Tag Archives: Reputation

Midnights Album = Lover Vault Tracks

28 Oct

I guess I should have started the series with this post. But what I forgot is not everyone has this same opinion. Even though it seems fairly obvious to me. So here’s some background thinking that may influence my opinions about the tracks.

Here’s what I think happened:

Taylor is rerecording her masters. Fans were clamoring for the albums. There were trends every Friday on Twitter guessing album drops. And it is in Taylor’s best interest to keep up engagement and interest in her masters project. She needs each one to sell and stream and be successful. If there is a drought people might forget or lose motivation to support it. Except there were snafus: She wants the big finish to be Taylor Swift TV. Reputation isn’t eligible until 2023. Speak Now and 1989 both ran into legal troubles.

It makes sense to me that Taylor’s team decided to throw together a new album real quick as damage control, and a bridge to the next rerecord. Taylor dipped into her diaries, her drafts, and vault songs that didn’t make past albums. She cleaned them up, did a bit of editing, and rushed to construct an album to satiate the general public.

I think the new album sounds like if Reputation and Lover had a baby that was more subtle than both. Taylor said these tracks are from midnights throughout her life so it makes sense to me she might have written most of the songs, portions of the songs, lyrics, taken inspiration from the period of time between Reputation tour and Lover promo.

Looking at Taylor’s catalog as an evolution, it doesn’t seem like Midnights belongs after folklore and Evermore. Yes, those albums were a slightly different genre, but more than that those albums were high-brow and complex with shifting themes. They were decadent in their lyricism and expertly written to mix fantasy and fiction.

Midnights sounds like it belongs prior to the quarantine era albums. It is WILDLY successful, and I wonder how much of that is promo working, how much is due to Taylor’s name bringing high recognition/curiosity no matter what she does, and how much is thirsty fans supporting it. I think it’s probably a variety of factors, but to me Midnights is not the progression of talent post folkmore.

I also think the timelines in the new songs make better sense if they were written in the past. Example:

The Great War bridge

It turned into something bigger
Somewhere in the haze, got a sense I’d been betrayed
Your finger on my hairpin triggers
Soldier down on that icy ground
Looked up at me with honor and truth
Broken and blue, so I called off the troops
That was the night I nearly lost you
I really thought I’d lost you

the nearly lost you confuses me. It implies when this song was written Taylor was still with Karlie. I know the two were on and off many times, but current dresses, music videos, posts, and lyrics show more of a petty-ex energy between the two. Also, the last 3-4 albums wouldn’t be so sad if Taylor was currently together again with Karlie.

I’m interested to see what the 11th album will sound like. Then we’ll know for sure if folkmore was just an anomaly of suddenly having tragedy plus downtime, or if Midnights belongs at 6.5 in the album order.

Reputation Re-listen: 3rd Lens

23 Jan

1st lense: Public persona. Straight. Thought it was bad. The BF stuff was OTT. As such, the rest of this analysis is from the perspective that Oat Milk is a beard (Grammygate).
2nd lense: Kaylor. Eyes opened, everything made better sense. It’s a WLW love story.
3rd lense: in light of Karlie baby. Post FolkMore.
It’s all of those. Taylor was layering meanings into songs (for plausible deniability) before she admitted it in folklore.

I included lyrical analysis in this, but not quotes from Taylor outside of her songs. When marketing an album to the general public she tends to be an unreliable narrator, and cherry-picking takes away from the credibility of these conclusions. The truth is (buried) in her lyrics.

Call It What You Want (pertinent lines and [brackets show my words]):

My castle crumbled overnight I brought a knife to a gunfight They took the crown, but it’s alright [Snakegate] All the liars are calling me one [KimYe] Nobody’s heard from me for months [Reputation black-out] I’m doing better than I ever was, ’cause My baby’s fit like a daydream [Victoria’s Secret Angel, Karlie] High above the whole scene [tall, and also out of the KimYe drama] Windows boarded up after the storm [during reputation black-out, Kaylor went underground together] He built a fire [Karlie] just to keep me warm All the drama queens taking swings [Karda$hians] All the jokers dressin’ up as kings [Kanye] They fade to nothing when I look at him I’m laughing with my lover, making forts under covers

Taylor is in love with Karlie. She says they don’t have to label it if that doesn’t work for Karlie:

(Call it what you want, call it what you want, call it) So call it what you want, yeah, call it what you want to Call it what you want, yeah Call it what you want To [said fast it even sounds like Karlie’s name in here]

Taylor writes a lot about the sexual chemistry of Kaylor:

Don’t Blame Me

I’ve been breakin’ hearts a long time, and [Taylor’s serial-dater reputation] Toyin’ with them older guys [Jake G, John M, Tom H…] Just to play things for me to use [beards]

Something happened for the first time, in The darkest little paradise Shakin, pacin’, I just need you I get so high, oh Every time, yeah every time you’re lovin’ me You’re lovin’ me Oh, Lord, save me, my drug is my baby I’d be usin’ for the rest of my life [Lesbian sex.]

My name is whatever you decide [Karlie misspells Taylor’s name in the sand during the Big Sur trip] And I’m just gonna call you mine Halo, hiding my obsession [VS Angel and also Taylor Swift the wholesome/straight brand] I once was poison ivy, but now I’m your daisy [a daisy on the dashboard identical to the pic on the liner notes; also Ivy from Evermore calls back to this]

I rearranged the lyrics of So It Goes:

Met you in a bar [Delicate? or the 2014 Met Gala?] All eyes on me, your illusionist [Taylor is not what she seems] All eyes on us [Guests, media, the public?] See you in the dark All eyes on you, my magician [magical but twists the truth does tricks to obscure] All eyes on us You make everyone disappear, and [Taylor only has eyes for Karlie]

Cut me into pieces Gold cage, hostage to my feelings

[Taylor is in love, yet still in her metaphorical cage. She has to hide this love from the public for the sake of her career. She’s also in the cage because her love, Karlie, is committed to someone else (Jo$h).]

Back against the wall [no options] Trippin’, trip-trippin’ when you’re gone [Karlie goes back to Jo$h] ‘Cause we breakdown a little I’m so chill, but you make me jealous [Taylor doesn’t want to share Karlie] But I got your heart Skippin’, skip-skippin’ when I’m gone [Both of them feel love, not just Taylor]

[There’s a lot of outside factors standing between Taylor and Karlie, and making their relationship complicated and messy.]

But when you get me alone, it’s so simple ‘Cause baby, I know what you know We can feel it And all the pieces fall Right into place Getting caught up in a moment Lipstick on your face So it goes I make all your gray days clear and Wear you like a necklace [lesbian sex graphic reference] But when I get you alone, it’s so simple ‘Cause baby, I know what you know We can feel it You know I’m not a bad girl [Commenting on public stigma of gays] But I do bad things with you [Sexually-speaking] So it goes Come here, dressed in black now So, so, so it goes Scratches down your back now So, so, so it goes

[sex, sex, sex is so passionate and great and makes all the public image and commitments to others momentarily disappear]

I’m yours to keep [Karlie could choose Taylor] And I’m yours to lose [will Karlie choose Jo$h?] You did a number on me [Staying committed to Jo$h while seeing Taylor] But honestly, baby, who’s counting? I did a number on you [bearding, anxious about their relationship] But honestly, baby, who’s counting? [Proceeds to count. Maybe saying resentments are building up on both sides]

End game through this 3rd lens seems less like couple goals as I had previously interpreted it, and more like begging Karlie to choose her (over Jo$h):

Big reputation, big reputation Ooh you and me we got big reputations [obv Taylor and Karlie individually and together]

I don’t wanna touch you (I don’t wanna be) Just anther ex-love (you don’t wanna see) I don’t wanna miss you (I don’t wanna miss you) [When Karlie goes back to Jo$h] Like the other girls do I don’t wanna hurt you (I just wanna be) Drinkin’ on a beach with (you all over me And I can’t let you go, your hand print’s on my soul [Taylor is deeply in love with Karlie] It’s like your eyes are liquor, it’s like your body is gold [Karlie] You’ve been calling my bluff on all my usual tricks So here’s the truth from my red lips I wanna be your end game I wanna be your first string I wanna be your A Team I wanna be your endgame, endgame

[This screams, please pick me overJo$h]

Delicate under the 3rd lens seems less like a nervous 1st date and more like anxiety that Karlie is a flight risk.

We can’t make any promises Now can we, babe Is it cool that I said all that? Is it chill that you’re in my head? ‘Cause I know that it’s delicate (Delicate) Is it cool that I said all that? Is it too soon to do this yet? ‘Cause I know that it’s delicate

[Taylor is full of anxiety, not wanting to scare Karlie away, not wanting to push boundaries.]

Third floor on the West Side, me and you [Kaylor sex] Handsome, you’re a mansion with a view [Karlie] Do the girls back home touch you like I do? Long night with your hands up in my hair Echoes of your footsteps on the stairs Stay here, honey, I don't want to share [with Jo$h] 'Cause I like you Sometimes I wonder; when you sleep Are you ever dreaming of me? [vs. Jo$h] Sometimes when I look into your eyes I pretend you're mine, all the damn time 'Cause I like you

Dress is the Met Gala (2014 or 2016?). Things were sexy, there was attraction, they had undeniable chemistry.

Wildest Dreams is looking backward at the Big Sur trip Kaylor took after they met. So looking about here in the timeline. They were in love.

I believe Taylor was writing songs that went on the Lover album and was interrupted by KimYe/Snakegate. That's why some of the Lover tracks fit chronologically between Reputation tracks.

A stressor to Kaylor is election season ramping up. Miss Americana and the Heartbreak King [Taylor doesn't want her brand associated with Ku$hners/Trump. Thus she could not be open that her and Karlie are in a romantic/sexual relationship (even though she feels so much for Karlie).]

Getaway car

1st lens: Leaving Calvin (Tom?!) for Joe. Makes no sense. Too many people and an inconsistent timeline.
2nd lens: leaving beards for true love Karlie. Occasional lines don't make sense- did Taylor switch perspectives within the lyrics?
3rd lens: ditching Jo$h to have Kaylor sex. And lines like:

No, nothing good starts in a getaway car [Kaylor is doomed]
He [not Calvin, not beards. Jo$h] poisoned the well, [Jo$h was working against Kaylor, he was doing his best to thwart Taylor and persuade Karlie to stay with him] I was lying to myself [That she was hetero/bi (she's not), that she could handle a casual relationship, and that Karlie would leave Jo$h forever to be with her]. I knew it from the first Old Fashioned, we were cursed
We were flyin', but we'd never get far
There were sirens in the beat of your heart [this trist is exciting but problematic. Both for the public finding out about WLW. But also bc TS is seriously in love and that will cause problems.]

*This stanza:

It was the great escape, the prison break

Both from the Met gala (a bit confusing bc Kaylor went at least twice-2014 and 2016 I think) but also Taylor from comp-het. Now she realizes she's lesbian. I say that because Taylor already knew she liked women. She dated Diana. And I'm assuming it wasn't just a Kaylor sex, 'I am sexually attracted to women' epiphany, because Swiftgron lasted awhile and I'm assuming they were sexual. But there is some sort of revelation Taylor has in this part of the song. A change has taken place, and something is different about Taylor compared to before.

The light of freedom on my face

A change has taken place within Taylor, and it's evident to observers. Even though Taylor previously dated Diana, she has this "prison break" moment where she realizes she wasn't bisexual after all. I wonder if Taylor had previously felt like her dalliances with women were just about sex. She may not have taken them as seriously, and still thought she would end up with a guy (compulsory heterosexuality). But in this Getaway Car prison break, she sees in her negative reaction to Karlie's commitment to Jo$h (and perceived indifference to Kaylor) that her (Taylor's) love is different. She realizes she is serious about wanting a relationship, not just having funsy sex.

But you weren't thinking [Karlie wasn't thinking of more then sex, and especially not considering the long term implications of a lesbian relationship] And I was just drinking Well, he [Not any beard, Jo$h] was running after us, I was screaming, "Go, go, go!" But with three of us, honey, it's a sideshow And a circus ain't a love story [There are Jo$h, Karlie, and Taylor involved.]

I knew it from the first Old Fashioned, we [Kaylor] were cursed It hit you [Karlie]  like a shotgun [not romantic, deadly]  shot to the heart We were jet-set, Bonnie and Clyde (oh, oh) [the sneaking and sexing was fun and exciting]

Until I switched to the other side, [Taylor tells again of a revelation. She has the realization that she is not bisexual just wanting a friends w/benefits, or casually playing, but that she's actually full-lesbian with serious feelings] to the other si-i-i-i-ide [She emphasizes there is a change.]

There were sirens in the beat of your [Karlie- it's all fun and games until Taylor falls in love]  heart (should've known) [that Karlie didn't want that lesbian life] Should've known I'd be the first to leave

Taylor tells us that she broke up with Karlie. She thought Karlie wasn't taking Kaylor seriously because she remained committed to Jo$h. Taylor tells us she was angry that her conveying a true love was received with anxiety by Karlie. And also, Taylor couldn't be outed by the relationship for her public image. And thirdly, she didn't want to be associated with Ku$hners and Trump.


Cruel Summer cements this.
Shape of your body is new. [Taylor with a woman. Taylor's lesbian status is new to her.] Blue. [Taylor is depressed about the implications of being gay. But also...] It's cool, that's what I tell 'em No rules in breakable heaven [She's also depressed that it's a casual sex thing with Karlie despite agreeing to those terms .] I'm drunk in the back of the car [getaway car?] And I cried like a baby coming home from the bar (oh) Said I'm fine, but it wasn't true [what this song is about] I don't wanna keep secrets just to keep you And I snuck in through the garden gate [but Taylor can't get enough of Karlie] Every night that summer just to seal my fate (oh) [sex] And I screamed for whatever it's worth "I love you, " ain't that the worst thing you ever heard? [Because this isn't what Karlie wants (remember the shotgun to the heart)] He looks up grinning like a devil [kissgate, or Jo$h wins bc if they're outed Kaylor falls apart]

After this realization of being a lesbian, Taylor shuts Kaylor down bc of internalized homophobia, fear, and all the outside factors making Kaylor overly complicated.

Tolerate It [(song on folklore that could be looking back) parent and industry homophobia]

The Archer [worried about losing fans and career if she comes out]

Even though Daylight is the last track of the next album (Lover) I think it belongs here in the sequence of events. In the song, Taylor comes to terms with her sexuality.  I'm about to trade Daylight lyrics in what I believe to be a Chronological way:

Clearing the air, I breathed in the smoke [kissgate] I've been sleeping so long in a 20-year dark night [realization she knew she liked girls since she was 7, but was in the closet and also comp-het and bearding. Now she knows she's a lesbian.] My love was as cruel as the cities I lived in [internalized homophobia]

[Taylor comes to accept her sexuality] Like daylight It's golden like daylight You gotta step into the daylight and let it go Just let it go, let it go [Let fear and homophobia go] Maybe you ran with the wolves [Ku$hners] and refused to settle down [with Taylor under the condition that they could never have a public family bc of Taylor's image] Maybe I've stormed out of every single room in this town [Taylor is upset her and Karlie can't have real Love]

[Despite all the outside factors, Taylor cannot just leave Karlie]
I don't wanna look at anything else now that I saw you (I can never look away) I don't wanna think of anything else now that I thought of you And now I see daylight, I only see daylight And I can still see it all (In my mind) All of you, all of me (Intertwined) I once believed love would be (Black and white) [Male female love] But it's golden (Golden) And I can still see it all (In my head) Back and forth from New York (Singing in your bed) I once believed love would be (Burning red) [Passionate, sex/fighting, bisexual?] But it's golden Like daylight, like daylight

This Love Happened around this point but looking back to the Wildest Dreams times. Folkmore has call-backs to this song.

Death by a Thousand Cuts is the next part of the Kaylor story.

Trying to find a part of me that you didn't touch [so much sex, but also touched heart] Gave up on me like I was a bad drug [Karlie wants a public family and didn't want some covert hidden closeted one] Now I'm searching for signs in a haunted club Our songs, our films, united we stand Our country, guess it was a lawless land [call back to Miss Americana and the Heartbreak King where she describes GOP winning the 2016 election. This also explains 1 reason why in the Getaway Car Taylor was unwilling to publicly be out with Karlie. Taylor didn't want to be associated with Ku$hners/Trump.] Quiet my fears with the touch of your hand [Fears of a public family with Karlie are gone.]

Taylor is regretful and heartbroken she left Karlie:

get drunk but it's not enough 'Cause you're not my baby I look through the windows of this love Even though we boarded them up [Kaylor broke up] Chandelier's still flickering here [Taylor still loves Karlie] 'Cause I can't pretend it's ok when it's not [being without Karlie] No, it's not It's death by a thousand cuts Trying to find a part of me that you didn't touch My body, my love My trust But it [The sex. Taylor's trust.] wasn't enough, it wasn't enough, no,

Taylor is very depressed without Karlie. And she's re-thinking her reasons for breaking up with her.

Then is Cornelia Street:
Back when we were card sharks, playing games I thought you were leading me on [Taylor broke-up with Karlie after Getaway car because she thought Karlie wasn't taking their WLW thing more seriously. Karlie kept going back to Jo$h] I packed my bags, left Cornelia Street Before you even knew I was gone [getaway car]

But then you [Karlie] called, showed your hand [told Taylor Jo$h and her weren't real. Just a cover and means to have a public family] I turned around before I hit the tunnel Sat on the roof, you and I [Kaylor]

[Kaylor is back on]

I hope I never lose you, hope it never ends [but Taylor's afraid it's tenuous] I'd never walk Cornelia Street again That's the kind of heartbreak time could never mend [folkmore confirms this] I'd never walk Cornelia Street again


In paper Rings (through the 3rd lens)
The wine is cold Like the shoulder that I gave you in the street Cat and mouse for a month or two or three [after the 1st break-up there was still an attraction between Kaylor] Now I wake up in the night and watch you breathe [Cornelia Street told us Kaylor got back together after Karlie told Taylor Jo$h is not a real relationship. Then they sat on the roof together. Taylor looks back to Getaway car where she couldn't give Karlie that family life. But 2-3 months later here Taylor is watching Karlie sleep.] I want to drive away with you [Big Sur and also living happily ever after] I want your complications too [Jo$h situation. So Taylor says she'll accept Kaylor as it is. Karlie will still be entangled with the Ku$hners, but Taylor would rather accept that then not have Karlie at all.]

And Taylor suggests a solution that would work for Kaylor. She suggests:

I like shiny things, but I'd marry you with paper [Kaylor marriage is not socially legitimate but paper rings is Karlie's "marriage" to Jo$h (you showed your hand)] rings Uh huh, that's right Darling, [Karlie] you're the one I want, and I hate accidents except when we went from friends to this Uh huh, that's right Darling, you're the one I want In paper rings, in picture frames [Polaroid], in dirty dreams You're the one I want


Lover song:

Ladies and gentlemen, will you please stand? With every guitar string scar on my hand I take this magnetic force of a man [Karlie] to be my lover [committed lesbian partner, but socially illegitimate] My heart's been borrowed [beards] and yours has been blue [Taylor hurt her with the 1st break-up] All's well that ends well to end up with you Swear to be overdramatic and true to my lover And you'll save all your dirtiest jokes for me And at every table, I'll save you a seat, lover

Yet there's still some uncertainty and instability:

Have I known you 20 seconds or 20 years? [Mercurial soulmate] Can I go where you go? Can we always be this close forever and ever? [Taylor is still not sure that Karlie won't up and leave her permanently for Jo$h (and it's almost a self-fulfilling prophecy given what we learn in folkmore). And ah, take me out, and take me home

In Afterglow Taylor says:
This ultraviolet morning light below [Karlie marrying Jo$h while Taylor was in Australia. When Karlie got "married"  Taylor flips out  But it's not real.  She got jealous and forgot paper rings. Jo$h and Karlie have some sort of agreement on paper, a fake marriage. And in Paper Rings Taylor said she accepted that.]

Taylor broke up with Karlie a second time.

But in this song she takes responsibility for their demise, and is regretful for her blow-up. Taylor wants Karlie back.

Fighting with a true love is boxing with no gloves [Bad Blood] Chemistry 'til it blows up, 'til there's no us Why'd I have to break what I love so much? It's on your [Karlie's] face, and I'm [Taylor for thinking the marriage was real] to blame, I need to say Hey It's all me in my head [jealousy for the Jo$h situation] I'm the one who burned us down But it's not what I meant I'm [Taylor] sorry that I hurt you [Karlie] I don't wanna do, I don't wanna do this to you I don't wanna lose, I don't wanna lose this with you I need to say, hey It's all me, just don't go Meet me in the afterglow Tell me that you're still mine Tell me that we'll be just fine Even when I lose my mind I need to say Tell me that it's not my fault Tell me that I'm all you want Even when I break your heart

So that is what I think Taylor is telling us through her music. I've just rearranged it in a way I think is more linear to the actual Kaylor timeline. Also, this is not supposed to be all-inclusive. It does not include every song, nor every bit of the Kaylor relationship (I mean, this is already too long). I largely omitted a lot of their happy times, and other things. But this chunk includes some Kaylor happy times, sexy times, strife, and 2 break ups.

After this part I do think Karlie gave Taylor another chance after the paper rings break-up. The first part of the Lover era was all rainbows and butterflies and a possible coming out. But the latter half was dark and depressing. So they might have broken up in the middle of the era? I think the masters heist caused Taylor to delay a coming out publicly another time. It was just another blow and let down to Karlie in a series of promises (Coney Island) and probably Karlie thought time was running out for her to have a child. She couldn't delay a family life much longer.

After that even Kaylor had to be 'on' for a bit because prior to the surprise drop folklore, Karlie was in a cardigan and amongst trees. Karlie HAD to know. And nobody else did, and there was a bit of hope in folklore. So I don't know what occurred between sad-Lover era and folklore, but something gave Taylor hope. I think it ended for good (4th? break-up was final) because Evermore was all super-sad.

Taylor Swift’s Catalogue Ranked by Kit10Phish (final)

14 Mar

I ranked all album songs from least favorite to my very most delightful favorite of all the songs!

How I made this list:

https://kit10phish.wordpress.com/wp-admin/post.php?post=11721&action=edit

and check out the many (not final) lists for more description

(numbers) are the album/era

(C)atchy, (D)etailed story, (G)aylor references, (I)nstrumentals, (L)yrical complexity, very high/low (N)otes, (P)roduction stands out in a good way, (S)entimental

Skips
Last Place Song:
Superman (3)

Soon You’ll Get Better (7)
(best skip) Epiphany (8)

Mehs
3 boring:
A Perfectly Good Heart (1): I, N
(best boring-meh) The Archer (7): G, L

Mehs
2 Personally Dislike:
The Lakes (8): G, L, N, P
End Game (6): C, G, L, P (terrible feat!)
(best disliked meh) Coney Island (9): G, L, N (terrible feat!)

Mehs
1 Exactly Meh:
It’s Nice to Have a Friend (7); D, G, L (Ambiguity bothers me; weird production)
The Other Side of the Door (2): I, L, N
A Place in This World (1): I, N
Right Where You Left Me (9): C, G, L, N (repetitive)
(best exactly meh) The Outside (1): I, N (weak)

OK3 = nearly meh (final)
OK-3B BOTTOM OF LIST:
Tell Me Why (2): C, I, N = 3b (thin voice & a bit generic lyrically)
Sad, Beautiful, Tragic (4): C = 3B (both blah and bummer)
Superstar (2); D = 3B (zzzzzz)
I Almost Do (4); C = 3 (too needy/pathetic/un-feminist. Yet catchy)
(best OK-bottom of nearly meh) Jump Than Fall (2): C, I = 3B

OK3 = nearly meh (final)
OK-3A = TOP OF LIST:
The Other Side of the Door (2); C, I, L, N = 3A
Innocent (3): C, I, N = 3A
Last Kiss (3): C, D, N = 3A
The Best Day (2): C, D, = 3A
(best nearly meh) Fearless (2); C, I, N = 3a

OK2 = exactly neutral
OK-2B = BOTTOM OF LIST:
Peace (8): C, D, G, L = 2b (hate pulsing; lyrics condescending(?))
Miss Americana & the Heartbreak Prince (7); C, D, G, L, N = 2b (don’t care for HS/politics mixing & end chant is too much. But lots of good one-liners)
I Wish You Would (5): C, G = 2A
It’s Time to Go (9): C, D, G, L, N = 2B
Illicit Affairs (8); C, D, G, L = 2B
August (8); C, G, L = 2B
(best OK-bottom of exactly neutral) A Place in the World (1): C, I, N = 2B

OK2 = exactly neutral
OK-2A = TOP OF LIST:
The Way I Loved You (2): C, D, I, N = 2A
False God (7): C, G, L = 2A
Breathe (2): C, G(?), L = 2A
Dorthea (9): C, D, G, L, N = 2A
Happiness (9): C, D, L = 2A
Seven (8); C, D, G, L, N = 2a
(best of OK-exactly neutral) Long Live (3): C, D, I, N = 2A

OK1 = almost good
OK-1B= BOTTOM OF LIST:
Mary’s Song (oh my my) (1): C, D, I, N = 1B
This Love (5): C, G, L, N, P = 1b
I Think He Knows (7): C, G, L, P = 1b
(best OK-bottom of almost good) London Boy; C, D, L, P = 1b

OK1 = almost good
OK-1A= TOP OF LIST:
New Romantics (5): C, D, G, L, N, P = 1A
Hey Stephen (2): C, D = C2
Call It What You Want (6); C, G, L, P = 1A
Tied Together w/a Smile (1): C, D, I, N = C2 (less repetition, some more notes & instrumentals
Gorgeous (6): C, D, L, N, P = 1A
King of My Heart (6): C, L, N, P = 1A (ENDING)
Change (2); C, I (@ END!), N = 1A
Back to December-acoustic (3): C, D, I, N, S = 1A
(best OK-almost good) Cornelia Street (7); C, D, G, L, N = 1A

Good c = almost OK
Gc2 = bottom of category:
State of Grace-acoustic (4): C, L = C2
Begin Again (4): D, I, L = C2
The Last Time (4): C, I = C2 (weird collaboration)
(best Good-bottom of almost OK) Cold as You (1): I, N = C2

Good c = almost OK
Gc1 = top of category:
22 (4): C = c1
Untouchable (2): C, I, N = C1
Come in w/the Rain (2): C, I = C1
All Too Well (4): D, I, L, N = C1 (almost a powwow beat; and yup I did rank it this low)
Starlight (4); C, I = C1
(best Good-almost OK) Sparks Fly (3); C, I = C1

Good b= exactly good
Gb2 = bottom of category:
If this was a Movie (3): C, D, I, N = B2
Never Grow Up (3): C, D, I, N = B2 (problematic sentiment)
’tis the damn Season (9): C, D, L, B2
You are in Love (5): C, N = B2
Stay Beautiful (1): C, I, N = B2
Treacherous-demo (4): C, G(!), L = B2
Cardigan (8): C, D, G, L = B2
Red-demo (4): C = B2
The Last Great American Dynasty (8): C, D = B2
How You Get the Girl (5): C, D, G = B2
(best Good-bottom of exactly good) White Horse (2): D, I, N = B2

Good b= exactly good
Gb1 = top of category:
Everything has Changed (4); C, N = B1
Holy Ground (4): C, D, G, L = B1
This is Me Trying (8): C, I, L(!) = B1
Afterglow (7): C, P = B1
Treacherous (4): C, G(!), L =B1
Daylight (7): C, G, L, N = b1
Come Back…Be Here (4): C, N = B1
Mirrorball (8): C, G, L = B1
I’m Only Me When I’m w/You (1): C, I(!) = b1
Forever & Always-piano (2): C, I, N = B1
The Lucky One (4): C, D, N, = B1
(best Good-exactly good) Fifteen (2): C, D, I = B1

Good a= almost awesome
Ga2 = bottom of category:
This is Why We Can’t Have Nice Things (6): a2
Welcome to New York (5): C, D, G, N, P = A2
Me! (7): C, G, I, N = A2 (yup, I ranked it this high–it grew on me)
Wildest Dreams (5): C, N, S = A2 (sexy)
Delicate (6): C, D, G, L, P = A2
So It Goes…(6): C, G, P, L, N = A2 (sexy lines)
Mine-pop (3): D, I, N = A2
Clean (5): C, G, L, P = A2
Tim McGraw (1): C, D, G, I, N = A2
Champagne Problems (9): C (bridge), D, G, L = A2a
(best Good-bottom of almost awesome) Betty (8): C, D, I, G, L = A2a (catchy, & swelling instrumentals)

Good a= almost awesome
Ga1 = top of category:
Mine (3): C, D, I, N = A1
Haunted-acoustic (3): C, I, N, P = A1
Getaway Car (6): C, D, G, P = A1
Death by a Thousand Cuts (7): C, D, G, L, = A1b
Gold Rush (9): C, G, L = A1b
tolerate it (9): G, I, L = A1
Cruel Summer (7): C, G, L, N = A1b
Red (4): C, I, L, P = A1
New Year’s Day (6): C, D, I, N =A1
Cowboy Like Me (9): C, D, G, I, L = A1
willow (9): C, G, L, N = A1 (so effing catchy!)
Dress (6): C, G, L = A1 (SEXY)
Haunted (3): C, I (!), N, P = A1a
Teardrops On My Guitar-RADIO (1): C, I, L, N = A1 (sounds almost the same to me)
(best Good-almost awesome) Teardrops On My Guitar-POP (1): C, I, L, N = A1 (more beat & echo)

Awesome- 3 BETTER THAN GOOD:
All You had to do was Stay (5): C, N = 3
Evermore (9): C, L, N = 3
Stay, Stay, Stay (4): C, D, S = 3
Bad Blood (6): C, N = 3
The Moment I Knew (4): D, N = 3
(best Awesome-better than good) Ours (3); C, L, N = 3

Awesome-2 SOLID AWESOME
2b = bottom of list:
You Belong w/Me (2); C, D, I, N, S = 2b
I Forgot that You Existed (7); C = 2b
Girl at Home (4): C, N = 2b
Our Song (1): C, D, I =2b
Paper Rings (7): C, D, G, P = 2b
No Body, No Crime (9): C, D, L (pronoun/subject) = 2a
Closure (9); C, G, L, P = 2b
The 1 (8): C, D, G, L = 2b
Wonderland (5); C, G, L, N, P = 2b
(best Awesome-bottom of solid awesome) Ivy (9); C, G, L = 2b

Awesome-2 SOLID AWESOME
2a = top of list:
my tears ricochet (8): D, L, P = 2a
Mad Women (8): C, L, N = 2a
Out of the Woods (5): D (bridge), G, L = 2a (is this car crash real? who and when? major gay closet vibes)
The Man (7): C, G, L = 2a
Invisible String (8); C, D, L = 2A
You Need to Calm Down (7): C, G, S = 2a (the 3 things being compared aren’t related? enthusiastic!)
Back to December (3): C, D, S(!) = 2a
Blank Space (5): C, G, L, N = 2a
(best of Awesome-solid awesome) I Knew You Were Trouble (4); C, N, P = 2a (subtle-moag)

Awesome-1 ELITE
1b= bottom of list:
Love Story (2-TV): C, D, I, N = 1a (same except staccato reme-o & fa-ding)
Love Story (2): C, D, I, N = 1a (her 1st crowd favorite, but rom-com effect w/princess stuff & severe heteronormativity)
Dear John (3); C, D, L, N = 2a
Enchanted (3): C, D(!), I, N, S = 1b
Better Than Revenge (3): C, D, I(!), N, S = 1B (sounds like Paramore; problematic mean-girl stuff, but it was a time)
Exile (8): C, G, I, L, N = 1b
Dancing with Our Hands Tied (6): C, G, L, N, P = 1b
Marjorie (9); C, G, L, P, S = 1b (I love the sentiment more than the song. Intense memories of my Grandma, thanks Taylor, for that)
(best of awesome- bottom of elite) Long Story Short (9): C, G, L, P = 1b

Awesome-1 ELITE
1a = top of list:
Style (5): C, G, I, L, N, P = 1a (who is she talking about, what car crash is referenced, is it real?)
Lover (7): C, G, L, S = 1a
Shake It Off (5): C, N = 1a (love the sentiment, & catchiest of ever!)
I Did Something Bad (6): C, N, P = 1a (moag is the star here)
We Are Never Ever Getting Back Together (4): C, I, P = 1a
Look What You Made Me Do (6): C, P = 1a (exciting like several songs w/in 1 song, I don’t trust nobody bridge)
The Story of Us (3): C, I, S = 1a ( like the next chapter, the end)
Picture to Burn (1): C, I, S = 1a
Shoulda Said No (1): C, I, N, S(!) = 1a
…Ready for It? (6); C, G, N, P = 1a (sexy sounds & moag)
(4th best song) I Know Places (5): C, G, L, N, P = 1a

–and the top 3 songs in the entire catalogue (in my opinion):
*Don’t Blame Me (6): C, G, L, N(!), P = 1a (that moag! She sings her ASS off! Probably the best, barring sentimental favorites)

You’re Not Sorry (2): C, I, N, S(!) = 1a

(My #1 song) Mean (3): C, L, S(!) =1a (after all the listening I learned sentimental really does trump every other characteristic.)

Taylor Swift Album & Song Ranking Procedure (science behind the catalogue ranked last to first)

10 Mar

This is the result of ranking each album by song. What I mean is I ranked each song on the album awesome, good, OK, meh, or skip. The ranking is what I like! It’s not technical, it’s not based on song complexity or singing–just my opinion. But my consistent opinion. I listened and checked each of these lists until my opinion didn’t change, and the songs were locked into their ranking. For the album ranking, I counted up the number of songs in each group. The albums with the highest amount of awesome songs were ranked the highest.                 

awesome       good to ok             meh              skip

1989                      7                     5                           4                    0

speak now            7                      5                           4                    1

red                        5                      13                         0                    0

folklore                  6                      9                            1                   1

Evermore 6 8 0 1

reputation            5                       8                           2                   0

fearless                  5                       8                         4                   1

self-titled               5                       6                           3                    1

lover                       4                       7                           4                   3

P.S. I think the above chart might have changed a little after I ranked each individual song. I’ll have to update it after the catalogue ranking is posted.

Then I took it further. I wanted to rank every song in Taylor’s catalogue (album songs only). I started with the awesome, good, OK, meh, skip playlists from the album ranking, then narrowed those groups into smaller groups.

For example, I took the awesome list and ranked those songs into 3 groups within awesome: Elite, exactly awesome, and almost good.

I did this with all 5 of the original playlists.

At the same time, I marked the song characteristics.

(C)atchy

(D)etailed story

(G)aylor references

(I)nstrumentals

(L)yrical complexity

very high/low (N)otes

(P)roduction stands out in a good way

(S)entimental

Some of the lists were still overwhelmingly large, so I split them in half

like top of the elite-awesomes and bottom of elite-awesomes.

There’s more. Once the lists were manageable, I tried to put the songs in order on each list. This required a lot of listens. I would put the songs on each different group in order, then listen to each different section to make sure the list was accurate. If there was any changes on a section (at least one song moved), I’d mark the list to double-check.

I listened from the bottom to the top, each different group from skip all the way up to awesome, marking any sections with song changes.

If there was a change I would listen to that section again later. I listened over and over until no songs needed to be moved.

Well, I finally finished today! After the holiday music, I started this project so it’s been a long time coming. As soon as I format the lists, I’ll post it up. Hope you enjoy!

Reputation (2017) by Taylor Swift Song Ranking

20 Feb

33.3% Awesome; 40% Good; 20% OK; 6.7% Meh; Skip out of 15

5 Awesome

…Ready for It?

I Did Something Bad

Don’t Blame Me

Look What You Made Me Do

Dancing with Our Hands Tied

If you asked me I would say Reputation is my favorite album. I like how gay it is. How unapologetic. That moag! Most of the songs are fast and energetic. I can dance through pretty much the whole concert video. But numbers don’t lie. When the songs are ranked, Reputation does not top the list. It’s a surprise to me, but there’s still a lot to like here. Oh, and P.S. Taylor absolutely needs to stop doing duets or featuring men in her songs. And not because I’m anti-men or anything. I have a lot of favorite male singers. Just EVERY time she does = song ruined.

6 Good

So It Goes

Getaway Car

Dress (sexy)

Delicate

This is Why We Can’t Have Nice Things

New Years Day

3 OK

Gorgeous (b/c it’s ambiguous)

King of My Heart

Call It What You WAnt

1 Meh

End Game (don’t like featured)

Skip

…Ready for it? Lyrical Analysis & Bearding Plan

11 Jan

Sidenote:  I apologize for the shitty formatting.  I don’t know who WordPress cators to, but their platform is not user-friendly, not intuitive, and I HATE IT.  But I wouldn’t know how to get these million blog posts moved to a different platform quickly, so I remain…

Reputation was released 2017

I think this is Taylor’s song spelling out her bearding plan, code-phrase:  That’s My Man.

Knew he was a killer first time that I saw him

la·dy·kill·er/ˈlādēˌkilər a charming man who is very attractive to women.

Attractive to women. Doesn’t say this man likes women, or has many affairs with women. The definition specifically says this man is the recipiant of women’s attraction. And he’s charming/polite.


Wonder how many girls he had loved and left haunted

Taylor Swift explained the meaning… “‘Haunted’ is about the moment that you realize the person you’re in love with is drifting and fading fast…captured the intense, chaotic feeling of confusion I was looking for.”


But if he’s a ghost, then I can be a phantom

  1. phan·tom/ˈfan(t)əm a ghost
    • a figment of the imagination.
    • denoting a financial arrangement or transaction that has been invented for fraudulent purposes but that does not really exist.
      • “he diverted an estimated $1,500,000 into “phantom” bank accounts”

Interesting. Especially that last definition. If Joe is a ghost (he confused many girls), then it allows Taylor to have a financial arrangement for something that does not actually exist (love). Hmmm.

Holdin’ him for ransom

ransom ran-suhm ] noun

the redemption of a prisoner or kidnapped person, of captured goods, etc., for a price.

the sum or price paid or demanded.

a means of deliverance or rescue from punishment for sin, especially the payment of a redemptive fine.

Taylor takes Joe and keeps him for a price. Alternate definition is Taylor rescues Joe from sin for a redemptive fee.

Some, some boys are tryin’ too hard
He don’t try at all, though

Taylor reminds us some of her beards were not believable bc it was too much (Tom Hiddleston in that shirt). But this man doesn’t do anything to arouse suspicion. He’s more lowkey, and all the “privacy” he/they require means he’s a blank slate for the media and public.


Younger than my exes but he act like such a man, so
I see nothing better, I keep him forever
Like a vendetta-taI-I-I see how this is gon’ go

Taylor, who has been criticized for being a man-eater, but who also doesn’t want to ruin her career coming out as LGBT doesn’t see an alternative to keeping this beard around forever. If she has a long-term beard, she can keep her secret, but the media and public might lay off about her dating life.

A vendetta begins when one family correctly or incorrectly believes itself to have been attacked, insulted or wronged by another. Intense feelings of resentment result in the initial retaliation, which leads to the other family feeling equally resentful, angry and vengeful . Ultimately there is a long-running cycle of retaliatory violence. This continual cycle of provocation and retaliation makes it almost impossible to end the vendetta peacefully. Vendettas frequently involve the entire family members, all the relatives and associates, and can last for generations.

NDAS, anyone?

Touch me and you’ll never be alone
I-Island breeze and lights down low

No one has to know In the middle of the night, in my dreams
You should see the things we do, baby
In the middle of the night, in my dreams
I know I’m gonna be with you
So I take my time

The music changes in this part of the song, as does Taylor’s mood. Here, she’s softer, and sings, no one has to know (b/c this is a secret) in her [sexy, apparently, based on the noises] dreams she thinks of “you” someone different than the person in the rest of the song.

Are you ready for it? Me, I was a robber first time that he saw me
Stealing hearts and running off and never saying sorry

This is getting at what I was saying earlier about the man-eater stuff. Robber talks about her stealing something (hearts of boys) that aren’t hers to take. The love of a man is not Taylor’s b/c it’s not real and she’s not actually into these guys she “dated.” Running off and never saying sorry implies that after the “relationships” Taylor left and felt no remorse (bc it’s a business transaction). Short-term bearding contracts were hiding her LGBT truth but also making Taylor look too man-hungry.
But if I’m a thief, then he can join the heist

Cowbody Like Me. Taylor does the bearding contracts, but now she’s saying she found a like-minded beard, who also has the same goals as she does.
And we’ll move to an island-and
And he can be my jailer,

Taylor is trying to put out her own cutesy ship name. But she already “dated” a J, so instead of Joe-Taylor fans went Taylor-Joe, and the result is a very un-cute (in my opinion) Toe.

Burton to this Taylor

I looked Burton up in the most basic of searches and read that there were, indeed, rumors of homosexuality linked to him. He even talked about it himself in an interview:

In a February 1975 interview with his friend David Lewin he said he “tried” homosexuality. He also suggested that perhaps all actors were latent homosexuals, and “we cover it up with drink“.[24] In 2000, Ellis Amburn’s biography of Elizabeth Taylor suggested that Burton had an affair with Laurence Olivier and tried to seduce Eddie Fisher[page needed], although this was strongly denied by Burton’s younger brother Graham Jenkins.[25]

It’s no secret that Liz Taylor had more than a few gay fans, or that she had more than a few gay friends…and possibly husbands.

http://ryan-field.blogspot.com/2012/11/was-richard-burton-gay.html 

Given this information, what an interesting comparison for Taylor to make! She says Joe is like Burton (gay?) to this Taylor (in a lavender marriage?) but the public will see it as a great romance.

Every lover known in comparison is a failure

I forget their names now, I’m so very tame now

All the short-term beards could be easily debunked as fake by the media, general public, and fans. It was a failure b/c these boyfriends did not help Taylor’s public image. But a “private” long-term beard, would make Taylor look more stable (tame), and as a bonus, straight.

Never be the same now, nowI-I-I see how this is gon’ go
Touch me and you’ll never be alone

I-Island breeze and lights down low
No one has to know
(No one has to know) In the middle of the night, in my dreams

It’s important that the “no one has to know” is on the same line as the description of Taylor’s dirty dreams. She is saying no one has to know who she actually dreams about (a female?). These dreams are about someone else/not the subject of the song/not Joe.
You should see the things we do, baby
In the middle of the night in my dreams
I know I’m gonna be with you
So I take my time

This person in Taylor’s dreams, who no one has to know about, b/c it’s not the subject of this song, Joe, is the one she wants to be with. And she takes her time (in both this sex-dream, and also with this long-term bearding plan).
Are you ready for it?
Ooh, are you ready for it? Baby, let the games begin
Let the games begin
Let the games begin
Baby, let the games begin
Let the games begin
Let the games begin

If Toe is real and true love, why does Taylor refer to games many times at the end of this song? True love should not have games. Taylor just set out her long-term bearding plan in this song, so she can obscure LGBT rumors, not look like a man-eater with all the shorter boyfriend relationships, but eventually be happy with this 2nd song subject.

I-I-I see how this is gon’ go
Touch me and you’ll never be alone
I-Island breeze and lights down low
No one has to know In the middle of the night, in my dreams
You should see the things we do, baby
In the middle of the night, in my dreams
I know I’m gonna be with you
So I take my time In the middle of the night
Baby, let the games begin
Let the games begin
Let the games begin
Are you ready for it? Baby, let the games begin
Let the games begin
Let the games begin
Are you ready for it?

MY RANKING OF TAYLOR SWIFT ALBUMS

18 Aug

I was wondering how I ranked Taylor Swift’s albums.

And I would have told you I probably liked:

Reputation

I love that moag!  And it’s sassy and bitter in a good way.  But it’s optimistic and full of hidden love too.  Also, it really reminds me of Karlie Kloss.

Lover

The aborted coming out album, with all the rainbows and kittens I adore!  This is for-SURE my favorite era (the colorful pre-masters, not the black suits post-masters).

folklore

Impeccable writing.  I like how the songs tie together and make you really analyze as a listener.

1989

Middle of the road for me.  I like the 80s electronic sound OK, but I didn’t think it had a bunch of songs I liked.  Also, I missed out on the Red and 1989 eras, because they weren’t on Spotify, so I always feel a bit left out and disengaged from this one.

Speak Now

I like the country stuff, and how spunky Taylor had been in this genre.  But I thought she had grown a lot as a writer and in maturity.  Also, all that princess stuff challenges my feminism, so I felt a little–mmm disingenuous ignoring the more problematic parts of that.

Red

I don’t like this album as well, because I feel like it’s too much of a smattering.  The genres are mixed, the songs aren’t as cohesive, and the style is all over the place.  Same as 1989, I missed out on the Red and 1989 eras, because they weren’t on Spotify, so I always feel a bit left out and disengaged from this one.

Self-Titled

I think this one is more the label and studio then actually giving Taylor creative freedom.  So yeah, it’s good, but it’s definitely a starting point.

Fearless

I thought Fearless was very “of it’s time” like 2 singles then the rest fillers.  This was prior to streaming really catching hold, so the labels would put just a couple really good songs, then just stuff to make the album come close to the price point.  People who came up with streaming, who didn’t have to buy a physical item to get their one favorite song, don’t know how good they have it!

And I thought I would listen to each album and kind of count how many songs I liked on each.

But of course as I listened, I wanted to be more specific.

So I categorized each song one of these headings:

Awesome

My favorite ones.  The songs that make me enthusiastic when I hear them.  It’s mostly based on that feeling, not necessarily musicality, lyrics, or anything technical.

good to OK (combo)

The songs that just weren’t great enough to give me chills or make me feel amped up, but obviously quality tunes.  I should not have done a combo category, b/c now I am compelled to re-listen to each song there and tease them apart into good and ok.  But later.

meh

Ones where I tuned out pretty much every time they came up.  Not bad to take off a playlist, but lower than neutral.

skip

These are the ones that are either throw-away fillers, or for me, ones that were well made songs, but were too depressing and I didn’t really want to listen to often (Soon You’ll Get Better is a beautiful melody, well written, and has its place, but it’s a fucking bummer for all the time, so I took it off all like work lists and stuff).

Once I had listened and ranked.

Then I listened again.

Just to make sure the rankings were consistent, and not based on mood at the time or anything.

The songs that were different, got a 3rd listen to rank them definitively.

And then I counted all the awesomes, good to oks, mehs, and skips for each album.  Finally, I could rank the albums.  The most awesomes obviously at the top.  And if there were ties, I went to the next category and pulled the higher # of goods up one spot.  If there were still ties, I ranked the albums with more skips toward the bottom.  And so on and so fourth.  So I am very confident it’s accurate for me.

Boy, was I surprised how different the quantitative ranking

differed from just my feelings about the albums!

Based on songs it ended up being:

1989 (Previously thought it was 3rd)

Speak Now (A lot of sentimental favorites.  Previously thought to be 5th)

Red (Previously thought to be 6th)

folklore (Previously thought to be 3rd)

Evermore

Reputation (Ranked 1st without research)

Fearless (Ranked last without research)

Self-Titled (Ranked 7th before)

Lover (Wow!  What a shocker!  I thought this was 2nd before.)

I was going to share with you what songs I put where, but after doing all that leg work, I decided I’m prepared to rank every song in Taylor Swift’s catalouge from my favorite to least favorite.

So for now I’ll just share the numbers:

.                            awesome        good to ok             meh              skip

1989                      7                       5                           4                    0

speak now             7                       5                           4                    1

red                         5                      13                          0                    0

folklore                   6                       9                           1                    1

Evermore              6                        8                           0                     1

reputation              5                       8                           2                    0

fearless                   5                       8                           4                    1

self-titled                5                       6                           3                    1

lover                        4                       7                           4                    3

_____________________________________________________________________________

overall                     44                     57                         24                   9

Taylor Swift’s folklore Album Cross-Referenced with Lyrics, Songs, Albums, Events

2 Aug

Oh my goodness.  I became obsessed with this project.  I took every key word I heard in the folklore album and cross-referenced common songs.  Example:  The phrase, “chosen family” is in the song, The 1 and also in the song Peace.  And that probably means something.  It lets you know there is at least one connection between those 2 songs.  And that knowledge will help untie the album, which is layered in meaning (see my other post about that).  Then, I heard words in folklore that referenced Taylor’s past work.  So I looked at 1989, Reputation, and Lover albums and tried to find every instance of common lyrics.  For example, the word, “bleed” is in The 1 and Cardigan and Epiphany in this latest album, but it’s also in the lyric, “and if I bleed you’ll be the last to know” from the song Cruel Summer on the Lover album.  It became crazy to try to use quotations, and I might italicize later so the format I used was:

 

-Ignore any capitalization issues, they don’t mean anything.  I am working from home and my work is CAPSlock, so many of these things were jotted while I worked.

-Different color for each folklore song

-folklore songs alphabetized for ease of sort & find

-Title of folklore song bolded and underlined

-the bolded word or phrase of interest with a “-” denoting each new one

-wavy (is that what they’re called?) brackets {showing what other song on folklore contains that word/phrase}

-brackets containing song title, followed by album name then an equals sign “=” with the quoted lyric that is connected

-For many words and phrases in folklore, there are multiple song lyrics that apply from other albums, I have put each with a squiggle (?IDK the term?) to denote each

-I attempted to put pictures that apply to the word/phrase/situation at hand, but WordPress is very heavy and unfriendly for that, so excuse formatting.

-ctrl F was my best friend

 

I think this is the sort of project that is never finished.  For timeliness, I am posting as is, with the intention of adding more, clarifying, and amping it up.

 

 

 

The 1

-never bleed you’re never gonna grow {also Cardigan and Epiphany} [Cruel Summer from Lover = “and if I bleed you’ll be the last to know”]

chosen family {also Peace}

-makin it count 

~[Miss Americana and the Heartbreak Prince from Lover = “I counted days, I counted miles”]

~[So It Goes from Reputation = “number…who’s counting“]

dream {also Betty and Ephiphany}

~[Blank Space from 1989 = “I’m a nightmare dressed like a day dream“]   

~[Call It What You Want from Reputation = “my baby’s fit like a day dream“]

~[Cruel Summer from Lover = “fever dream“]

~[Delicate from Reputation = Are you ever dreaming of me?”]

~[King of My Heart from Reputation = “your love is a secret I’m hoping, dreaming, dying to keep”]

~[Look What You Made Me Do from Reputation = “I’ll be the actress starring in your bad dreams“]

~[Paper Rings from Lover = “dirty dreams“]

~[Paper Rings from Lover = “Paper rings and picture frames and all my dreams“]

~[…Ready for It from Reputation = “in the middle of the night, in my dreams“]

~[Style from 1989 = “you got that James Dean day dream look in your eye”]

~[Wildest Dreams from 1989 = “red lips & rosy cheeks say you’ll see me again even if it’s just in your wildest dreams…”]

-“on some new shit” *drugs?

~[Death by a Thousand Cuts from Lover =”Gave up on me like I was a bad drug“]

~[Don’t Blame Me from Reputation = “Lord, save me, my drug is my baby”]

films never made {also “FILM REEL” in This is Me Trying and Exile and “movie in Hoax}

~[The Archer from Lover = “cruelty wins in the movies“]

~[Miss Americana and the Heartbreak Prince from Lover = “Lost in a film scene”]

runnin {also Illicit Affairs and Cardigan}   

~[Call It What You Want from Reputation = “you don’t need to save me, but would you run away with me?”]

~[Getaway Car from Reputation = “while he was runnin‘ after us, I was screamin’, ‘go, go, go!'”]

~[I Know Places from 1989 = “they are the hunters, we are the foxes, and we run“]

~[I Wish You Would from 1989 = “if you wanna run and hide then it makes you turn right back around” “this mad mad love makes you come running“]

~[This Love from 1989 = “when you’re young you just run“]

~[The Man from Lover = “I’m so sick of running“]

~[Miss Americana and the Heartbreak Prince from Lover = “running through rose thorns”]

~[…Ready for It from Reputation = “stealing hearts and running off and never sayin’ sorry”]

waking up alone [Death by a Thousand Cuts from Lover = “flashbacks waking me up”]

 

 

roarin 20s [“In the roaring twenties they rewrote the rules.. “

A new movie poster of The Laureate starring Laura HaddockDianna Agron Kathy Bates Tom Hughes

latest project from Red Rock Entertainment

The true story of Robert Graves]

 

 

 

August:

-twistin’ in bedsheets [Daylight from Lover = “back & forth from NY, sneakin’ in your bed“]

-get in the car {also Betty and Cardigan and This is Me Trying}

~[Cornelia Street from Lover = “I sit casually in the car“]

~[Cruel Summer from Lover = “I’m drunk in the back of the car“]

~[Getaway Car from Reputation = “nothing good starts in a getaway car” “you were drivin’ the getaway car” “we’re ridin’ in a getaway car” “I was crying in a getaway car” “I was dyin’ in a getaway car” “said goodbye in a getaway car“]

~[I Wish You Would from 1989 = “it’s 2 am in your car“]

~[King of My Heart from Reputation = “all the boys and their expensive cars“]   

LEVIS {also in Cardigan}

~[Delicate from Reputation = “dark jeans and your Nikes, look at you”]

~[London Boy from Lover = “faded blue jeans“]

MEMORY [New Years Day from Reputation = “hold on to the memories“]

-cancel my plans [Death by a Thousand Cuts from Lover = paper cut stains from my paper thin plans]

runnin’ like water {also The One and Illicit affairs and Cardigan} [Dancing with Our Hands Tied from Reputation = “I’d hold you as the water rushes in”]

summer love {also in Betty and Peace and Seven}

~[Cruel Summer from Lover = “it’s a cruel summer“]

~[Cruel Summer from Lover = “snuck in through the garden gate every night that summer just to seal my fate”]   

~[Cruel Summer from Lover = “summer’s a knife”]

~[Lover from Lover = “loved you three summers now”]

~[Me from Lover = “Livin in winter, I am your summer“]

-bottle of wine

~[Death by a Thousand Cuts from Lover “My time, my wine, my spirit, my trust”]

~[False God from Lover = “begging for forgiveness, got the wine for you”]

~[Paper Rings from Lover = “The wine is cold”]

 

 

Betty:

cobblestones {also in Cardigan}

-couldn’t breathe {also in Madwoman and Epiphany}

~[Bad Blood from 1989 = “did you have to hit me, where I’m weak, baby, I couldn’t breathe“]

~[Clean from 1989 = “that’s when I could finally breathe“]

~[Daylight from Lover = “clear in the air, I breathed in the smoke”]

~[Paper Rings from Lover = “…wake up at night and watch you breathe“]

doorstep {also “doorway” in This is Me Trying and “side door” in Exile and “door” in Hoax} [How You Get the Girl from 1989 = “she’ll open up the door and say, ‘are you insane?'”]

dream {also Epiphany and The 1}   

~[Blank Space from 1989 = “I’m a nightmare dressed like a day dream“]

~[Call It What You Want from Reputation = “my baby’s fit like a day dream“]

~[Cruel Summer from Lover = “fever dream“]

~[Delicate from Reputation = Are you ever dreaming of me?”]

~[King of My Heart from Reputation = “your love is a secret I’m hoping, dreaming, dying to keep”]

~[Look What You Made Me Do from Reputation = “I’ll be the actress starring in your bad dreams“]

~[Paper Rings from Lover = “dirty dreams“]

~[Paper Rings from Lover = “Paper rings and picture frames and all my dreams“]

~[…Ready for It from Reputation = “in the middle of the night, in my dreams“]

~[Style from 1989 = “you got that James Dean day dream look in your eye”]

~[Wildest Dreams from 1989 = “red lips & rosy cheeks say you’ll see me again even if it’s just in your wildest dreams…”]

-in front of your stupid friends {also in The Last Great American Dynasty and Peace and Cardigan}

~[The Archer from Lover = “…my enemies started out friends“]

~[Blank Space from 1989 = “I know you heard about me, so hey, let’s be friends“]

~[It’s Nice to Have a Friend from Lover “it’s nice to have a friend“]

~[Dress from Reputation = “I don’t want you like a best friend“]

~[This is Why We Can’t Have Nice Things = “it was so nice being friends again” “friends don’t try to trick you” “I’m not the only friend you’ve lost lately” “here’s a toast to my real friends“]

~[London Boy from Lover = “…watching rugby with his school friends“]

~[Lover from Lover = “…let our friends crash in the living room”]

~[Paper Rings from Lover = “I hate accidents except when we went from friends to this”]

~[Paper Rings from Lover = “…high, like your friends were the night that we 1st met”]

~[You Need to Calm Down from Lover = “…comin at my friends like a missle”]   

-in the garden

~[Blank Space from 1989 = “I can make all the tables turn, rose garden filled with thorns”]

~[Cruel Summer from Lover = “snuck in through the garden gate”]

home {also in Exile and Peace and Tears Ricochet}

~[Cornelia Street from Lover = “leading us home” “I took the long way home“]

~[Cruel Summer from Lover = “…I cried like a baby coming home from the bar”]

~[Delicate from Reputation = “do the girls back home touch you like I do?”]

~[Gorgeous from Reputation = “guess I’ll just stumble on home to my cats”]

~[I Think He Knows from Lover = “I’ll make myself at home“]

~[Lover from Lover = “take me out and take me home (forever and ever)”]

~[Miss Americana and the Heartbreak Prince from Lover = “I think you should come back home“]

~[New Year’s Day from Reputation = “or if you strike out and you’re crawling home“]

~[Paper Rings from Lover = “went home and tried to stalk you on the internet”]

~[Style from 1989 = “takes me home” “just take me home“]

party {also in The Last Great American Dynasty} [New Year’s Day from Reputation = “there’s glitter on the floor after the party“]

-kiss me on the porch {also in Cardigan}

summer  {also in August and Peace and Seven}   

~[Cruel Summer from Lover = “it’s a cruel summer“]

~[Cruel Summer from Lover = “snuck in through the garden gate every day that summer just to seal my fate”]

~[Cruel Summer from Lover = “summer’s a knife”]

~[Lover from Lover = “loved you three summers now”]

~[Me from Lover = “Livin in winter, I am your summer“]

 

-only 17 idk anything [I Think He Knows from Lover = “it’s like I’m seventeen, nobody understands”]

 

 

CARDIGAN: 

-DOWNTOWN BARS

~[Cornelia Street from Lover = “drunk on something stronger than the drinks in the bar“]

~[Cruel Summer from Lover = “…I cried like a baby coming home from the bar“]

~[Delicate from Reputation = “dive bar on the East side, where you at?”]

~[So it Goes from Reputation = “met you in a bar“]

bleedin {also “bleed” in The 1 and Epiphany} [Cruel Summer from Lover = “and if I bleed you’ll be the last to know”]

BLOOD STAINS {also “bloody” in Tears Ricochet and Exile} [Bad Blood from 1989 = “baby now we got bad blood” “if you love like that blood runs cold”]

-kiss in cars {also Betty and August and This is Me Trying}   

~[Cornelia Street from Lover = “I sit casually in the car“]

~[Cruel Summer from Lover = “I’m drunk in the back of the car“]

~[Getaway Car from Reputation = “nothing good starts in a getaway car” “you were drivin’ the getaway car” “we’re ridin’ in a getaway car” “I was crying in a getaway car” “I was dyin’ in a getaway car” “said goodbye in a getaway car“]

~[I Wish You Would from 1989 = “it’s 2 am in your car“]

~[King of My Heart from Reputation = “all the boys and their expensive cars“]

COBBLESTONES {also in Betty}

DRUNK {also Mirrorball}   

~[Blank Space from 1989 = “I get drunk on jealousy”]

~[Cornelia Street from Lover = “drunk on something stronger than the drinks in the bar”]

~[Cruel Summer from Lover = “drunk in the back of the car”]

~[Dress from Reputation = “you kiss my face and we’re both drunk“]

~[Gorgeous from Reputation = “I got drunk and made fun of the way you talk”]

FRIEND {also in The Last Great American Dynasty and Peace and Betty}

~[The Archer from Lover = “…my enemies started out friends“]

~[Blank Space from 1989 = “I know you heard about me, so hey, let’s be friends“]

~[It’s Nice to Have a Friend from Lover “it’s nice to have a friend“]

~[Dress from Reputation = “I don’t want you like a best friend“]

~[This is Why We Can’t Have Nice Things = “it was so nice being friends again” “friends don’t try to trick you” “I’m not the only friend you’ve lost lately” “here’s a toast to my real friends“]

~[London Boy from Lover = “…watching rugby with his school friends“]

~[Lover from Lover = “…let our friends crash in the living room”]

~[Paper Rings from Lover = “I hate accidents except when we went from friends to this”]

~[Paper Rings from Lover = “…high, like your friends were the night that we 1st met”]

~[You Need to Calm Down from Lover = “…comin at my friends like a missle”]

-HIGH HEELS {also in Mirrorball}

LEVIS {also in August}

~[Delicate from Reputation = “dark jeans and your Nikes, look at you”]

~[London Boy from Lover = “faded blue jeans“]

PORCH {also in Betty}

SCARS {also Hoax}

~[Blank Space from 1989 = “It’ll leave you breathless, or with a nasty scar“]

~[Lover from Lover = “with every guitar string scar on my hand”]

SMOKE   

~[The Archer from Lover = “room filled with smoke” “the room is on fire, invisible smoke“]

~[Daylight from Lover = “breathed in the smoke“]

-UNDER a STREETLIGHT {also in Betty} [Cornelia Street from Lover = “street lights pointed in an arrowhead, leading us home”]

TRAIN [The Archer from Lover = “jump from the train, I ride off alone”]

RUNNIN’ LIKE WATER {also The One and Illicit affairs and August} [Dancing with Our Hands Tied from Reputation = “I’d hold you as the water rushes in”]

WEEKENDS

~[Blank Space from 1989 = “I can make the bad guys good for a weekend“]

~[It’s Nice to Have a Friend from Lover = “feels like home stay in bed the whole weekend“]

 

WHEN YOU ARE YOUNG, THEY ASSUME YOU KNOW NOTHING {also in Betty}

 

 

 

black lipstick

~[Taylor wore very dark lipstick to the Met]

~[Reputation album cover features Taylor in black lipstick]

 

tattoo kiss [Dress from Reputation = “made you mark on me, a golden tattoo”]

 

 

 

EPHIPHANY:

BLEEDIN‘ {also “bleed” in The One and Cardigan} [Cruel Summer from Lover = “and if I bleed you’ll be the last to know”]

breathe {also in Betty and Madwoman}

~[Bad Blood from 1989 = “did you have to hit me, where I’m weak, baby, I couldn’t breathe“]

~[Clean from 1989 = “that’s when I could finally breathe“]

~[Daylight from Lover = “clear in the air, I breathed in the smoke”]

~[Paper Rings from Lover = “…wake up at night and watch you breathe“]

DOC {also in The Last Great American Dynasty} [SOON YOU’LL GET BETTER from Lover = “Doctor”]

dream {also Betty and The 1}

~[Blank Space from 1989 = “I’m a nightmare dressed like a day dream“]

~[Call It What You Want from Reputation = “my baby’s fit like a day dream“]

~[Cruel Summer from Lover = “fever dream“]

~[Delicate from Reputation = Are you ever dreaming of me?”]

~[King of My Heart from Reputation = “your love is a secret I’m hoping, dreaming, dying to keep”]

~[Look What You Made Me Do from Reputation = “I’ll be the actress starring in your bad dreams“]

~[Paper Rings from Lover = “dirty dreams“]

~[Paper Rings from Lover = “Paper rings and picture frames and all my dreams“]

~[…Ready for It from Reputation = “in the middle of the night, in my dreams“]

~[Style from 1989 = “you got that James Dean day dream look in your eye”]

~[Wildest Dreams from 1989 = “red lips & rosy cheeks say you’ll see me again even if it’s just in your wildest dreams…”]

SLEEP {also in Tears Ricochet and Hoax}   

~[Daylight from Lover = “I’ve been sleepin‘ so long in a 20 year dark night”]

~[Delicate from Reputation = “sometimes I wonder when you sleep“]

~[Look What You Made Me Do from Reputation = “you ask me for a place to sleep“]

 

 

Exile:

bloody {also in Tears Ricochet and cardigan} [Bad Blood from 1989 = “baby now we got bad blood” “if you love like that blood runs cold”]

CROWN

~[Call It What You Want from Reputation = “they took the crown but it’s alright”]

~[King of My Heart from Reputation = “like you’re an American queen“]

~[You Need to Calm Down from Lover = “we all got crowns“]

film {also in The One and “FILM REEL” in This is Me Trying and “movie in Hoax}

~[The Archer from Lover = “cruelty wins in the movies“]

~[Miss Americana and the Heartbreak Prince from Lover = “Lost in a film scene”]

HOMELAND {also “home’ in Peace and Betty and Tears Ricochet}

~[Cornelia Street from Lover = “leading us home” “I took the long way home“]

~[Cruel Summer from Lover = “…I cried like a baby coming home from the bar”]

~[Delicate from Reputation = “do the girls back home touch you like I do?”]

~[Gorgeous from Reputation = “guess I’ll just stumble on home to my cats”]

~[I Think He Knows from Lover = “I’ll make myself at home“]

~[Lover from Lover = “take me out and take me home (forever and ever)”]

~[Miss Americana and the Heartbreak Prince from Lover = “I think you should come back home“]

~[New Year’s Day from Reputation = “or if you strike out and you’re crawling home“]

~[Paper Rings from Lover = “went home and tried to stalk you on the internet”]

~[Style from 1989 = “takes me home” “just take me home“]

-SIDE-DOOR {also “doorstep” in Betty and “doorway” in This is Me Trying and “door” in Hoax} [How You Get the Girl from 1989 = “she’ll open up the door and say, ‘are you insane?'”]

TOWN

~[Daylight from Lover = “…stormed out of every single room in this town“]

~[Death by a Thousand Cuts from Lover = “in this small town“]

~[False God from Lover = “staring out the window like I’m not your favorite town“]

~[I Forgot that You Existed from Lover = “would’ve fought the whole town for ya”]

~[Miss Americana and the Heartbreak Prince from Lover = “we’re so sad, we paint the town blue”]

~[New Year’s Day from Reputation = “I’ll be there if you’re he toast of the town, babe”]

~[Wildest Dreams from 1989 = “he said, ‘let’s get out of this town‘”]

~[You Are in Love from 1989 = “he keeps the picture of you in his office down town“]

 

KNUCKLES BLOODY {Bad Blood music video = Karlie boxes Taylor}

 

STARIN’ HONEY   

 

 

hoax:

-PULLED ME APART

~[Getaway Car from Reputation = “X marks the spot, where we fell apart“]

~[Out of the Woods from 1989] = “we were built to fall apart, then fall back together”]

blue {also in Peace and Invisible String}

~[Afterglow from Lover = “I blew things out of proportion, now you’re blue“]

~[Cruel Summer from Lover = “shape of your body, it’s blue“]

~[Dancing with Our Hands Tied from Reputation = “deep blue, but you painted me golden”]

~[Delicate from Reputation = “oh damn, never seen that color blue“]

~[Gorgeous from Reputation = “ocean blue eyes looking in mine”]

~[This Love from 1989 = “clear blue water, high tide came and brought you in”]   

~[Lover from Lover = “my heart’s been borrowed and yours has been blue“]

~[Miss Americana from Lover = “we’re so sad, we paint the town blue“]

~[Paper Rings from Lover = “I’m with you even if it makes me blue“]

-ASH FROM FIRE {also “fire” in Peace and Tears Ricochet and Madwoman}

~[Afterglow from Lover = “burned us down”]

~[The Archer from Lover = “the room is fire“]

~[Call It What You Want from Reputation = “he built a fire just to keep me warm”]

died {also in Peace and Illicit Affairs}

~[The Archer from Lover = “…all of my heroes die all alone”]

~[Clean from 1989 = “when the flowers that we’d grown together died of thirst”]

~[False God from Lover = “crazy to think this could work, remember how I said I’d die for you?”]

DOOR {also doorstep in Betty and “side-door” in Exile and “doorway” in This is Me Trying} [How You Get the Girl from 1989 = “she’ll open up the door and say, ‘are you insane?'”]

frozen my ground [Dancing with Our Hands Tied from Reputation = “love had been frozen“]

hero {also Tears Ricochet} [The Archer from Lover = “…all of my heroes die all alone”]

Kingdom

~[Call it What You Want from Reputation = “my castle crumbled overnight” and “they took the crown but it’s alright” “all the drama queens taking swings’]

~[King of My Heart from Reputation = “and we rule the kingdom inside my room”]

~[Look What You Made Me Do from Reputation = “I don’t like your kingdom keys”]

-TWISTED KNIFE   

~[Bad Blood from 1989 = “did you think we’d be fine, still got scars on my back from your knife“]

~[Call It What You Want from Reputation = “I brought a knife to a gunfight”]

~[Cruel Summer from Lover = “SUMMERS A KNIFE“]

-WHAT’S THE MOVIE FOR -{also “FILM REEL” in This is Me Trying and The 1 and Exile}

~[The Archer from Lover = “cruelty wins in the movies“]

~[Miss Americana and the Heartbreak Prince from Lover = “Lost in a film scene”]

New York

~[Daylight from Lover = Back and forth from New York (sneakin’ in your bed)”]

~[False God from Lover = I’m New York City]

~[Welcome to New York from 1989 = “Welcome to New York“]

sadness

~[Bad Blood from 1989 = “oh, it’s so sad to think about the good times, you and I”]

~[Gorgeous from Reputation = “You make me so happy it turns back to sad“]

~[Miss Americana and the Heartbreak Prince from Lover = “we’re so sad, we paint the town blue”]

scars {also Cardigan}

~[Blank Space from 1989 = “It’ll leave you breathless, or with a nasty scar“]

~[Lover from Lover = “with every guitar string scar on my hand”]

SCREAMIN {also in screamin’ in Seven and scream in Peace and Illicit Affairs}

~[The Archer from Lover = “screaming who could ever leave me, darling?”]

~[Clean from 1989 = “the water filled my lungs, I screamed so loud but no one heard a thing”

~[Cornelia Street from Lover = “I get mystified by how this city screams your name”]

~[Cruel Summer from Lover = “scream I love you” “and I screamed for whatever it’s worth, I love you”]

~[This Love from 1989 = “in silent screams, in wildest dreams, I never dreamed of this”]

~[Wonderland from 1989 = “but there were strangers watching, and whispers turned to talking, and talking turned to screams“]

~[You Need to Calm Down from Lover = “control your urges to scream about all the people you hate”]

SLEEPLESS NIGHT {also in Tears Ricochet and Epiphany} [Daylight from Lover = “I’ve been sleepin‘ so long in a 20 year dark night”]   

SUN {also August and sunshine in Peace}

~[I Forgot that You Existed from Lover = “sunshine is gone”]

~[Out of the Woods from 1989 = “when the sun came up, I was lookin’ at you” “when the sun came up, you were lookin’ at me”]

 

 

ILLICIT AFFAIRS:

COLORS I CAN’T SEE W/ANYONE ELSE  [OUT OF THE WOODS from Reputation = “In screaming color“]

DIES {also Peace and Hoax}

~[The Archer from Lover = “…all of my heroes die all alone”]

~[Clean from 1989 = “when the flowers that we’d grown together died of thirst”]

~[False God from Lover = “crazy to think this could work, remember how I said I’d die for you?”]

-eyes down

~[Call It What You Want from Reputation = “head down“]

~[Cruel Summer from Lover = hang your head low“]

DRUG

~[Death by a Thousand Cuts from Lover =”Gave up on me like I was a bad drug“]

~[Don’t Blame Me from Reputation = “Lord save me, my drug is my baby, I’ll be usin‘ for the rest of my life”]

-A MILLION LITTLE TIMES {also million pieces in Mirrorball}

road

~[All You Had to do was Stay from 1989 = “all I know is that you drove us off the road“]

~[False God from Lover = “They say the road gets hard and you get lost when you’re led by blind faith.”]

~[New Romantics from 1989 = “we’re so young but we’re on the road to ruin”]

~[New Years Day from Reputation = “I can tell it’s going to be a long road“]

~[Style from 1989 = “he can’t keep his wild eyes on the road“]

runnin {also The 1 and Cardigan and August}   

~[Call It What You Want from Reputation = “you don’t need to save me, but would you run away with me?”]

~[Getaway Car from Reputation = “while he was runnin‘ after us, I was screamin’, ‘go, go, go!'”]

~[I Know Places from 1989 = “they are the hunters, we are the foxes, and we run“]

~[I Wish You Would from 1989 = “if you wanna run and hide then it makes you turn right back around” “this mad mad love makes you come running“]

~[This Love from 1989 = “when you’re young you just run“]

~[The Man from Lover = “I’m so sick of running“]

~[Miss Americana and the Heartbreak Prince from Lover = “running through rose thorns”]

~[…Ready for It from Reputation = “stealing hearts and running off and never sayin’ sorry”]

SCREAM {also in screamin’ in Seven and Hoax and scream in Peace}

~[The Archer from Lover = “screaming who could ever leave me, darling?”]

~[Clean from 1989 = “the water filled my lungs, I screamed so loud but no one heard a thing”

~[Cornelia Street from Lover = “I get mystified by how this city screams your name”]

~[Cruel Summer from Lover = “scream I love you” “and I screamed for whatever it’s worth, I love you”]

~[This Love from 1989 = “in silent screams, in wildest dreams, I never dreamed of this”]

~[Wonderland from 1989 = “but there were strangers watching, and whispers turned to talking, and talking turned to screams“]

~[You Need to Calm Down from Lover = “control your urges to scream about all the people you hate”]

SECRET {also in Peace}

~[“I don’t wanna keep secrets just to keep you”]

~[Dancing with Our Hands Tied from Reputation = “I loved you in secret“]

~[Dress from Reputation = “our secret moments in your crowded room”]

~[King of My Heart from Reputation = “your love is a secret I’m hoping, dreaming, dying to keep”]

                                –STARES   

 

 

 

GREEN

 

 

 

 

 

 

 

 

 

                                                                                                                 –TEAL

 

 

INVISIBLE STRING

BLUE {also in Peace and Hoax}

~[Afterglow from Lover = “I blew things out of proportion, now you’re blue“]

~[Cruel Summer from Lover = “shape of your body, it’s blue“]

~[Dancing with Our Hands Tied from Reputation = “deep blue, but you painted me golden”]

~[Delicate from Reputation = “oh damn, never seen that color blue“]   

~[Gorgeous from Reputation = “ocean blue eyes looking in mine”]

~[This Love from 1989 = “clear blue water, high tide came and brought you in”]

~[Lover from Lover = “my heart’s been borrowed and yours has been blue“]

~[Miss Americana from Lover = “we’re so sad, we paint the town blue“]

~[Paper Rings from Lover = “I’m with you even if it makes me blue“]

cutting me open

[Cruel Summer from Lover = “waiting for you to cut me to the bone”]

[Death by a Thousand Cuts from Lover = “death by a thousand cuts“]

[So It Goes from Reputation = “cut me into pieces”]

-dive bar

~[Cornelia Street from Lover = “drunk on something stronger than the drinks in the bar“]

~[Cruel Summer from Lover = “…I cried like a baby coming home from the bar“]

~[Delicate from Reputation = “dive bar on the East side, where you at?”]

~[So it Goes from Reputation = “met you in a bar“]

gold   

~[Dancing with Our Hands Tied from Reputation = “deep blue, but you painted me golden“]

~[Daylight from Lover = “golden like daylight”]

~[Dress from Reputation = “made you mark on me, a golden tattoo”]

~[End Game from Reputation = “Your body is gold“]

~[So It Goes from Reputation = “gold cage, hostage to my feeling”]

HEAVEN {and Tears Richchet}

~[Cruel Summer from Lover = “unbreakable heaven“]

~[False God from Lover = “I know heaven’s a thing I go there when you touch me, honey…”]

hell {also in Peace and Tears Richchet}

~[False God from Lover = “honey hell is when i fight with you”]

~[Wildest Dreams from 1989 = “he’s so tall and handsome as hell“]

-PURPLE PINK SKY [It’s Nice to Have a Friend from Lover = “light pink sky“]

 

 

3 year trip

                                                                                                      -BAD BLOOD   

 

 

 -TEAL    -GREEN   

 

 

 

 

 

 

 

 

 

 

Lakes:

TBA

 

 

The Last Great American Dynesty:

-bitch pack friends (from the city) {also in Betty and Peace and Cardigan and Betty}   

~[The Archer from Lover = “…my enemies started out friends“]

~[Blank Space from 1989 = “I know you heard about me, so hey, let’s be friends“]

~[It’s Nice to Have a Friend from Lover “it’s nice to have a friend“]

~[Dress from Reputation = “I don’t want you like a best friend“]

~[This is Why We Can’t Have Nice Things = “it was so nice being friends again” “friends don’t try to trick you” “I’m not the only friend you’ve lost lately” “here’s a toast to my real friends“]

~[London Boy from Lover = “…watching rugby with his school friends“]

~[Lover from Lover = “…let our friends crash in the living room”]

~[Paper Rings from Lover = “I hate accidents except when we went from friends to this”]

~[Paper Rings from Lover = “…high, like your friends were the night that we 1st met”]

~[You Need to Calm Down from Lover = “…comin at my friends like a missle”]

-card games W/DOTTIE   

~[Cornelia Street from Lover = “back when we were card sharks, playing games“]

~[End Game from Reputation = “I wanna be your end game” “I’ve passed days without fun, this end game is the one”]

~[Look What You Made Me Do from Reputation = “I don’t like your little games“]

~[Miss Americana from Lover = “play stupid games, win stupid prizes”]

~[…Ready for it from Reputation = “Let the games begin”]

DOCTOR {also Epiphany} [SOON YOU’LL GET BETTER from Lover = “Doctor”]

madwoman {also in Madwoman}

~[Bad Blood from 1989 = “you know what used to be mad love”]

~[Blank Space from 1989 = “I could show you incredible things, magic, madness, heaven, sin”]

~[Gorgeous from Reputation = “you are so gorgeous it makes me so mad“]

~[I Wish You Would from 1989 = “this mad mad love makes you come running”]

~[The Man from Lover = “it’s okay that you’re mad” “so it’s okay that I’m mad“]

~[Wonderland from 1989 = “and in the end in wonderland we both went mad“]

parties {also in Betty} [New Year’s Day from Reputation = “there’s glitter on the floor after the party“]

 

-fill the pool with champagne [This is Why We Can’t Have Nice Things = “jumping to the pool from the balcony”]

WEDDING [Lover from Lover = wedding imagery]

 

 

 

STL= where Karlie Kloss is from

 

 

 

MADWOMAN:

BREATHE {also in Betty and Epiphany}

~[Bad Blood from 1989 = “did you have to hit me, where I’m weak, baby, I couldn’t breathe“]

~[Clean from 1989 = “that’s when I could finally breathe“]

~[Daylight from Lover = “clear in the air, I breathed in the smoke”]

~[Paper Rings from Lover = “…wake up at night and watch you breathe“]

fire {also “fire” in Peace and Tears Ricochet and Hoax}

~[Afterglow from Lover = “burned us down”]

~[The Archer from Lover = “the room is fire“]

~[Call It What You Want from Reputation = “he built a fire just to keep me warm”]

-breathe flames

~[Blank Space from 1989 = “it’s gonna be forever, or it’s gonna go down in flames“]

~[I Did Something Bad from Reputation = “I can feel the flames on my skin”]

~[I Know Places from 1989 = “love’s a fragile little flame, it could burn out”]

~[Style from 1989 = “cound end in burning flames or paradise”]

dead {also in Tears Ricochet}

~[I Know Places from 1989 = “I know places, in the dead of night, your eyes so green”]

~[Look What You Made Me Do from Reputation = “I rose up from the dead, I do it all the time” “back from the dead” “cause she’s dead“]

~[This Love from 1989 = “this love is alive back from the dead“]

drive

~[I Think He Knows from Lover “we can follow the sparks, I’ll drive“]

~[Paper Rings from Lover = “I want to drive away with you”]

HUNTING [I Know Places from 1989 = “they are the hunters, we are the foxes, and we run”]   

kill

~[Cruel Summer from Lover = “killing me slow, out the window” “what doesn’t kill me makes me want you more”]

~[Death by a Thousand Cuts from Lover = “I dress to kill my time”]

~[I Forgot that You Existed from Lover = “I though that it would kill me, but it didn’t”]

madwoman {also in The Last Great American Dynasty}

~[Gorgeous from Reputation = “you are so gorgeous it makes me so mad“]

~[The Man from Lover = “it’s okay that you’re mad” “so it’s okay that I’m mad“]

~[Bad Blood from 1989 = “you know what used to be mad love”]

~[Blank Space from 1989 = “I could show you incredible things, magic, madness, heaven, sin”]

~[Gorgeous from Reputation = “you are so gorgeous it makes me so mad“]

~[I Wish You Would from 1989 = “this mad mad love makes you come running”]

~[Wonderland from 1989 = “and in the end in wonderland we both went mad“]

WITCHES [I did something bad from Reputation = “they’re burning all the witches, even if you aren’t one”]

 

-YACHT = Karlie Kloss’ 2nd (fake) wedding was on a yacht?    

 

 

 

 

 

 

 

 

 

mirrorball:

clowns {also in Peace}

drunk {also Cardigan}   

~[Blank Space from 1989 = “I get drunk on jealousy”]

~[Cornelia Street from Lover = “drunk on something stronger than the drinks in the bar”]

~[Cruel Summer from Lover = “drunk in the back of the car”]

~[Dress from Reputation = “you kiss my face and we’re both drunk“]

~[Gorgeous from Reputation = “I got drunk and made fun of the way you talk”]

-highest heels {also Cardigan}

million pieces {also million little times in Illicit Affairs}

 

 

PEACE:

DISTRACTING BEEPING BACKGROUND MUSIC—DOES IT SYMBOLIZE SOMETHING?

 

BLUE {also in Invisible String and Hoax}

~[Afterglow from Lover = “I blew things out of proportion, now you’re blue“]

~[Cruel Summer from Lover = “shape of your body, it’s blue“]

~[Dancing with Our Hands Tied from Reputation = “deep blue, but you painted me golden”]

~[Delicate from Reputation = “oh damn, never seen that color blue“]

~[Gorgeous from Reputation = “ocean blue eyes looking in mine”]

~[This Love from 1989 = “clear blue water, high tide came and brought you in”]

~[Lover from Lover = “my heart’s been borrowed and yours has been blue“]

~[Miss Americana from Lover = “we’re so sad, we paint the town blue“]

~[Paper Rings from Lover = “I’m with you even if it makes me blue“]

-ROBBERS TO THE CLOWNS TO THE WEST {also in Mirrorball}

DEVIL IN THE DETAILS   

[Cruel Summer from Lover = “devils roll the dice, angels roll their eyes” “he looks so pretty like a devil“]

[dancing w/our hands tied from Reputation = “looked up grinnin like a devil“]

DIE {also Hoax and Illicit Affairs}

~[The Archer from Lover = “…all of my heroes die all alone”]

~[Clean from 1989 = “when the flowers that we’d grown together died of thirst”]

~[False God from Lover = “crazy to think this could work, remember how I said I’d die for you?”]

dying {also in Tears Ricochet}

~[Blank Space from 1989 = “I’m dying to see how this one ends”]

~[Cruel Summer from Lover = “I’m not dying, we say that we’ll just screw it up in these trying times”]

fire {also in Tears Ricochet and Hoax and Madwoman}

~[Afterglow from Lover = “burned us down”]

~[The Archer from Lover = “the room is fire“]

~[Call It What You Want from Reputation = “he built a fire just to keep me warm”]

friends {also in The Last Great American Dynasty and Betty and Cardigan}   

~[The Archer from Lover = “…my enemies started out friends“]

~[Blank Space from 1989 = “I know you heard about me, so hey, let’s be friends“]

~[It’s Nice to Have a Friend from Lover “it’s nice to have a friend“]

~[Dress from Reputation = “I don’t want you like a best friend“]

~[This is Why We Can’t Have Nice Things = “it was so nice being friends again” “friends don’t try to trick you” “I’m not the only friend you’ve lost lately” “here’s a toast to my real friends“]

~[London Boy from Lover = “…watching rugby with his school friends“]

~[Lover from Lover = “…let our friends crash in the living room”]

~[Paper Rings from Lover = “I hate accidents except when we went from friends to this”]

~[Paper Rings from Lover = “…high, like your friends were the night that we 1st met”]

~[You Need to Calm Down from Lover = “…comin at my friends like a missle”]

ghostly {also in Tears Ricochet}

~[The Archer from Lover = “pace like a ghost“]

~[Bad Blood from 1989 = “you live like that you live with ghosts“]

~[End Game from Reputation = “we do the most, I’m in the Ghost like a whippin’ a boat”]

~[How You Get the Girl from 1989 = “stand there like a ghost shaking from the rain”]

~[This Love from 1989 = “your kiss, my cheek, I watched you leave, you smile, my ghost, I fell to my knees”]

~[…Ready for It from Reputation = “but if he’s a ghost, then I can be a phantom”]

~[You Are in Love from 1989 = “and for once you let go, of your fears and your ghosts“]

grace {also in Tears Ricochet} [Don’t Blame Me from Reputation = “and, for you, I would fall from grace“]

haunted {also in Seven}

~[Death by a Thousand Cuts from Lover = “now I’m searching for signs in a haunted club”]

~[…Ready for It from Reputation = “wondered how many girls he loved and left haunted“]

HELL {also in Invisible String and Tears Ricochet}

~[False God from Lover = “honey hell is when i fight with you”]

~[Wildest Dreams from 1989 = “he’s so tall and handsome as hell“]

HOME {also in Exile and Betty and Tears Ricochet}

~[Cornelia Street from Lover = “leading us home” “I took the long way home“]

~[Cruel Summer from Lover = “…I cried like a baby coming home from the bar”]

~[Delicate from Reputation = “do the girls back home touch you like I do?”]

~[Gorgeous from Reputation = “guess I’ll just stumble on home to my cats”]

~[I Think He Knows from Lover = “I’ll make myself at home“]

~[Lover from Lover = “take me out and take me home (forever and ever)”]

~[Miss Americana and the Heartbreak Prince from Lover = “I think you should come back home“]

~[New Year’s Day from Reputation = “or if you strike out and you’re crawling home“]

~[Paper Rings from Lover = “went home and tried to stalk you on the internet”]

~[Style from 1989 = “takes me home” “just take me home“]

jewels {also in Tears Ricochet}

screamin‘ {also in screamin’ in Seven and Hoax and scream in Peace and Illicit Affairs}

~[The Archer from Lover = “screaming who could ever leave me, darling?”]

~[Clean from 1989 = “the water filled my lungs, I screamed so loud but no one heard a thing”

~[Cornelia Street from Lover = “I get mystified by how this city screams your name”]   

~[Cruel Summer from Lover = “scream I love you” “and I screamed for whatever it’s worth, I love you”]

~[This Love from 1989 = “in silent screams, in wildest dreams, I never dreamed of this”]

~[Wonderland from 1989 = “but there were strangers watching, and whispers turned to talking, and talking turned to screams“]

~[You Need to Calm Down from Lover = “control your urges to scream about all the people you hate”]

secret {also in Illicit Affairs}

~[“I don’t wanna keep secrets just to keep you”]

~[Dancing with Our Hands Tied from Reputation = “I loved you in secret“]

~[Dress from Reputation = “our secret moments in your crowded room”]

~[King of My Heart from Reputation = “your love is a secret I’m hoping, dreaming, dying to keep”]

-CAN’T SLEEP AT NIGHT {also in Tears Ricochet and Hoax and Epiphany} [Daylight from Lover = “I’ve been sleepin‘ so long in a 20 year dark night”]

stones {also in Tears Ricochet} [You Need to Calm Down from Lover = “snakes and stones never broke my bones”]

WAVES {also in Tears Ricochet}

 

family I chose {also The 1}

 

 

Seven:

folksongs {folklore is album title}

haunted {also in Tears Riccochet}

~[Death by a Thousand Cuts from Lover = “now I’m searching for signs in a haunted club”]

~[…Ready for It from Reputation = “wondered how many girls he loved and left haunted“]

scream {also in Tears Ricochet and screamin’ in Peace and Illicit Affairs}

~[The Archer from Lover = “screaming who could ever leave me, darling?”]

~[Clean from 1989 = “the water filled my lungs, I screamed so loud but no one heard a thing”

~[Cornelia Street from Lover = “I get mystified by how this city screams your name”]

~[Cruel Summer from Lover = “scream I love you” “and I screamed for whatever it’s worth, I love you”]

~[This Love from 1989 = “in silent screams, in wildest dreams, I never dreamed of this”]

~[Wonderland from 1989 = “but there were strangers watching, and whispers turned to talking, and talking turned to screams“]

~[You Need to Calm Down from Lover = “control your urges to scream about all the people you hate”]

summer {also in Betty and August and Peace}

~[Cruel Summer from Lover = “it’s a cruel summer“]   

~[Cruel Summer from Lover = “snuck in through the garden gate every night that summer just to seal my fate”]

~[Cruel Summer from Lover = “summer’s a knife”]

~[Lover from Lover = “loved you three summers now”]

~[Me from Lover = “Livin in winter, I am your summer“]

 

 

TEARS RICCOCHET:

BLOOD -bloody {also in Exile and cardigan} [Bad Blood from 1989 = “baby now we got bad blood” “if you love like that blood runs cold”]

BONES [You Need to Calm Down from Lover = “snakes and stones never broke my bones“]

BURY ME [End Game from Reputation = “I bury hatchets, but i keep maps of where I put ’em”]

DEAD {also in Madwoman}

~[I Know Places from 1989 = “I know places, in the dead of night, your eyes so green”]

~[Look What You Made Me Do from Reputation = “I rose up from the dead, I do it all the time” “back from the dead” & “cause she’s dead“]

~[This Love from 1989 = “this love is alive back from the dead“]   

DIAMOND

dying {also in Peace}

~[Blank Space from 1989 = “I’m dying to see how this one ends”]

~[Cruel Summer from Lover = “I’m not dying, we say that we’ll just screw it up in these trying times”]

FIRE {also “fire” in Peace and and Hoax and Madwoman}

~[Afterglow from Lover = “burned us down”]

~[The Archer from Lover = “the room is fire“]

~[Call It What You Want from Reputation = “he built a fire just to keep me warm”]

ghostly {also in Peace}

~[The Archer from Lover = “pace like a ghost“]

~[Bad Blood from 1989 = “you live like that you live with ghosts“]

~[End Game from Reputation = “we do the most, I’m in the Ghost like a whippin’ a boat”]

~[How You Get the Girl from 1989 = “stand there like a ghost shaking from the rain”]

~[This Love from 1989 = “your kiss, my cheek, I watched you leave, you smile, my ghost, I fell to my knees”]

~[…Ready for It from Reputation = “but if he’s a ghost, then I can be a phantom“]

~[You Are in Love from 1989 = “and for once you let go, of your fears and your ghosts“]

grace {also in Peace} [Don’t Blame Me from Reputation = “and, for you, I would fall from grace“]

haunted {also in Seven}   

~[Death by a Thousand Cuts from Lover = “now I’m searching for signs in a haunted club”]

~[…Ready for It from Reputation = “wondered how many girls he loved and left haunted“]

HELL also in Invisible String and Peace}

~[False God from Lover = “honey hell is when i fight with you”]

~[Wildest Dreams from 1989 = “he’s so tall and handsome as hell“]

HOME {also in Exile and Betty and Peace}

~[Cornelia Street from Lover = “leading us home” “I took the long way home“]

~[Cruel Summer from Lover = “…I cried like a baby coming home from the bar”]

~[Delicate from Reputation = “do the girls back home touch you like I do?”]

~[Gorgeous from Reputation = “guess I’ll just stumble on home to my cats”]

~[I Think He Knows from Lover = “I’ll make myself at home“]

~[Lover from Lover = “take me out and take me home (forever and ever)”]

~[Miss Americana and the Heartbreak Prince from Lover = “I think you should come back home“]

~[New Year’s Day from Reputation = “or if you strike out and you’re crawling home“]

~[Paper Rings from Lover = “went home and tried to stalk you on the internet”]

~[Style from 1989 = “takes me home” “just take me home“]

jewels {also in Peace}   

screamin‘ {also in screamin’ in Seven and Hoax and scream in Peace and Illicit Affairs}

~[The Archer from Lover = “screaming who could ever leave me, darling?”]

~[Clean from 1989 = “the water filled my lungs, I screamed so loud but no one heard a thing”

~[Cornelia Street from Lover = “I get mystified by how this city screams your name”]

~[Cruel Summer from Lover = “scream I love you” “and I screamed for whatever it’s worth, I love you”]

~[This Love from 1989 = “in silent screams, in wildest dreams, I never dreamed of this”]

~[Wonderland from 1989 = “but there were strangers watching, and whispers turned to talking, and talking turned to screams“]

~[You Need to Calm Down from Lover = “control your urges to scream about all the people you hate”]

-CAN’T SLEEP AT NIGHT {also in Tears Ricochet and Hoax and Epiphany} [Daylight from Lover = “I’ve been sleepin‘ so long in a 20 year dark night”]

stones {also in Peace} [You Need to Calm Down from Lover = “snakes and stones never broke my bones”]

WAVES {also in Peace}

 

 

This is Me Trying:

car {also Betty and August and Cardigan}

~[Cornelia Street from Lover = “I sit casually in the car“]

~[Cruel Summer from Lover = “I’m drunk in the back of the car“]

~[Getaway Car from Reputation = “nothing good starts in a getaway car” “you were drivin’ the getaway car” “we’re ridin’ in a getaway car” “I was crying in a getaway car” “I was dyin’ in a getaway car” “said goodbye in a getaway car“]

~[King of My Heart from Reputation = “all the boys and their expensive cars“]

CAGES

~[I Know Places from 1989 = “love’s a fragile little flame, it could burn out, cause they got the cages, they got the boxes”]

~[So It Goes from Reputation= “gold cage, hostage to my feelings”]

doorWAY {also doorstep in Betty and “side-door” in Exile and “door in Hoax} [How You Get the Girl from 1989 = “she’ll open up the door and say, ‘are you insane?'”]

fears

~[Dancing with Our Hands Tied from Reputation = “deep fears that the world would divide us”]

~[Wonderland from 1989 = “didn’t you calm my fears with the Cheshire cat smile?”]   

~[You Are in Love from 1989 = “and for once you let go, of your fears and your ghosts”]

FILM REEL {also The 1 and Exile and “movie in Hoax}

~[The Archer from Lover = “cruelty wins in the movies“]

~[Miss Americana and the Heartbreak Prince from Lover = “Lost in a film scene”]

REGRETS ABOUT THAT [I Did Something Bad from Reputation = “I don’t regret it one bit, ’cause he had it coming”]

A Rainbows and Butterflies Obsession

21 Sep

But first, real quick: Ummm, when did WordPress become so user UNfriendly? Drafts are gone? I’m now having trouble uploading pictures. The auto-save didn’t work. I wrote this entire thing and it glitched at “publish” so irritating! It’s like the Myspace days, save your work elsewhere, lest lose it. Any tips?

 

And the topic at hand:

I am obsessed with Taylor Swift.  I have always liked her song-writing, and incorporation of personal details in lyrics (see so many blog posts that used her songs).  When I was driving almost 3 hours one way for all my IVF donor appointments, I must have listened to “Mean” and “Your Not Sorry” a billion times.  Her writing really touched my heart.  But I went away from her when Red came out–and was NOT available on Spotify.  Because how was I going to listen to the album without streaming?  That is also how I lost track of Adele also, who I think is super-talented and a wondrous singer.  But if you don’t allow streaming, I don’t have motivation to dig around.  And a lot was happening in Taylor Swift’s life and career at that time.  But once you’re out of the loop, it’s hard to get back in.  So I missed Red, 1989, and any Reputation stuff save for the music itself on the latter album.  I missed the dating, the clique, the feuds (except what was ubiquitous in pop-culture), and thus pretty much everything.

Brandi Carlile was my jam since, oh, 2010.  And I wish her music and everything still resonated with me now, as it had before.  I want to love it.  I wish I was still really into it.  I feel Brandi is an earnest person, with a good track record, and genuine concern about making the world better.  Her rock and folk albums were inspired, and even superseded some of The Indigo Girls’ work for me.  I like her (I guess her persona, because she makes you feel like you know her).  Her concerts are THE BEST.  And her actual singing is unmatched.  When she popped up on Zac Brown Band’s backing-vocals yesterday (listening to Spotify at work), I immediately knew it was her.

I am just not excited about this Americana direction she’s taking, dabbling in country, pandering to bullying, ect… to get Grammys.  I dutifully listen to the music she’s collaborating on, and really, really try to be a great fan.  But it’s not organically happening for me.  I can appreciate the work, I like it ok.  But my fandom is not what it used to be–and that’s disappointing.  It’s not over.  And I hope Brandi’s next album will feature the twins more, still have those notes she can hit like no other, and reignite the spark for me again.

And this post is not about how there can only be one female artist.  Not at all.  No trading is going on here.  I like them all and have a place in my heart for all of them.  There obviously, can (and needs to be) ALL the women in music.  They can all be successful, it’s important to support that, and help it grow.  I’m just illustrating that there was kind of a hole there (in my fandom?)… Which is when butterflies were bandied about.

 

 

 

 

 

 

 

 

I love color, love flowers, butterflies, tye dye, kittens, glitter, and unicorns, all of those things.  Always have.  It’s nothing to do with anything, just what aesthetic I’m naturally drawn to, and what incites passion and enthusiasm in me.  So when the “Me” video came out, it was my LIFE.  It was as if Taylor Swift made a video specifically for me.  Even better that little clues (Easter eggs) were throughout.  I also watched Pop-Up Video and loved all the trivia and facts and behind-the-scenes.  Same thing.

 

 

 

 

 

 

So just like that I was hooked back in, trying to find the meanings and read the clues.  And when super-gay “You Need to Calm Down” came on to the scene–I was floored.  It was fun, it was bright. . .  It painted Taylor (we’re on a first name basis) as at least an advocate and at most, was a coming out party for bisexual.  And that led to Kaylor.  Which is an easy word to describe a possible love between Taylor and Karlie Kloss.

PS-I don’t know what shipper means, and I don’t really care for it (I’m not 12), but that is the language used amongst Swifties, a group I’m too old to be in.  Which needs to change.  I should not be excluded just because I’m in my 30’s and can’t get on to the cool lingo.  Taylor Swift is an artist I’ve followed for a long time, I’m interested in, and who’s music/career I’m really into right now.  So I’m taking age out of it and being a super-fan (but leaving out the parts not applicable to me).

 

A lot of things made sense to me about Taylor being with Karlie.  Especially when you see the looks, body language, and intimacy between them on YouTube.  I feel like I have insider information about the difference between what friendships look like vs more.   I also know about the coming out process.  And when the lyrics of her songs are dissected in a different way–it makes so much more sense.  I am impressed by how coded Taylor intentionally or unintentionally made her lyrics and videos and media.  Like, how detailed could such a busy person get?!  Color me impressed!  That’s my very favorite thing about Taylor’s work.  Also interesting:  The LGBT community has used codes (handkerchiefs, ear piercings, etc, etc) forever to remain secret at large but still identify each other.  Which un-ironically(?) can describe Taylor Swift’s whole thing.  And what’s it called? double entrande’ ? Karlie has a computer coding school for girls, I think?  Codes, all the codes!  So now I guess I’m obsessed with accumulating irrefutable evidence of their relationship ie, I guess “outing” Taylor.

 

 

 

 

 

Which isn’t cool, and something I, personally, hate.  But I’m not doing in a blackmail way or smarmy, or anything.  More in a–knowing the REAL inspiration behind songs lets you in on the secret and allows more authentic enjoyment of the material.  It’s a little like my obsession with Disappeared (Jaycee Lee Dugard, The McStays, Maura Murry, etc, etc…) and wondering what ever happened to that person. . .  I always think about scenarios, make theories, and comb the internet for clues.  But this is a little brighter, because it’s about a true, hidden love-not disappearance and death.  But same combing for clues, making theories.

(Another blog post about that later–it’s kinda it’s own thing)

I was super into every Lover video, lyric, and Easter egg.  And thrust back into Taylor’s world-though I have a daunting amount of research to catch up on just so I know what’s going on.  There is a lot of media attention, romance stories, break-ups, friendships, characters–it’s worse than studying Chaucer.

Even more exciting-is that Taylor Swift is known to stalk her fans, get to know them via social media, then INVITE THEM TO HER HOUSE TO MEET HER.  Instant fantasy.  You know how I always want to meet them.  Hopefully the tone of this blog, and any criticisms of Taylor’s work doesn’t preclude me from that.  I thought about erasing any trace of negativity just in case.  But the integrity of the blog comes first.  Any my authenticity is always primary.  Over time, feelings can evolve, as Taylor herself knows all about.  Those were my opinions with information I had at the time, so they stay.

What I’ve learned since I wrote (especially my Reputation review) then is that the album is OK as a stand-alone.  But what really expands the experience and gives it depth are the background stories, music videos, and especially the Easter eggs.  Which is why Reputation got kind of a mediocre review from me at first (which has changed with my Kaylor knowledge) and is waaaay better now.  That’s why the Kaylor truth is so important for Taylor Swift to share, and also why it’s important for me not to go erase the past.  That’s me and my story, and just like Taylor’s works, plays a part in future works.

So that’s what is happening with Me! (see what I did there>) and why I have been inspired to write (more, still not enough-time gets away) again.  And to especially make some songs.