different variations of the same song?  Surprisingly a good idea.  It has a very original vibe?  Yup.  Indie? sure.  Hipster? definitively.  And yet, it’s not presumptuous.  Stems Project may not have any stand-alone, stand out songs, but in it’s achievement as indy-hip minus the attitude, I commend it.

Fiona Apple-Criminal

16.  Fiona Apple-crazily long obnoxious title, I’m not going to try to write out.

Jarring.  That’s the most effective description I can think of for *insert longest most unwieldy album title of all time here*  This is over a couple of other artist offerings, because even though I could hardly listen to some of the songs, Fiona was saying something.  Sometimes in a good way, oftentimes exceeding my listening saturation point.  I do like that Fiona did her own thing.  She made her own rules, and really went for it–not keeping an eye on record label profits.  Respectful effort for sure, and I can see potential again, because we all know Fiona can be a little unstable and unpredictable as a person–though she channeled that nicely for the album.  I do suggest less shouting and a shorter title for the next project.  Oh, and by the way, I don’t know if anyone can beat Fiona’s singing chops with her garble-waver and range of pitch.

15.  Amy Ray-Lung of Love

I always have love for any half of the Indigo Girls.  And I feel like Lung of Love has a more country feel to it.  Which is an awesome addition to the rock, folk, and punk infused grooves she already has going.  Extra bonus points for incorporating Brandi Carlile’s voice.  I also like the other featured artists on this album.  Except, I don’t know what it is, but Amy Ray has this way of getting a momentum where every song has the same vibe.  Even with all those different genres and contributing artists.  I start to wonder where one songs ends and the other begins.  And it isn’t in a cohesive–this CD has a theme way.  It’s like she finds an original sound, then sticks to that same sound too much, so that by the end of the CD it’s not novel at all.  I say an album that goes together is fine–but too much of a good sound just becomes boring.

Indigo Girls

14.  A Fine Frenzy-PINES

I love the enchanting whimsy of A Fine Frenzy in general.  And this album, certainly gels together in a nice theme.  Problem the best presented cohesive package of the year.  The only trouble with PINES is the length of some of the songs.  A couple of my favorites are 6-7 minutes long.  A few are just extraneous in length.  Anyway, a nice dramatic effort, that will last in time for sure.

CO wildflower

13.  Green Day-Uno, Dose, Tres

Though there were technically three albums, I judge as one musical effort this year.  Of course, conceptually, the guys deserve kudos for thinking outside the box and producing three separate  yet combinable CDs each several months apart.  I think it’s a great marketing ploy, it’s different, and it’s creative.  Together-it’s a lot too many songs, that tend to blend toward one sound.  Many songs lack their own characteristics, instead being obvious “fillers.”  Yet, I’m not sure I would have liked the 12 songs I ended up liking well, AS much if they would have been on just one disc, as one offering.  So I rank Green Day as top of the middle in my 2012 list, if nothing else for their creativity in bucking a rigid label-system to produce three mini-albums at three intervals.

12.  Keane-Strangeland

There was a different vibe on 2012’s CD then Keane had in the past.  Still good, just another variety   The one thing I disliked was really based on a feeling, then tangible qualities.  I felt like Keane had a certain umm, what’s the right word?  Not arrogance–that’s too much.  Just a level of comfort and familiarity that comes with being sure of success.  I got the feeling Keane feels established enough to not TRY and struggle to make it anymore.  Which, they may have a well-established fan-base, but I think very few artists truly get to stop worrying about their number of listeners.  It ranked just slightly lower because it’s heavy Europe.  There is just a UK vibe that, as a true American (I suppose) turned me off.  This makes it sound like I didn’t like the record at all, which isn’t the case at all.  I felt very strongly toward the 12 songs I did like though, and there were plenty more offered on Strangeland.

11.  Eisley-The Valley

It’s difficult to believe that more then one person is singing.  The blending is impeccable.  I think the musicality, the beats especially, are improved from their last few albums.  If I had to describe what Eisley does to me when I listen to The Valley, it’s to tear delicately.  The lyrics and peaceful pitch gets inside my head and heart, and the emotion behind along with the instrumentation rips at my insides.  It’s a soft assault on my sensibilities.

NV Feb 2010 241

10.  Maroon 5-Overexposed

I have no idea what it is.  These guys are just different from everybody else.  I really can’t put my finger on what makes their music so outstanding.  They can say mean things in ways that get stuck in your head.  Their beat initiates dance moves unparalleled.  They are poppy, and seem uncategorizable (yeah, I make up words to suit my purposes) as anything else.  Yet, it isn’t mindless, bubble-gum dance pop that is fleeting and superficial.  A relative flurry of music in the last two years doesn’t hurt to keep them on the radar.  But it’s more than that, too.  I guess that’s what is so great about Overexposed–you don’t know what makes it shine, and why you can’t stop listening.  But you do.

9.  Trampled by Turtles-Stars & Satellites

Damn you Trampled by Turtles!  First off, they get marked down where no one else was even judged, for NOT having any merch featuring a group of turtles, or any turtle at all.  If an animal is in your band name you HAVE to have it on at least one piece of merchandise!  Rawr.  Anyway, the music–ugh, I wanted more fat-playing banjo and fiddle.  I wanted upbeat, dancing blue-grunge or whetever they call their hybrid bluegrass, country, rock, indy, folk music.  But Stars and Satellites was quiet and thoughtful.  Which is not bad.  Not at all.  Just not exactly what I wanted.  So even though I liked every single song, and found no problems (other than the afore-mentioned merch dearth) they are here.  Because the prior CD was better.  That’s all.

turtle line 2

8.  Lifehouse-Almeria

The same band, but just different enough to be totally new–that’s the beauty of Almeria.  I liked the bouncier, dancier songs, though they were still laid-back and chill as Lifehouse has ever been.  I liked this especially, because with such a dramatic change of style, it doesn’t seem forced or over-marketed.  I don’t see Lifehouse catering to record labels or commercial interests with this change.  It just feels like an establishment of maturity.  A great effort, and I can’t want for more.

7.  Ben Folds 5-The Sound of the Life On the Mind

Yay they’re back!  Ben Folds +/- Five is like a club.  You just have to know to understand.  And apparently, I hold membership, because I’m finding it difficult to explain this to outsiders:  It’s less piano (which I loved) but still awesome.  Though the songs on The Sound of the Life On the Mind (or something to that effect-damn, keep album titles short!) seem somehow more down-tempo they are still captivating.  And not really down-tempo.  I totally just said two opposing statements, but it makes sense if you compare the older stuff to this new release.  At any rate, I found seven really solid songs and can’t stop listening to them.  What else can you say, but listen?

6.  Matchbox Twenty-North

Another YAY, they’re back.  What’s the refrain–again with more feeling?  That’s how I felt with North.  It’s everything great about Matchbox 20, lyrically superior, emotion, singable, textured.  But with more feeling.  Every song resonated with me.  I left the CD wanting more.  That’s why they’re in this position.  Also, they don’t really transcend genres or have a purely original sound.  That’s not criticism, just when you have to rank the best albums of a year it comes down to the meticulous details to differentiate the top from the superior.  And these guys are comfortably at the top.

N. lights 10

5.  David Gray-Foundling

A surprise new favorite.  Like everybody else I had heard David Gray, liked some of the more popular songs, then regaled him to the background.  Between 2012 Draw the Line and Foundling, I found 20 songs that I could not tire of.  Yes, they are still good for the background, but the more I listened, the more I felt in tune with David’s unpretentious croonings.  A secret success, that’s already has a huge fan-base.  Add me.

4.  John Mayer-Born & Raised

Growth, so much growth can be ascertained from this album.  I’ve always liked John, but I found Born & Raised to be his best work yet.  It was just the right blend of emotional, country, soul-searching, and pop.  I liked nearly every song, and thought the effort raised above commercial marketing and genre alone.  He stood alone and was his own person, overcoming, sameness (cute guy + guitar) syndrome.  It feels like John grew up, and with that maturity found his real musical niche.

fireworks 13

3.  Adele-21

Oh the talent! I have nothing new to say, that hasn’t already been said or written throughout the year.  This gal is the real deal–no disputing that.  Belying her physical appearance, she can belt it out like a soul-queen.  Riveting and heart-felt, that’s how I would describe 21.  And the ONLY reason she doesn’t rate higher on my list, is she put the album out too early in the year.  Last January, and due to over-play, I’m somewhat over it.  As much as a person can be, anyway.  Not Adele’s fault, or by any lacking of the music quality at all either.  I’ve just had enough for now.  I see this album will be classic, and remain on best-off all-time lists.

2.  Brandi Carlile-Bear Creek

Believe you me–I wanted to pick Brandi’s CD as the top album of the year.  If only for cute-ness factor (Brandi’s not the album).  But there is that ONE song on Bear Creek that I alone just do not feel.  Everyone else likes it, but this is my list, and that song took the CD down a notch.  Anyway, Bear Creek is amazing.  I feel it transcends genres, is re-playable, goes with any activity or mood, and does well live. I also thing it will stand up to the test of time.

Brandi cute cowgirl

And–drumroll please–the number one album of 2012–as I see it:

1.  Mumford & Sons-Babel

Musically and lyrically.  Catchy with longevity.  Multiple listens in a variety of contexts.  I deem Babel the number one album of 2012, just because I was able to listen to it everywhere over and over without tiring of it.  Also, because I enthusiastically liked each song.  The ONLY downfall is Mumford & Sons don’t tour in the U.S. widely if at all.  I would happily take in a concert of theirs!

PoliToys

1 Dec

Who knew going into the Toys R Us would be so political?  Cool and I never go there since we don’t have kids or any young relatives, or even any friends that are parents.  But with Christmas approaching, we wanted to do somthing to help local needy children–and there are a LOT here!

I want to promote learning, but not gaming/computers.  I think kids should spend more time developing their brains, and less developing their thumb muscles.  This rendered a quarter of the store off-limits.

Firstly, when did Legos get so expensive?  Before we entered the store we thought we wanted to get a nice Lego set so our kid-recipient could build.  After looking at (4 aisles!) of the blocks, we realized the good Lego sets were in the hundred dollar range and out of our allotted price bracket.  That alone is political   Why pay so much for the simplest of age-old building materials?  How much could they possibly cost to make?

So we wandered.  I don’t agree with the premise of Barbie, because I think it gives little girl poor self-image, makes kids and adults alike have unreasonable body expectations, and contributes nothing to developing the mind, body, or motor skills for that matter.  And on that same track, I think gifts should be age-appropriate.  I was pretty appalled to see full makeup sets being marketed to girls.  How early must they start fitting into society’s cookie-cutter ideal of the beautiful woman?!  So almost half the store was not a gifting option.

I also have a problem with gendered gifts.  I think little boys and girls should be able to play with anything they want so the rows and rows splashed with pink were out, as were the guns.  Why were there so many toys promoting violence for boys?  Between the video games, afore-mentioned guns, and war-themed trinkets, that was pretty much the extent of their selection.  I thought about GI Joe figures, but decided against it, because I don’t really think little boys should be dragged into the political arena in the form of pro-armed forces at such a young age.

I thought maybe something educational, athletic, or musical would be cool, and fit with my belief system, but again these items were well out of my price range.  I saw some awesome things for myself in these particular sections though.  Did you know they have little microscopes for kids?  Guitars, keyboards, and bongo sets?  Electroplasma Lava Lamps?  It was crazy!

In the end, Cool got an amazing deal on 10 different colors of play dough and I found a whole box of ocean animal figurines.  That way the child that gets my gift can learn about different ocean animals, gain an appreciation (hopefully) for ocean conservation efforts, AND play for a long time.  Oh, and we got an ant farm that has glow in the dark gel instead of sand for ourselves!  I hope the cats are intrigued by it.

Lessons:  Giving to the underprivileged feel really good, shopping for kids is fun, and political agendas are aimed at our youth.  Who knew?  Well, I guess Pepsi Co did.  And McDonald’s.  And Camel.  OK, I guess I knew too, but forgot–and didn’t realize it was so blatant and pervasive.

The Basics-Music I Love. . . And Don’t.

9 Jun

My favorite and least favorite music:

01. Your favorite song (post an mp3 if you can!)

-Pacabel Canon in D, played on electric violin

02. Your least favorite song

Beethoven’s “Moonlight Sonata”

-Anna’s Little Learners played this song EVERY day at nap time.

03. Your favorite artist/band

The Fray

04. Your least favorite artist/band

-There are two:

-a band that never sings and thinks they’re so clever. . .

-Cake

-and harsh, screaming that can’t really pass for singing:

-Godsmack

05. Favorite song lyrics

-“Anything but Down” by Sheryl Crow

I light your cigarettes, I bring you apples from the vine, How quickly you forget, I run the bath and pour the wine, I bring you everything that floats into your mind

But you don’t bring me anything but down, You don’t bring me anything but down, You don’t bring me anything but down, When you come ’round

You are a raging sea, I pull myself out everyday, I plea insanity, Cause I can’t leave but I can’t stay, You say, won’t you come find me and yes is what I say

You don’t bring me anything but down, You don’t bring me anything but down, Everything is crashing to the ground

Maybe I’m not your perfect kind, Maybe I’m not what you had in mind, Maybe we’re just killing time

You with your silky words, And your eyes of green and blue, You with your steel beliefs, That don’t match anything you do, It was so much easier before you became you

You don’t bring me anything but down, You don’t bring me anything but down, Everything just crashes to the ground, When you come around, When you come around

No more playing seek and hide, No more long and wasted nights, Can’t you make it easy on yourself

I know you wish you were strong, You wish you were never wrong, Well, I got some wishes of my own

06. Your top played song on iTunes/your music player

“So What,” Pink

07. Your top most played artist on iTunes/music player

Indigo Girls

-DUH-