Tag Archives: songs

This Time Tomorrow [Brandi Carlile In These Silent Days]

20 Jan

The third track is This Time Tomorrow.

This song compares well with a few other songs in Brandi Carlile’s catalogue [see my post about these songs, Travelin’ Man: https://kit10phish.wordpress.com/wp-admin/post.php?post=11954&action=edit%5D. It’s a song from the perspective of a person that travels a lot, and is very busy. But in all of those songs, the narrator says their heart is always with the other person. And that narrator looks forward to physically being with their lover again. But this iteration is more downtrodden and hopeless, with lyrics like:

begins to grow faded/hard to see the ground on which you stand/feel like a stranger/carve a faith/broken spirit /hope that you hold tightly to has all but vanished/no words of comfort/lost and without love/fight to kill that deafening sound/holy dreams of yesterday aren’t gone/haunt us like the ghosts of Babylon

The light has gone out of the partner’s eyes. Not only can this partner not be counted on anymore to ground our troubled narrator, the main character is indicating that the other person is so unstable, the ground cannot even be seen. The lover isn’t grounded at all anymore.

Thus, instead of feeling comfort when physically home with the partner, the narrator feels lost, like a stranger. There is no familiarity anymore. Carving a faith is laborious and doesn’t come easily. Spirits were once hopeful, but now the partner left home is broken. The narrator holds their lover tightly, though every positive emotion has already vanished. Instead of coming home to comfort and love, the narrator only finds a stranger they have lost track of, and who gives them silence.

Through all theses signs of being over, the narrator insists their previous dreams (hopes) haven’t disappeared. Haunt us like ghosts of Babylon is saying their tangible love, which had the couple feeling so hopeful despite constant distance (and a damaged traveler) haunts them now. The love and hope and support are only ghosts of Babylon. Babylon was the club in Queer as Folk. Queers like to use it because it’s this supposed wonder of the world. It’s supposed to be a comforting, accepting place of beauty. But it might not have even existed. It’s a good stand-in for something hidden, ephemeral, or elusive. Which also describes these past positive feelings in this relationship.

You and Me on the Rock [Brandi Carlile In These Silent Days]

19 Jan

The second song on the album is, You and Me on the Rock. I think it’s a double meaning: Physically living on a rock, like rocky land, or a cliff, or some island? And also a relationship on the rock(s).

The first verse beautifully describes ice fishing in vivid detail. The point is transient shelters are built on an unstable, impermanent surface, fun is had during the season, then everything is cleaned up so you can’t tell anything was ever there. The song is also describing a relationship built on a slippery foundation, where both people knew it couldn’t last forever, but they had fun anyway. And now fishing season is over, so to speak.

The chorus is very co-dependent with the main character saying she can’t even stand to be apart from her lover while one is in the garden and the other is on a walk. The narrator says she doesn’t need their (our/the audience/fans) money, just her relationship/marriage.

The 2nd verse explains that the narrator didn’t build a strong, airplane out of her life, so to speak. She says it was paper (vs strong metal) and crooked (so it’s not a sound vessel to start with). Because of this faulty construction of both plane and person, ending up in the water has always been a consequence close at hand.

The narrator tells the other person (and us) that nobody cared about them in the way this wife(?) does. Nobody was asking why’s she so thin (unhealthy, not getting nourishment) and why’s she drinking again (ending up addicted or ‘in the water’). The narrator was close to crashing into the water when this other person caught her and saved her from that terrible fate (sloppiness? alcoholism?).

The bridge[is that what it’s called?] uses a tsunami as a metaphor for their relationship problems. It’s a big wave, but the couple can make it through. They will avoid the water together.

In the bigger picture of the album theme, the 1st song made clear there were relationship problems (caused by the narrator?) but this problematic main person doesn’t want to give up, and thinks things can get sorted out. In this 2nd song, the narrator acknowledges they are a bit faulty as a person, but that’s why they need their lover (as Taylor would say). And together crises can be averted.

Brandi Carlile: Right on Time

17 Jan

First of all, I don’t understand Brandi’s new look.

It’s like David Bowe & wild-days Elton John mashed up. I get that those were her heroes/idols, but the look is definitely a “show look” not street wear. So I figured it must be like an era (al la Taylor Swift) and probably fit the theme of the new album. But it was confusing that the twins didn’t change their look at all. They looked the same as they ever did. But I waited for the album, hoping it would fall into place once I heard it.

Nope.

I don’t know what’s happening. The album is not a funsy-disco, or campy gay theme, nor is it thematic like outer space, or anything that warrants a costumy look. So I chalk it up to midlife crises. And the album might support that view…

It opens with Right On Time– With the words, “It’s not too late” this song sets the album’s tone. The piano-driven, lyrically-centered tune reminds me of “That Wasn’t Me.” That latter song was the single off of Bear Creek which is apt, because I think that album was the beginning of the story arc discussed in this current album. I feel like Bear Creek was all excitement and hope for what was to come, all getting together and family-building. While In These Silent Days is the impending ending/inevitable divorce, maybe staying together unhappily in co-dependence

There are nice bits of electric guitar w/the piano, to show both regret and a bit of edginess. And oh, the singing! Brandi’s voice shines through this song, as well as every song on the entire album. She is always a stunner on vocals, but in each track she makes sure to showcase it, not in just one or two outstanding singles. In this album-opener, Brandi hits that high note. Twice. Then it’s an even higher note!

Brandi/the narrator of the song acknowledges bad behavior, which does warrant anger/hurt in the other person, but makes clear it’s not too late, and she(?) wants to try again. So this album starts at big relationship problems, and indicates things are about to fall apart. But the main character is grasping tightly, not wanting to give up and let go.

Re-rank Evermore

15 Jan

Last time I ranked the album, it had only been out a short time. The songs are mostly lyrically-based so it takes longer to appreciate them. I decided to rank them again now that I’ve listened a lot more.

Willow- Gr-G (it’s very catchy, but way too much “…man” repeats)

Champagne Problems- Gr (lyrically dense)

Gold Rush- A-Gr (Track 3?! Very visual of a song)

Tis the Damn Season- G-N

Tolerate It- A (Captures that gay feeling accurately)

No Body No Crime- A-Gr (What a fun song)

Happiness- G

Dorthea- G-N

Coney Island- G-S (Lots of repetition, and I think his singing is bad)

Ivy- A-Gr (super-gay!)

Cowboy Like Me-A

Long Story Short- A (Catchy AF)

Margorie- A (So sentimental for me)

Closure- A

Evermore- G (Too depressing)

Right Where You Left Me- N

It’s Time to Go- G-N

(A)wesome 5; A-Gr cusp 4.5; (Gr)eat 4; Gr-G cusp 3.5; (G)ood 3; Good-Neutral cusp 1; (N)eutral -1; Good to Skip cusp -1.5; (Meh) -3; (S)kip -6

5 A25; 2 A-Gr9; 1 GR4; 1 Gr-G3.5; 2 G6; 3 G-N3; 1 N-1; 1 G-S-1.5; 0M; 0S

48

2021 Album Ranking [bottom of the barrel]

20 Dec

Gone are the days when artists can hide meh-bad songs in an album and still sell based on 1-2 singles (thank goodness).  As such, I penalized the less than good songs more than I scored the awesomes high.  Streaming is harsh.  Here’s the scale I used for this entire list:

  • awesome 5
  • A-Gr cusp 4.5
  • Great 4
  • Gr-G cusp 3.5
  • Good 3
  • G-N cusp 1
  • Neutral -1
  • N-M cusp -2
  • Meh -3
  • M-S cusp -4.5
  • Skip -6

Another aside-I try only to rank songs released on the calendar year.  Sometimes I’m unaware a ‘live’ song isn’t new, or I judge a remix or something.  This year I must say there were a LOT of cheatee, not actually new, music put out in 2021:

Madonna-True Blue (35th Anniversary Edition); Green Day- Insomniac (25th Anniversary Deluxe Edition); Avril Lavigne- Bite Me single; Metallica single; Sam Smith-Love Goes (live) & soundtrack produced by him?  Rufus Wainwright-live; Jason Isbell- live; Sarah Bareilles-live; The Black Keys- remastered, live; Pink-remixes; Blondie-Spanish; Kelly Clarkson-Christmas

You see there were a lot of people putting something out, so the Wiki 2021 Albums list looked overwhelming, but a lot of artists were tricky.  They got their name out, but didn’t put in a lot of work *side-eye* Seems to me like everyone had a lot of time to think and write and get something together during the 2020 Covid-pause.

There’s my parameters.  Let’s commence the count-from bottom of my reviewed to the best of the best 2021!

Vampire Weekend– S (too experimental & discordant)

tot = nope

I abandoned this one, because I just couldn’t.  You’ll see a theme this year-not everything is made for me, not everything is appreciated by me.  It’s fine.  This is one of those.

John Mayer-Sob Rock

I was torn about even reviewing this album.  John Mayer has been a long time staple of mine, but new information has come to light (Jessica Simpson) and I feel like it isn’t all that ethical to support him.  But I thought I’d at least give it a chance.  Well, I shouldn’t have.  It’s nothing special.  Nothing much was going on in the songs.  Boring.  And by the time I got to the baby-talking track (cringe!) I was over it.  There are just too many albums this year to fuss about with a meh one.  So I aborted mission halfway through.

tot = NOPE

Last Train Home M

Shouldn’t Matter but It Does G

New Light M

Why You No Love Me S (baby talk)

Wild Blue M

Shot in the Dark; I Guess I Just Feel Like; Til the Right One Comes; Carry Me Away; All I Want is to be With You

Those were the only two albums that I could not make myself finish.  The next ones scored in the negatives.  That just means they either had tracks to skip, mehs, or not enough songs that moved me.

Neil Young Crazy Horse-Way Down the Rust Bucket-Live

I really couldn’t get past the awful singing.  IDK why listeners are very hard on women who don’t/can’t/lose their singing, but it seems like it’s tolerated if men do it *cough patriarchy/misogyny*

awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6

0awesome; 2Great8; 5Good15; 3Neutral-3; 5Meh-15; 2Skip-24 = tot-20

Country Home- S (pretty bad singing)
Surfer Joe and Moe the Sleeze- S (bad)
Love to Burn- N
Days that Used to be- G
Bite the Bullet- M
Cinnamon Girl- M
Farmer John- M
Over and Over- G
Danger Bird- N (terrible singing knocks the score down)
Don’t Cry No Tears- G
Sedan Delivery- G
Roll Another Number (for the Road)- M (bad singing)
Fuckin’ Up- M
T-Bone- S (About 5 words in the song)
Homegrown- N (good harmonies)
Mansion on the Hill- S (bad)
Like a Hurricane- Gr (probably best on album)
Love and Only Love- Gr
Cortez the Killer- G

David Gray-Skellig

awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6

0awesome; 3Good9; 1G-N cusp1; 2Neutral-2; 6Meh-18; 1M-S cusp-4.5; 0Skip =tot-14.5

Skellig- M
Dun Loaghaire- G
Accumulates- G
Heart and Soul- N-G cusp
Laughing Gas- N
No False Gods- M-S cusp
Deep Water Swim- G
Spiral Arms- M (repetitive)
The White Owl- M
Dares My Heart be Free- N
House with No Walls-M
Can’t Hurt More Than This- M
All That We Asked for- M

Doja Cat- Planet Her:
Now, I know.  This is the album that is getting the most hype this year.  I only listened to it for that reason.  And last year I listened to Dua Lipa for the same reason, and really liked it.  The magic didn’t happen this year.  I like the title of this album, and that’s about it for me.  And that’s OK.  Not every album is made for me, nor enjoyed by me.  I wasn’t feelin’ this one.  I might be the only one on the planet.
awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; G-M cusp 0; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6
A; 1Gr4; 2Gr-G7; 2G3; 1G-N1; 1G-M0; 3N-3; 7M-21; S = tot -9
Woman- G (Repetitive.)
Naked- N
Payday- Gr-G (Good ambient sounds, but Minnie Mouse singing.)
Get Into It (Yuh)-  Gr-G (Baby-voice is ehhhh, but rap is good and fast.)
Need to Know- Gr (Catchy and I like the repeated words)
I Don’t Do Drugs- N (Xylophone is interesting and different, but the rest of the song is kinda boring.)
Love to Dream- M
You Right- N
been Like This- N-M (Somewhat high note is good, but the song is just boring.)
Options-Gr (Moag!)
Ain’t Shit- M (The only thing I liked was the counting.)
Imagine- M
Alone- M
Kiss Me More- G-M (Disco sound)
You Right (Extended)- G (The duet is probably the best on the album.  I also liked the breathes/breathing sounds.)
Up and Down- G-N
Tonight – M
Ride- M
Why Why- M

Kaleo

I wanted to love this one like I loved their last album.  But it really fell off in the second half.  It probably would have ranked higher if the latter half was edited out completely.

awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6

0awesome; 0Great; 2Good6; 2N-G cusp2; 2Neutral-2; 1M-N cusp-2; 4Meh-12; 0Skip = tot-8

Brother Run Fast G

Break My Baby N-G

Alter Ego G

Free the Slave N-G

Skinny N

Hey Gringo M-N

My Fair Lady M

I Want More M

Backbone N

I Walk on Water M

Into My Mother’s Arms M

Aly & AJ:  a touch of the beat…[title is long and annoying, I’m not writing all of it]

awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6

0A; 0Gr; 2Gr-G7; 0G; 3G-N3; 2N-2; 3M-9; 1S-6 = tot-7

Pretty Places M

Lost Cause G-Gr (I love a bitter song)

Break Yourself S (I died of boredom)

Slow Dancing M

Paradise N

Symptom of Your Touch Lucky to Get Him G-N

Listen!!! N-G (the brr brr noise saves it.  and nice piano)

Don’t Need Nothing N-G (finally, a beat!  is this what the album is missing?)

Stomach N

Personal Cathedrals Gr-G (a better singing style, more lyrically intricate)

Hold Out M

Billie Eilish- Happier Than Ever:
I almost aborted listening, because the entire first half of this long album was pretty ‘background music’ (boring).  But it bothers me to not finish things so I pressed on a little more, and I’m kinda glad I did, bc it did get better.  Track order is a major problem here!  Mix it up or cut the front half.
awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; G-N cusp 1; Gr-S cusp -1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6
0A; 1A-Gr4.5; 1Gr4; 4G12; 2G-N2; 2N-2; 6M-18; 1S-6 = tot -3.5
Getting Older-M
I Didn’t Change My Number- G
Billie Bossa Nova- N
my future- M
Oxytocin- G-N (Good base and moag)
Goldwing- G
Lost Cause- M
Hailey’s Comet- N-G (Sounds a lot like 1930s type of singing/crooning.  This goes on for too short of a time.  There’s a pause and then it seems to be a whole different song?  Then, that’s too short as well.)
Not My Responsibility- S (Need to sing)
Overheated M
Everybody Dies- M (I can hear her breathes a lot, and it doesn’t sound good. Big yawn.)
Your power- G
NDA- Gr-A.  (catchy . Same tune as  her 1st album. Good moàg)
Therefore I Am- N
Happier Than Ever- Gr
Male fantasy- G
M (Glitch is always welcome.  Has rap :-/  .)

Shovels & Rope- Busted Jukebox Volume 3

Soooo?  Is this supposed to be a kid’s album? Title it better, because I needed to listen with that expectation in mind.

awesome 5; A-Gr cusp 4.5; Great 4; Gr-G cusp 3.5; Good 3; N-G cusp 1; Neutral -1; N-M cusp -2; Meh -3; M-S cusp -4.5; Skip -6

1awesome5; 0Great; 3Good9; 3Neutral-3; 2Meh-6; 1Skip-6 =tot-1

Hush Little Baby- S (WTF is this shit?)
In My Room- G
What a Wonderful World- N (Great song, played too slow. Whistle & talking sucked)
You Are My Sunshine- N
Cry Baby- G
My Little Buckaroo- M
Everybody Hurts- N (Weird choice for a kid’s album, if this is one…)
Mother Earth and Father Time- M
The Ants Go Marching- A (Fucking great syncopation!)
Tomorrow- G

We’ll get into the middle of the pack tomorrow.  And I’ll come back and number these when I finish the last two album-rankings.

Travelin’ Man: A Trilogy of Related Brandi Carlile Songs

2 Nov

The song, “This Time Tomorrow” on the new album, ‘In These Silent Days’ is quiet and a bit inconspicuous. But I noticed a theme running through Brandi’s catalogue: This song compares well with “Closer to You” and also to “Wherever is Your Heart” off Firewatcher’s Daughter. It’s (all 3, really are) a song from the perspective of a person that travels a lot, and is very busy. But in all three songs, the narrator says their heart is always with their love back at home (GF? wife? the subject may change over time). And that narrator looks forward to physically being with their partner again. I’m going to awkwardly refer to whoever the primary perspective in the song as “narrator” because I’m not certain who this story belongs to. All 3 seem to write a lot of the music, and maybe it’s the combined experience of Brandi, Phil, and Tim. I haven’t seen interviews or other info that tells which one might be talking for sure.

Closer to You (the first written of these 3 similar sentiments):

I’m staring out at endless rows of green
There are miles of hay like I have never seen
Just when you think you’ve had enough and
your dreams come true
I just want to be closer to you

My mind wanders through all that I’ve been hiding from
I tried not to let you down
Now I wonder if I’ve been doin’ something wrong
Help me get my feet back on the ground

Tomorrow I’ll be lying under you
With a heart of gold and arms to fall into
I know that there might come a day
where my life is through
But I just want to be closer to you

My mind wanders through all that I’ve been hiding from
I tried not to let you down
Now I wonder if I’ve been doin’ something wrong
Help me get my feet back on the ground

Someday we might learn to tell the truth
We might even find the fountains of our youth
We all needed something real we all need proof
I just want to be closer to you
I only want to be closer to you

The tone of this song is excited, almost wonderous at these novel sights. And when the narrator gets fatigued of all the travel–all their dreams (of adventure? money? fame? musical growth?) come true. They will press on with the travel over the long term. The writer of this song thinks maybe they’re going about the relationship, career, and/or life wrong, The final verse conveys a searching for something higher-and alludes to a spiritual crises. Even so, the narrator has the tangible in their mate. And knows their loved one will be there to ground them when they get back home. It is indicated that the narrator KNOWS this person with golden heart will be there. There’s no doubt.



In Wherever is Your Heart, written early on in relationships, it’s decidedly upbeat and hopeful:

I think it’s time we found a way back home
You lose so many things you love as you grow
I missed the days when I was just a kid
My fear became my shadow, I swear it did

Wherever is your heart I call home
Wherever is your heart I call home
Though your feet may take you far from me, I know
Wherever is your heart I call home

You made me feel like I was always falling
Always falling down without a place to land
Somewhere in the distance I heard you calling
Oh it hurts so bad to let go of your hand

Wherever is your heart I call home
Wherever is your heart I call home
Though your feet may take you far from me, I know
Wherever is your heart I call home

Even when you’re high, you can get low
Even with your friends you love, you’re still alone
We always find the darkest place to go
God forgive our minds, we were born to roam

Wherever is your heart I call home
Wherever is your heart I call home
Though your feet may take you far from me, I know
Wherever is your heart I call home

Oh God forgive my mind, oh God forgive my mind
When I come home, when I come home
Oh God forgive my mind
There’s a road that’s long and winding, it hollers home
I’m calling home

Oh God forgive my mind, oh God forgive my mind
When I come home, when I come home
Oh God forgive my mind, oh God forgive my mind
When I come home, when I come home

Wherever is your heart I call home
Wherever is your heart I call home
Though your feet may take you far from me, I know
Wherever is your heart I call home

Wherever is your heart I call home
Wherever is your heart I call home
Though your feet may take you far from me, I know
Wherever is your heart I call home



Or, might I say, the song of the song is upbeat and gives an optimistic vibe, and the chorus is true to that sentiment. This 2nd song says no matter how far apart geographically the two partners are, they both take solace in the fact that their hearts are together. They don’t need to be physically together to feel and know the love they share. BUT the verses betray a darkness in the narrator. They lost things/people as they aged, and reminisce about a simpler time of when they were a child. Now, they feel fear nearly always. The falling verse that’s next directly ties back to the plane metaphor in “You and Me on the Rock” and tells of that broken foundation that comprises this person. The narrator tells that even with this beautiful sentiment of loving and spiritually being with your lover, even when separate, their mind still fights. The mind is still lonesome amongst friends, sad during happy times, aberrant from the happy chorus.

Which brings us back to this current song, You and Me on the Rock:

When the fire inside that burns
So bright begins to grow faded
It can be hard to see the ground on which you stand
Though you may not be afraid of walkin’ in the darkness
You will feel like a stranger in this land

You can try to carve a faith out of your own
But a broken spirit may dry out the bone
And the edges of the night may cause you sorrow
You know I may not be around this time tomorrow
But I’ll always be with you
Yeah, I’ll always be with you

When the hope that you hold tightly to has all but vanished
And there are no words of comfort to be found
You will know what it means to be lost and without love
May you fight to kill that deafening sound

But our holy dreams of yesterday aren’t gone
They still haunt us like the ghosts of Babylon
And the breakin’ of the day might bring you sorrow
You know I may not be around this time tomorrow
But I’ll always be with you
I’ll always be with you

Ooh
Ooh
Ooh

repeats

Now the person at home doesn’t have a golden heart, but that bright fire faded. They can’t even find the ground, and aren’t the stable force they were in “Closer to You” anymore. Instead of coming home to comfort, the narrator feels like a stranger. Carving faith is more laborious than how easily it came in the first 2 songs… What is the exact same in all the songs, is the narrator will always be with this other person in spirit when they travel, just as before. The next verse gets at the heart of this entire album again. The lyrics reiterate that love has all but vanished, yet the narrator grasps tightly to whatever is left of it. The person left at home, no longer has words of comfort as mentioned in the prior songs, which makes the narrator feel even more lost than they already felt.

I like the new album, but it’s a bleak story. And this trilogy of songs shows the trajectory of a traveling person with a broken foundation who found, and then lost, love and now lives in a codependent state. ‘In These Silent Days’ tells the same story of the catalogue, just in a more condensed form.

PS- I think I’m going to do a few of these similar song postings, as I heard a lot of pairs and triplet songs while going through the album.

Dave Matthews Band Studio (Only!) Songs Ranked

3 May

Here is another ranking list.  You can check out my methodology here (I’ve done them all the same way):

https://kit10phish.wordpress.com/wp-admin/post.php?post=11721&action=final

I want to really emphasize that I judged the list purely on the merits of the studio version, to the exclusion of any live version, or knowledge of the live version.  They are ranked as if these versions are the only ones that exist–because I KNOW the live versions are so much better/more exciting/longer jams/medleys/etc!  But it would take a lifetime to listen to every version of every live.  So the album songs are ranked as-is.

Also, I’m trying something new with the formatting.  I took each post it and posted them as they were written, which is best song in that particular category to worst song in that group.  And like Memento, I did the big reveal by putting the post it categories worst to best.  Got it?  Groups are worst at the top of this post to best at the bottom.  But within each category/group the songs are listed best to worst.

So here we go:

SKIPs  (best to worst)
Let You Down (C) =M
Christmas Song (RTT)=M
Say Goodbye (C) =S
That Girl is You (CT) =S (terrible singing)
Dreaming Tree (BtCS) =S (long & boring)
Cry Freedom (C) =S
Captain (BS) =S
Pay for What You Get (UtTaD) =S
#34 (UtTaD) =S
Pantala Naga Pampa (BtCS) =S
Grux (BW) = S (very short)
#35 (BW) =S

MEH (Best to worst)
Dreams of Our Fathers (E) =M
Lying in the Hands of God-live (BW) =M
When I’m Weary (CT) =M
Out of My Hands (SU) =M
Busted Stuff (BS) =M
Belly Full (AftW) =M (short)

Kit Kat Jam (BS) =M
Dreamgirl (SU) =M
The Song that Jane Likes (RTT) =M
The Song that Jane Likes-acoustic (UtTaD) =M
Pay for What You Get (RTT)=N
Baby Blue (BW) =M

OK/NEUTRAL 3rd group (best to worst)
Here On Out (CT) =N
Virginia in the Rain (CT) =N
Sleep to Dream Her (E) =N
American Baby (SU) =N
Lover Lay Down (UtTaD) =N
Black and Blue Bird (CT) =G
Old Dirt Hill (Bring that Beat Back) (SU) =N
I’ll Back You Up (RTT)=N
bkdbdkd (CT) =N
Stay (Wasting Time) (BtCS) = N (Lovely Ladies turned me off the band)

OK/NEUTRAL 2nd/middle grouping (best to worst)
Idea of You (CT) =N
Come On Come On (CT) =N
Lying in the Hands of God (BW) =N
Granny (UtTaD) =N
Proudest Monkey (C) =N
Beach Ball-Live (BW) =N
Stolen Away on 55th & 3rd (SU) =N
Steady as We Go (SU) =N
Fool to Think (E) =N
What You Are (E) =N

OK/NEUTRAL 1st/top of list (best to worst)
Mercy-Live (AftW) =N
Samurai Cop (Oh Joy Begin) (CT) =N
The Riff AftW) =N
One Sweet World (RTT) =N
Smooth Rider (SU) =N
Dancing Nancies-acoustic (UtTaD) =N
Seek Up (RTT)=N
Gaucho (AftW) =N (awesome, but hate the kids singing)
Minarets (RTT)=N
So Right (E) =N
Sweet-live (AftW) =Gr
If I Had It All (E) =N

low good (2nd half of good list, best to worst)
Typical Situation (RTT)=G
Mercy (AftW) =Gr
You Might Die Trying (SU) =Gr
Everybody Wake Up (SU) =G
Raven (BS) =G
Satellite (RTT) =G
Snow Outside (AftW) =Gr
Where Are You Going (BS) =G
The Space Between (E) =G
Typical Situtation (UtTaD) =G
Digging a Ditch (BS) =G
Pig (BtCS) =G
Stand Up (For It) (SU) =G
Dive In (BW) =G
#41 (C) =G
You Never Know (BS) =G

Med Good (middle list of the goods, best to worst)
Drunken Soldier (AftW) =G
Satellite (UtTaD) =G
If Only (AftW) =G
Sweet (AftW) =A
The Best of What’s Around (UtTaD) =G
Grey Street (BS) =G
Broken Things (AftW) =G
Spoon (BtCS) =Gr (bango!)
Angel (E) =G
Again and Again (CT) =Gr
Can’t Stop (CT) =G

High Good (top of Good list, best to worst)
Ants Marching (RTT) =G
Time Bomb (BW) =Gr (singing passionately!)
Squirm (BW) =G
Funny the Way It Is (BW) =G
Grace is Gone (BS) =G
So Much to Say (C) =Gr
Shake Me Like a Monkey (BW) = G
Drive in Drive Out (C) =Gr
When the World Ends (E) =Gr
Shake Me Like a Monkey-live (BW) =Gr
Gaucho-Live (AftW) =G (the baseline!)
She (CT) =G (sounds like Lifehouse)
Rhyme & Reason (UtTaD) =G
Halloween (BtCS) =G (I’m too concerned about wrecked voice to enjoy this song)
Rooftop (AftW) =G
Belly Belly Nice (AftW) =G
Everyday (E) =Gr

Lower Awesome (bottom of Awesome list, best to worst)
Don’t Drink the Water (BtCS) =A
Too Much (C) =A (funky guitar, fast guitar, overindugence)
Time Bomb-Live (BW) =A (guitar solo! Passionate singing!)
Lie in Our Graves (C) =A (violin-centric)
Louisana Bayou (SU) =A
Jimi Thing (UtTaD) =A
You and Me-live (BW) =A
Hunger for the Great Light (SU) =A
I Did It (E) =A
Hello Again (SU) =A
Bartender (BS) =A
The Last Stop (BtCS) =A
What Would You Say (UtTaD) =A (Blues Traveler!)
Come Tomorrow (CT) =A (Brandi)
Recently (RTT) (interlude) =A (good hoe-down)
Mother Father (E) =A (guitar!)
Tripping Billies (RTT) =A
Spaceman (BW) =A
Seven (BW) =A
Crash into Me (C) =A
Do You Remember (CT) =A

Top AWESOME (these are the best of the STUDIO songs, best to worst)
Two Step (C) =A
Ants Marching (UtTaD) =A
The Stone (BtCS) =A (Epic!)
Crush (BtCS) =A (this is my all-time favorite, but the live versions, not this studio one)
Alligator Pie-Live (BW) =A
Alligator Pie (BW) =A
Warehouse (UtTaD) =A
Big Eyed Fish (BS) =A
Tripping Billies (C) =A
Repunzel (BtCS) =A
Dancing Nancies (UtTaD) =A
Why I Am (BW) =A
You and Me (BW) =A

IG Catalogue Ranking-post its (same order, different formatting)

26 Apr

I did this project while working.  As such, I just ranked the songs on that post-it app on my desktop.  So if this is easier for you to read than the bottom to top list of songs–here ya go!

IG Awesomes
1= elite awesome
1a top ever songs
1b = exactly elite
1c = better than your avg awesome
2= solid awesome
2a = top of list
2b = bottom of list
3 = better than good
3a = top of list
3b = bottom of list

IG AWESOME-ELITE 1
1A top of the top (final)
Closer to Fine (1200): C, L, N, S(!), U (pennywhistle?) = 1a (b/c you can hear how important/popular this song is w/the crowd = pure joy & a lesbian initiation)
Don’t Think Twice, It’s Alright (SDtBD): C, L, N (harmonies), S, U (Brandi!) = 1a (this song makes me super-enthuastic!)
Watershed (NIS): C, L, N, S(!) = 1a
Go (LwUoCSO): C, I, L, N, P = 1A (Amy belts it out!)
The Rise of the Black Messiah (OLD): C, I, L, N, P, U (strong & haunting) =1a
Galileo (RoP): C, L, P, S = 1a (same with this old friend-felt guilt out-ranking it)
Fill It Up Again (AtWLI); C, L, N, S = 1a
Kid Fears (ST): C, L, N, S, U (feat Michael Stipe) =1a
Closer to Fine (ST); C, L, N, S = 1a (I felt like I was somehow betraying these staple-favorites ranking any song higher)
Pushing the Needle Too Far (NIS): C, L, P, S = 1a
Prince of Darkness (ST): C, L, N, P, S =1a
Second Time Around (SDtBD): C, I, L, P, S, U (live = more emotional) 1A
Become You (BY): C, I, L, P, S = 1a
Compromise (LwUoCSO): C, I, N = 1a

AWESOME-ELITE
1B (exactly elite)
top exactly elite = i (final)
Galileo (1200): C, L, P, S = 1bi
Kid Fears (SDtBD): C, L, S, U (feat Shreena Mead sounds good) = 1bi
Moment of Forgiveness (SDtBD): C, L, N, S = 1bi
Yield (BY): C, I, L, N, S = 1bi
Hammer and a Nail (NIS): C, L, N, P, S! = 1bi
Chickenman (1200): C, I, L, N, P, U (harmonica= 1bi (best version?
Become You (SDtBD); C, L, P, S, U (accordian?) = 1bi
Yoke (BQS): C, I, L, P, S = 1bi
Moment of Forgiveness (BY): C, L, N, S =1bi
World Falls (1200-live): C, L, N, S = 1bi
Happy in the Sorrow Key (OLD): C, I, L, N = 2Bii (ENDING!)
Happy Joyous Hanukkah (HHD): C, I (BASS!), L, P, U (mandolin?) = 1Bi
Devotion (SDtBD): C, L, N = 1bi
I Feel the Christmas Spirit (HHD): C, I, L, N, U (blue grass) = 1bii

AWESOME-ELITE
1B (exactly elite)
bottom exactly elite = ii (final)
Tangled Up In Blue (1200); C, I, L, N, P = 1bii (Emily sings her ASS off!)
Pushing the Needle Too Far (1200): C, L, P, S = 1bii
Second Time Around (PatBB): C, I, L, P, S, U (harmonica?) = 1Bii
Go (CoNS): C, I, L, N, P, U (talking about activism in background, chanting) = 1Bii
World Falls (LwUoCSO): C, I, L, N!, P = 1bii (sounds just different enough; the singing!)
Land of Cannan (ST): C, I, L, S = 1bii
Least Complicated (1200): C, L, N, P, S = 1bii
Deconstruction (BY): C, L!, N, S! = 1bii
Bury My Heart at Wounded Knee (1200-live @ atwood): C, L, N, P, U (feat artists, drumming) = 1bii
Money Made You Mean (DOD-live): C, I (banjo-wow!), L, P = 1bii (don’t like plosives)
Cold Beer & Remote Control (SDtBD): C, L, N, P = 1
Love of Our Lives (PatBB): C, L, N, S = 1bii
Joking (1200): C, I, (bass @ end) L, N, P, S, U (false ending) = 1bii
Fugitive (LwUoCSO): C, I, N = 1bii

AWESOME-ELITE
1C (better than your avg awesome) (final)
Hope Alone (BY): C, L, N, S =1c
Last Tears (DOD: C, L, N, S = 1c
Philosophy of Loss (CoNS): C, I, L, P, S = 1c
Heartache for Everyone (AtWLI): C, I, L, S = 1c
Shame On You (SotS): C, L, N, P, S, U (road block trippin’ break-down) = 1c1
Scooter Boys (SotS): C, I (jengling) L, P, U (wail) = 1c
Shit Kickin (LL): C, I, L, P, U (choral backing) = 1c
Go (SDtBD): C, I, L, N, P = 1C
Howl at the Moon (LL): C, I, L, N, U (tribal) = 1c
Get Out the Map (SDtBD): C, L, N, P = 1c
Salty South (SDoBD): C, I, S = 1c
Rock and Roll Heaven’s Gate (SDtBD): C, L, N, P =1C
Land of Cannan (SF): C, L, N, S, U (harmonica) = 1c
Make It Easier (SF): C, I, L, N, P = 1c
The Wonder Song (HHD): C, L, N, U (country) = 1C
Second Time Around (PatBB-acoustic): C, L, P 1C
Shame On You (SDtBD): C, I, P, U (cajin instrument) =1c2 (different tempo from orig bothers me)
Money Made You Mean (DOD): C, I, L, P = 1c

see other post it for lower awesome groups

between awesome and good
final
1,2,3 (NIS): C, N, S = 2a
Blood & Fire (ST): C, L, N, P, S = a1i
Bury My Heart at Wounded Knee (1200): C, I, L, P = 2a (a cause near to my heart)
Chickenman (LwUoCSO): C, I!, L, N!, P = 2a
Tether (SDtBD): C, I, L, P = a1i (Amy belts. it. out!)
Sugar Tongue (LwtUoCSO): C, I, L, P = a1i
Yoke (LwtUoCSO); C, I, L, N, P = a1i (wow-low register!)

final
You and Me of the 10,000 Wars (NIS): C, L, P, S = a1i
Hand Me Downs (NIS): C, I, L, S = 2b
Driver Education (PatBB): C, L, S = 2a
Cold Beer & Remote Control (CoNS): C, L, P, S! = 2a
Joking (RoP): C, L, P, S, U (false ending) = 2a
Collecting You (BY): C, L, N, S! = a1i
Philosophy of Loss (CoNS): C, L, P, S = a1
Fugative (SDtBD): C, L, N, Pa= 1i

final
Heartache for Everyone (SDtBD): C, L = 2b
It’s Alright (SotS): C, L, P, S = 2b
Get Out the Map (SotS): C, L, N, P, U (banjo?) = 2b
Kid Fears (LwtUoCSO): C, I, L, N = a1i (crowd singing)
Midnight Train to Georgia (1200): C, L, N, P = a1i (Emily really sings!)
Sugar Tongue (SDtBD); C, N = 2a
O Holy Night (HHD): C, I, N, S = a1i (high difficulty notes)
Our Deliverance (BY); C, L, N, P, S = a1i
Rock and Roll Heaven’s Gate (DOD): C, L, N, P = a1i
Fill It Up Again (SDtBD); C, L, S = 2a ( a bit different from my fave version, audience sings)
Faye Tucker (CoNS): C, L, N, P, U (laugh, chanting) = 2b
Center Stage (ST): I, L, N, P = a1i (ending)

final
All the Way(DOD): C, L, S! = 2a (strong vocab, meaningful to me)
I’ll Change (PatBB): C, L, S = 2b
Believe in Love (SDtBD): C, I, L, N = a1i
Burn All the Letters (SotS): C, I, L, N, P, U (powwow chant) = a1i
Land of Cannan-radio single (ST): C, I, L, N, P, S = a1i
Love’s Recovery (ST): C, L, N, S = (don’t like Emily’s deep singing) = 3

final
Dairy Queen (AtWLI): C, I, S! = 2b
Olympia Inn (OLD): C, P = 2B
Learned It On Me (OLD): C, L, N (harmonies) = 2b (yes! a burn-song)
Favorite Flavor (LL): C, L = 3
Little Perennials (DOD): C, L = 1C
Love of Our Lives (LwtUoCSO): C, I!, L, N = a1i
This Train Revised (1200-live): C, I, N = 2b

final
Touch Me Fall (SO): I (really rocks at end) = 2b
I Don’t Wanna Know (1200); C, I, L, N = a1i (more lively version, “I don’t care either!”)
I Believe in Love (DOD): C, L!, S = 2b
I Don’t Wanna Know (SF): C, I, N, U (harmonica?) = 2b
Run (DOD): C = 2b

final
Chickenman (RoP): C, L, P, U (harmonica?) = 2b
Last Tears-acoustic (DOD): C, L, N, S = a1i
Least Complicated (SO): C, L, N, P, S = 2a
Beauty Queen Sister (BQS): C, I, L, P = a1i

ig good
a= almost awesome
b= exactly good
c= almost OK
1 = top of catagory
2 = bottom of catagory
i = top of almost awesome
ii = bottom of almost awesome

a= almost awesome
1 = top of catagory
see different post it for higher goods group

a= almost awesome
1 = top of catagory
ii = bottom of almost awesome (final)
Closer to Fine (SDtBD): C, I, L, N, P, S = a1ii
World Falls (NIS): C, L, N, P, S = a1ii
Secure Yourself (ST): C, L, N, P, S = a1ii
Faye Tucker (CoNS): C, I, L, N, P = a1ii
Fugative (SO) = C, L, N, P = a1ii
Tried to be True (ST); C, L, S = a1ii
Happy in the Sorrow Key (LwtUoCSO): C, I, L, N, P = A1ii
Cut it OUt (SotS): C, I, L, P = a1ii
You’ve Got to Show (BY): C, L, S = a1ii
Three County Highway-live (DOD): C, L, N, P = a1ii
Damo (LwtUoCSO): C, I, L, N, P = a1ii
Lay My Head Down (DOD); C, L, N, P = a1ii
Airplane (RoP): C, L, N = a1ii
Little Perennials-live (DOD): C, I, N = a1ii
Angels We Have Heard On High (HHD): C, N, S = a1ii

a= almost awesome
2 = bottom of catagory
i = top of almost awesome (final)
Welcome Me (NIS): C, I, L, P, S = a2i
Galileo (LwtUoCSO): C, I, L, N, P = AIi (good, but I like original better)
Tether (AtWLI): C, I, L, N, P = a2i
Able to Sing (LwtUoCSO): C, I!, L, N = a2i
Sugar Tongue (PatBB): C, L, P, S = a2i
Shed Your Skin (SofS): I, L, N, P, U (native american backing) = a2i
Starkville (BY); C, I, L, S = a2i
Southland in the Springtime (NIS): C, L, S = a2i
Pendulum Swinger (DOD): C, L, N, P = a2i
Gone Again (CoNS): C, I, L, P = a2i
Strange Fire (SF): C, I, L, N = a2i
Three County Highway (SDtBD): C, L, N = a2i
Love of Our Lives-acoustic (PatBB): C, L, N = a2ii (stronger singing)
Making Promises (BQS); C, L = a2i
Watershed (SDtBD): = C, I, L, N, S = a2i (5d, live singing = less)
Damo (BQS): C, I, L, N = a2i

a= almost awesome
2 = bottom of catagory
ii = bottom of almost awesome (final)

They Won’t Have Me (DOD): C, I, L, P = a2ii
Trouble (CoNS): C, I, L, N, P = a2ii
This Train Revised (SO); C, I, L, N, P = a2i
Free in You (AtWLI): C, N = A2i
Leeds (SotS): C, L, P, U (Indian chanting) = a2ii
Let it be Me (RoP): C, N, P = a2ii
Three Hits (RoP): C, I, N, P = A2ii
Romeo and Juliet (RoP); C, L, N, P = a2ii
What Are You Like (PatBB): C = A2ii
Crazy Game (SF): N = a2ii (great harmonies, bluesy)

b= exactly good
1 = top of catagory (final)
Keeper of My Heart (NIS): C, L, P, S = b1
Woodsong (LwtUoCSO): C, I, N = b1
Down by the River (1200): C, I, N = b1
True Romantic (PatBB): C, L, N = b1
Love of Our Lives (SDtBD): C, L, N = b1
Ozilline (SDtBD): I, L, N = b1
Reunion (SO): C, I, L, N = b1
Ozilline (CoNS): C, I, L, U (old lady talking) = b1
Jonas and Ezekiel (RoP): C, I, L, P = b1
Jonas and Ezekiel (1200): C, L, N, P = b1
The Girl w/the Weight of the World in Her Hands (NIS); L, P, S = B1
Run (DOD): C, N = b1
K.C. Girl (LL): C, L, = b1

b= exactly good
2 = middle of catagory (final)
Fleet of Hope-acoustic (PatBB); C, L = b1
What Are You Like-acoustic (PatBB): C = B1
The Wood Song (SDtBD): C, N = b1
Your Holiday Song (HHD); C, I, L, N = b1
Muster (LL): L, P = b1
Elizabeth (OLD): L, N = B1 (DETAILED STORY)
Change My Heart (LL); I, N, P = b1 (kinda weird lyrics)
Mariner Moonlighting (BQS): L = b1

b= exactly good
3 = bottom of catagory (final)
Fly Away (SDtBD): C, L, N = b2
Come a Long Way (LwtUoCSO): C, I, L, N = b2 (Uneven singing; ending!)
I’ll Change-acoustic (PatBB): C, L, S = b2
True Romantic-acoustic (PatBB): C, L, N = b2 (the yearning!)
War Rugs (LwtUoCSO): C, I, L, N, P = b2
Perfect World (AtWLI): C, L, P = b2
Digging for Your Dream (PatBB) = C, L, P = b2
Nashville (RoP): C, L, P = b2
The Wood Song (SO): C, L, N = b2
Ghost of the Gang-acoustic (PatBB): L, P = b2 (substancial story)
Peace Tonight (CoNS): C, L = b2
We are Together (CoNS): C, N = b2
Wild Horses (SDtBD); C, N = b2
Sorrow and Joy (LL); N, P = b2 (WTF is this song about? I like the sentiment of the chorus)
Southern California is Your Girlffriend (OLD): C, L = b2
Dead Man’s Hill (SO): C, L, P = B2
Get Together (SF) = C, L, P = b2 (NICE HARMONY)

c= almost OK
1 = top of catagory (FINAL)
Digging for Your Dream (SDtBD): C, L, P = C1
Salty South-acoustic (PatBB): C, I, L, P = c1
Dirt and Dead Ends (DOD): L, P = C1 (BLEAK)
Spread the Pain Around (OLD): C, I, L = c (CAJUN SOUNDS)
Feel this WAy Again (LL): C, L = c1
Something Real (AtWLI): C, L, N = c1
It Really is (A Wonderful Life) (HHD): C, N = c1
I’ll Be Home for Christmas (HHD): I, N = c1
Come a Long Way (OLD): L = c1
Love Will Come to You (RoP): C, L, N = c1
Walk Away (SF): C, I, N = c1

c= almost OK
2 = bottom of catagory (FINAL)
Love’s Recovery (1200): C, L = c2 (too much brass)
Thin Line (1200): c2
Ghost (RoP); C, I, L, N, P = c2
Country RAdio (LL): L, N, P = c2
Gone (BQS): C, N = c2
Back Together Again (1200): C = c2
Everybody’s Waiting for Someone to Come Home (SF): C, N = c2
Alberta (OLD): C, L = c2

IG OK (A[1,2], B, C)

IG OK
OA
1 (final)
Prince of Darkness (SDtBD): C, N, P, S = OA1
Compromise (CoNS): C, I, L, N, P = OA1
Three Hits-live (RoP): C, I, L, P = OA1
War Rugs (BQS): C, I, L, P = OA1 (instruments!)
What are You Like (SDtBD); C, I, L = OA1 (end!)
Pendulum Swinger-live (DOD): C, L, P = OA1
Virginia Woolf (LwtUoCSO): C, I, L, N = OA1 (some of the singing a bit iffy, instruments good!)
Rise Up (AtWLI): C = OA1
Bitterroot (BY): C =OA1
Three County Highway (DOD): L, S = OA1
Ghost of the Gang (PatBB); C, L, P = OA1
We Get to Feel it All (BQS); C, I, L, N = OA1

IG OK
OA
2 (final)

Fleet of Hope (PatBB): C, L = OA2 (harmonies even stronger than usual)
Driver Education-acoustic (PatBB); C, L, P = OB1
Ghost (LwtUoCSO): I, L, N = OA1
In the Bleak Midwinter (HHD): I, N = OA1 (original; harmonies!)
Don’t Give that Girl a Gun (SotS): C, L, N, P = OA2
Caramia (SotS): C, I, L, N = OA2
She’s Saving Me (BY); L, N, S = OA2
Come On Home (LwtUoCSO): C, I, L, N = OA2
Share the Moon (BQS): C, I, L = OA2 (pretty strings)

IG OK
OB
1 (final)
Sugar Tongue-acoustic (PatBB): C, L = OB1
Crazy Game (SF): C, N = oa2 (kinda bluesy & has flute?)
Sister (CoNS): L = (too quiet) = OB1
Dirt and Dead Ends (PatBB): L, N, P =ob1
Fly Away-acoustic (DOD): L, N =OB1
Virginia Woolf (1200); C, L, N = OB1
Digging for Your Dream-acoustic (PatBB): C, L, P = OB1

IG OK (final)
OB
2
Center Stage-live (ST): C, L, P = OB2 (little off-key)
Come On Home (SDtBD): C, L = ob2
Everything in it’s Own Time (SotS): C, I, L, P = OB2
Ghost-live (1200): L, N = OB2
I’ll Be Home for Christmas (HHD); N, S = OB1
Cordova (SDtBD): C, L = OB2
Fishtails (OLD): L, N, P = OB2
Soon be to Nothing (CoNS); C, L =ob2
Virginia Woolf (RoP): C, L = OB2

IG OK (final)
OC
1
Fly Away (DOD): C, L, N, P = OC1
Power of Two (SO); L = OC1
All That We Let In (AtWLI): C, L = OC1
If I Don’t Leave Here Now (OLD): N = OC1 (more in depth)
Hey Kind Friend (SotS): I, L = OC2
Look Long (LL): C, L, N, P = OB2
Language or the Kiss (1200): L, N = OC1

IG OK (final)
OC
2
Language or the Kiss (SO); L, U (bike bell) = OC2
Love Will Come to You-live (RoP): L = OC2
Mystery (SO): L, N = OC2
Closer to Fine (LwtUoCSO): C, I, L, P = OC2 (Emily sounds out of breath; slow)
Texas was Clean (OLD): L = oc2
Findly, Ohio 1968 (OLD); L, P = OC2 (slow & depressisng)

Entire Indigo Girls Album Catalogue Ranked

25 Apr

I actually started this catalogue-ranking prior to my Taylor Swift ranking. It just took much longer, because the Indigo Girls have an enormous body of work! I started around December off and on, then January-March, all of first quarter. Then, formatted the list for almost a whole month. So I’ll link the methodology I used for Taylor Swift (and every ranking project) here:

As for the categories, enjoy them if that’s your thing, ignore them if it’s not. The list is from my least favorite song to my very favorite song. Oh, and I included most of the legit albums, including lives and repeated songs, except a very redundant live (Retrospective) and a short EP (I think, those are the ones I skipped, I’m too lazy after all this work to Google).

Here’s what the letters stand for:

(C)ATCHY
(I)NSTRUMENTALS-extra
(L)YRICS
(N)OTES-super high or low or complex
(P)OLITICAL MESSAGE
(S)ENTIMENTAL
(U)NIQUE

Without further adieu: Here is the catalogue of my long-term favorite music group–The Indigo Girls!

Skips:

Skip-dislike; skip-boring

Skip:  Last place song:

-Fare Thee Well (SO):

Skip-dislike

-History of Us (ST):  L, N

-Left Me a Fool (SF):  L

Skip

-Sister (CoNS):  C, L

Skip-Boring

-Birthday (BQS):  N

Best skip:

-Feed & Water the Horses (BQS):

Meh:

Last meh:  -Mystery (1200):  L, N

-When We Were Writers (LL):  N

-Andy (CoNS):  L, N

-Power of Two (1200):  L, N

-Power of Two (LwtUoCSO):  I, L, N

-Cedar Tree (RoP):  I, N, U (bag pipe sounding)

-There’s Still My Joy (HHD):  L, N

-Peace Child (HHD):  C, L, N

-John (BQS):  L, N, P

-Mistletoe (HHD):  C, L

-Cordova (AtWLI):  C, L, N, P

-Neuvose Senorita (BY):  L, P

-Mystery (LwtUoCSO): I, N

-Able to Sing (BQS):  C, N

-Dead Man’s Hill (1200):  N, P

-Come On Home (AtWLI):  C, L

Best meh:  -Strange Fire (1200):  C, I, L, P

IG OK = neutral songs

A = top of OK [1 =higher part of OK-A; 2 = lower part of OK-A]

B = exactly OK

C = lower OK [1 = higher part of OK-C; 2 = lower part of OK-C]

IG OK:

OC-3rd rank of the OK group

2-bottom of the OK-C group

Worst OK2:  –Findly, Ohio 1968 (OLD);  L, P = OC2 (slow & depressisng)

-Texas was Clean (OLD):  L = oc2 

-Closer to Fine (LwtUoCSO):  C, I, L, P  = OC2 (Emily sounds out of breath; slow)

-Mystery (SO):  L, N = OC2

-Love Will Come to You-live (RoP):  L = OC2

Best OK2:  -Language or the Kiss (SO);  L, U (bike bell) = OC2

IG OK:

OC-3rd ranked of OK group

1-top of OC group

Worst OK-C-1:  -Language or the Kiss (1200):  L, N = OC1

-Look Long (LL):  C, L, N, P = OB2

-Hey Kind Friend (SotS):  I, L = OC2

-If I Don’t Leave Here Now (OLD):  N = OC1 (more in depth)

-All That We Let In (AtWLI):  C, L = OC1

-Power of Two (SO);  L = OC1

Best OK-C-1:  -Fly Away (DOD):  C, L, N, P = OC1

IG OK 

OB-2nd ranked of OK group

2-bottom of OB group

Last OK-B-2:  -Virginia Woolf (RoP):  C, L = OB2

-Soon be to Nothing (CoNS);  C, L =ob2

-Fishtails (OLD):  L, N, P = OB2

-Cordova (SDtBD):  C, L = OB2

-I’ll Be Home for Christmas (HHD);  N, S = OB1

-Ghost-live (1200):  L, N = OB2

-Everything in it’s Own Time (SotS):  C, I, L, P = OB2

-Come On Home (SDtBD):  C, L = ob2

Best OK-B-2:  -Center Stage-live (ST):  C, L, P = OB2 (little off-key)

IG OK

OB-2nd ranked in OK group

1-top of OK-B group

Last OK-B-1:  -Digging for Your Dream-acoustic (PatBB):  C, L, P = OB1

-Virginia Woolf (1200);  C, L, N = OB1

-Fly Away-acoustic (DOD):  L, N =OB1

-Dirt and Dead Ends (PatBB):  L, N, P =ob1

-Sister (CoNS):  L = (too quiet) = OB1

-Crazy Game (SF):  C, N = oa2 (kinda bluesy & has flute?)

Best OK-B-1:  -Sugar Tongue-acoustic (PatBB):  C, L = OB1

IG OK

OA-top of OK group

2-bottom of OK-A group

Last OK-A-2:  -Share the Moon (BQS):  C, I, L = OA2 (pretty strings)

-Come On Home (LwtUoCSO):  C, I, L, N = OA2

-She’s Saving Me (BY);  L, N, S = OA2

-Caramia (SotS):  C, I, L, N = OA2

-Don’t Give that Girl a Gun (SotS):  C, L, N, P = OA2

-In the Bleak Midwinter (HHD):  I, N = OA1 (original; harmonies!)

-Ghost  (LwtUoCSO): I, L, N = OA1

-Driver Education-acoustic (PatBB);  C, L, P = OB1

Best of OK-A-2:  -Fleet of Hope (PatBB):  C, L = OA2 (harmonies even stronger than usual)

IG OK

OA-best of the OK group

1-top of the OK-A group

Last OK-A-1:  -We Get to Feel it All (BQS);  C, I, L, N = OA1

-Ghost of the Gang (PatBB);  C, L, P = OA1

-Three County Highway (DOD):  L, S = OA1

-Bitterroot (BY): C =OA1

-Rise Up (AtWLI):  C = OA1

-Virginia Woolf (LwtUoCSO):  C, I, L, N = OA1 (some of the singing a bit iffy, instruments good!)

-Pendulum Swinger-live (DOD):  C, L, P = OA1

-What are You Like (SDtBD);  C, I, L = OA1 (end!)

-War Rugs (BQS):  C, I, L, P = OA1 (instruments!)

-Three Hits-live (RoP):  C, I, L, P = OA1

-Compromise (CoNS):  C, I, L, N, P = OA1

Best of OK-A-1:  -Prince of Darkness (SDtBD):  C, N, P, S = OA1

IG Goods:

A = almost awesome, top of good

[1 = higher part of Good-A; 

i = top half Good-A-1; ii = bottom half Good-A-1

2 = lower part of Good-A]

B = exactly Good 

[1 = higher part of Good-B; 2 = middle of Good-B; 3 = lowest part of Good-B]

C = almost OK, lowest good list 

[1 = higher part of Good-C; 2 = lower part of Good-C]

Good- C= almost OK

2 = bottom of category

Last Good-C-2: -Alberta (OLD):  C, L = c2

-Everybody’s Waiting for Someone to Come Home (SF):  C, N = c2

-Back Together Again (1200):  C = c2

-Gone (BQS):  C, N = c2

-Country RAdio (LL): L, N, P = c2

-Ghost (RoP);  C, I, L, N, P = c2

-Thin Line (1200):  c2

Best Good-C-2:  –Love’s Recovery (1200):  C, L = c2 (too much brass)

Good

c= almost OK

1 = top of category 

Good-C-1 bottom song:  -Walk Away (SF):  C, I, N = c1

-Love Will Come to You (RoP):  C, L, N = c1

-Come a Long Way (OLD):  L = c1

-I’ll Be Home for Christmas (HHD):  I, N = c1

-It Really is (A Wonderful Life) (HHD):  C, N = c1

-Something Real (AtWLI):  C, L, N = c1

-Feel this WAy Again (LL):  C, L = c1

-Spread the Pain Around (OLD):  C, I, L = c (CAJUN SOUNDS)

-Dirt and Dead Ends (DOD):  L, P = C1 (BLEAK)

-Salty South-acoustic (PatBB):  C, I, L, P = c1

Best Good-C-1:  -Digging for Your Dream (SDtBD):  C, L, P = C1

Good

b= exactly good

3 = bottom of category 

Last Good-B-3:  -Get Together (SF) = C, L, P = b2 (NICE HARMONY)

-Dead Man’s Hill (SO):  C, L, P = B2

-Southern California is Your Girlfriend (OLD):  C, L = b2

-Sorrow and Joy (LL);  N, P = b2 (WTF is this song about? I like the sentiment of the chorus)

-Wild Horses (SDtBD);  C, N = b2

-We are Together (CoNS):  C, N = b2

-Peace Tonight (CoNS):  C, L = b2

-Ghost of the Gang-acoustic (PatBB):  L, P = b2 (substancial story)

-The Wood Song (SO):  C, L, N = b2

-Nashville (RoP):  C, L, P = b2

-Digging for Your Dream (PatBB) = C, L, P = b2

-Perfect World (AtWLI):  C, L, P = b2

-War Rugs (LwtUoCSO):  C, I, L, N, P = b2

-True Romantic-acoustic (PatBB):  C, L, N = b2 (the yearning!)

-I’ll Change-acoustic (PatBB): C, L, S =  b2

-Come a Long Way (LwtUoCSO):  C, I, L, N = b2 (Uneven singing; ending!)

Best Good-b-3:  -Fly Away (SDtBD):  C, L, N = b2

Good

b= exactly good

2 = middle of category

Last Good-b-2:  -Mariner Moonlighting (BQS):  L = b1

-Change My Heart (LL);  I, N, P = b1 (kinda weird lyrics)

-Elizabeth (OLD):  L, N = B1 (DETAILED STORY)

-Muster (LL):  L, P = b1

-Your Holiday Song (HHD);  C, I, L, N = b1

-The Wood Song (SDtBD):  C, N = b1

-What Are You Like-acoustic (PatBB):  C = B1

Best Good-b-2:  -Fleet of Hope-acoustic (PatBB);  C, L = b1

Good

b= exactly good

1 = top of category 

Bottom Good-b-1: -K.C. Girl (LL):  C, L, = b1

-Run (DOD):  C, N = b1

-The Girl w/the Weight of the World in Her Hands (NIS);  L, P, S = B1

-Jonas and Ezekiel (1200): C, L, N, P = b1

-Jonas and Ezekiel (RoP):  C, I, L, P = b1

-Ozilline (CoNS):  C, I, L, U (old lady talking) = b1

-Reunion (SO):  C, I, L, N = b1

-Ozilline (SDtBD):  I, L, N = b1

-Love of Our Lives (SDtBD):  C, L, N = b1

-True Romantic (PatBB):  C, L, N = b1

-Down by the River (1200):  C, I, N = b1

-Woodsong (LwtUoCSO):  C, I, N = b1

Best Good-b-1:  -Keeper of My Heart (NIS):  C, L, P, S = b1

Good

a= almost awesome

Last Good-almost awesome:  -Crazy Game (SF):  N = a2ii (great harmonies, bluesy)

-What Are You Like (PatBB):  C = A2ii

-Romeo and Juliet (RoP);  C, L, N, P = a2ii

-Three Hits (RoP):  C, I, N, P = A2ii

-Let it be Me (RoP): C, N, P = a2ii

-Leeds (SotS):  C, L, P, U (Indian chanting) = a2ii

-Free in You (AtWLI):  C, N = A2i

-This Train Revised (SO);  C, I, L, N, P = a2i

-Trouble (CoNS):  C, I, L, N, P = a2ii

Best Good-Almost Awesome:  -They Won’t Have Me (DOD):  C, I, L, P = a2ii

 Awesome 

A = Elite Awesomes

B = Average-Awesomes

Platinum [1 = top of platinum; 2 = bottom of platinum]

Gold

Silver [1 = top of silver; 2 = bottom of silver]

Bronze

C = Just Awesome [1 = higher part of Just Awesome; C-2 = lower part of Just Awesome]

Awesome-C-2 

Last A-C-2:  -Damo (BQS):  C, I, L, N = a2i

-Watershed (SDtBD):  = C, I, L, N, S = a2i (5d, live singing = less)

-Making Promises (BQS);  C, L = a2i

-Love of Our Lives-acoustic (PatBB): C, L, N = a2ii (stronger singing)

-Three County Highway (SDtBD):  C, L, N = a2i

-Strange Fire (SF):  C, I, L, N = a2i

-Gone Again (CoNS):  C, I, L, P = a2i

-Pendulum Swinger (DOD):  C, L, N, P = a2i

-Southland in the Springtime (NIS):  C, L, S = a2i

-Starkville (BY);  C, I, L, S = a2i

-Shed Your Skin (SofS):  I, L, N, P, U (native american backing) = a2i

-Sugar Tongue (PatBB):  C, L, P, S = a2i

-Able to Sing (LwtUoCSO):  C, I!, L, N = a2i

-Tether (AtWLI):  C, I, L, N, P = a2i

-Galileo (LwtUoCSO):  C, I, L, N, P = AIi (good, but I like original better)

First A-C-2:  -Welcome Me (NIS):  C, I, L, P, S = a2i

Awesome-C-1

Last A-C-1:  -Angels We Have Heard On High (HHD):  C, N, S = a1ii

-Little Perennials-live (DOD):  C, I, N = a1ii

-Airplane (RoP):  C, L, N = a1ii

-Lay My Head Down (DOD);  C, L, N, P = a1ii

-Damo (LwtUoCSO):  C, I, L, N, P = a1ii

-Three County Highway-live (DOD): C, L, N, P =  a1ii

-You’ve Got to Show (BY):  C, L, S = a1ii

-Cut it OUt (SotS):  C, I, L, P = a1ii

-Happy in the Sorrow Key (LwtUoCSO):  C, I, L, N, P = A1ii

-Tried to be True (ST);  C, L, S = a1ii

-Fugitive (SO) = C, L, N, P = a1ii

-Faye Tucker (CoNS):  C, I, L, N, P = a1ii

-Secure Yourself (ST): C, L, N, P, S = a1ii

-World Falls (NIS):  C, L, N, P, S = a1ii

First A-C-1:  -Closer to Fine (SDtBD):  C, I, L, N, P, S = a1ii

Average-Awesomes:

Platinum [1 = top of platinum; 2 = bottom of platinum]

Gold

Silver [1 = top of silver; 2 = bottom of silver]

Bronze

Last Avg-Awesome-Bronze:  -Beauty Queen Sister (BQS):  C, I, L, P = a1i

-Least Complicated (SO):  C, L, N, P, S = 2a

-Last Tears-acoustic (DOD): C, L, N, S = a1i

-Chickenman (RoP):  C, L, P, U (harmonica?) = 2b

-Run (DOD):  C = 2b

-I Don’t Wanna Know (SF):  C, I, N, U (harmonica?) = 2b

-I Believe in Love (DOD):  C, L!, S = 2b

-I Don’t Wanna Know (1200);  C, I, L, N = a1i (more lively version, “I don’t care either!”)

First Avg-Awesome-Bronze:  –Touch Me Fall (SO):  I (really rocks at end) = 2b

Last Silver Avg-Awesome-2:  –This Train Revised (1200-live):  C, I, N = 2b

-Love of Our Lives (LwtUoCSO):  C, I!, L, N = a1i

-Little Perennials (DOD):  C, L = 1C

-Favorite Flavor (LL):  C, L = 3  

-Learned It On Me (OLD):  C, L, N (harmonies) = 2b (yes!  a burn-song)

-Olympia Inn (OLD):  C, P = 2B

Top Silver Avg-Awesome-2:  –Dairy Queen (AtWLI):  C, I, S! = 2b

Last Silver Avg-Awesome-1:  –Love’s Recovery (ST):  C, L, N, S = (don’t like Emily’s deep singing) = 3

-Land of Cannan-radio single (ST):  C, I, L, N, P, S = a1i

-Burn All the Letters (SotS):  C, I, L, N, P, U (powwow chant) = a1i

-Believe in Love (SDtBD):  C, I, L, N = a1i

-I’ll Change (PatBB):  C, L, S = 2b

Top Silver Avg-Awesome-1:  -All the Way(DOD):  C, L, S! = 2a (strong vocab, meaningful to me)

Last Gold Avg-Awesome:  –Center Stage (ST):  I, L, N, P = a1i (ending)

-Faye Tucker (CoNS):  C, L, N, P, U (laugh, chanting) = 2b

-Fill It Up Again (SDtBD);  C, L, S = 2a ( a bit different from my fave version, audience sings)

-Rock and Roll Heaven’s Gate (DOD):  C, L, N, P = a1i

-Our Deliverance (BY);  C, L, N, P, S = a1i

-O Holy Night (HHD):  C, I, N, S = a1i (high difficulty notes)

-Sugar Tongue (SDtBD); C, N = 2a

-Midnight Train to Georgia (1200):  C, L, N, P = a1i (Emily really sings!)

-Kid Fears (LwtUoCSO): C, I, L, N = a1i (crowd singing)

-Get Out the Map (SotS):  C, L, N, P, U (banjo?) = 2b

-It’s Alright (SotS):  C, L, P, S = 2b

Top Gold Avg-Awesome:  -Heartache for Everyone (SDtBD):  C, L = 2b

Last Platinum Avg-awesome-2:  –Fugitive (SDtBD):  C, L, N, Pa= 1i

-Philosophy of Loss (CoNS):  C, L, P, S = a1

-Collecting You (BY):  C, L, N, S! = a1i

-Joking (RoP):  C, L, P, S, U (false ending) = 2a

-Cold Beer & Remote Control (CoNS):  C, L, P, S! = 2a

-Driver Education (PatBB): C, L, S = 2a

-Hand Me Downs (NIS):  C, I, L, S = 2b

Top Platinum Avg-awesome-2:  –You and Me of the 10,000 Wars (NIS):  C, L, P, S = a1i

Last Platinum Avg-awesome-1:  –Yoke (LwtUoCSO);  C, I, L, N, P = a1i (wow-low register!)

-Sugar Tongue (LwtUoCSO):  C, I, L, P = a1i

-Tether (SDtBD): C, I, L, P = a1i (Amy belts. it. out!)

-Chickenman (LwUoCSO):  C, I!, L, N!, P = 2a

-Bury My Heart at Wounded Knee (1200):  C, I, L, P = 2a (a cause near to my heart)

-Blood & Fire (ST):  C, L, N, P, S = a1i

Top Platinum Avg-awesome-1:  -1,2,3 (NIS):  C, N, S = 2a

Awesome Elites:

A = Top-Elites

B = Exactly Awesome-Elite

1 = higher part of Awesome B; 2 = lower part of Awesome B

C = Better than your Average Awesome

AWESOME-ELITE

1C (better than your avg awesome) 

Last awesome-1C:  -Money Made You Mean (DOD):  C, I, L, P = 1c

-Shame On You (SDtBD):  C, I, P, U (cajun instrument) =1c2 (different tempo from orig bothers me)

-Second Time Around (PatBB-acoustic):  C, L, P 1C

-The Wonder Song (HHD):  C, L, N, U (country) = 1C

-Make It Easier (SF):  C, I, L, N, P = 1c

-Land of Cannan (SF): C, L, N, S, U (harmonica) = 1c

-Rock and Roll Heaven’s Gate (SDtBD):  C, L, N, P =1C

-Salty South (SDoBD):  C, I, S = 1c

-Get Out the Map (SDtBD):  C, L, N, P = 1c

-Howl at the Moon (LL):  C, I, L, N, U (tribal) = 1c

-Go (SDtBD):  C, I, L, N, P = 1C

-Shit Kickin (LL):  C, I, L, P, U (choral backing) = 1c

-Scooter Boys (SotS):  C, I (jengling) L, P, U (wail) = 1c

-Shame On You (SotS):  C, L, N, P, S, U (road block trippin’ break-down) = 1c1

-Heartache for Everyone (AtWLI):  C, I, L, S = 1c

-Philosophy of Loss (CoNS):  C, I, L, P, S = 1c

-Last Tears (DOD:  C, L, N, S = 1c

Top awesome 1C:  -Hope Alone (BY):  C, L, N, S =1c

AWESOME-ELITE 

1B (exactly elite)

bottom exactly elite = ii 

Last Awesome-elite-1Bii:  -Fugitive  (LwUoCSO): C, I, N = 1bii

-Joking (1200):  C, I, (bass @ end) L, N, P, S, U (false ending) = 1bii

-Love of Our Lives (PatBB):  C, L, N, S = 1bii

-Cold Beer & Remote Control (SDtBD):  C, L, N, P = 1

-Money Made You Mean (DOD-live):  C, I (banjo-wow!), L, P = 1bii (don’t like plosives)

-Bury My Heart at Wounded Knee (1200-live @ atwood):  C, L, N, P, U (feat artists, drumming) = 1bii

-Deconstruction (BY):  C, L!, N, S! = 1bii

-Least Complicated (1200):  C, L, N, P, S = 1bii

-Land of Cannan (ST):  C, I, L, S = 1bii

-World Falls (LwUoCSO): C, I, L, N!, P = 1bii (sounds just different enough; the singing!)

-Go (CoNS):  C, I, L, N, P, U (talking about activism in background, chanting) = 1Bii

-Second Time Around (PatBB):  C, I, L, P, S, U (harmonica?) = 1Bii

-Pushing the Needle Too Far (1200):  C, L, P, S = 1bii

First awesome-elite-1Bii:  -Tangled Up In Blue (1200);  C, I, L, N, P = 1bii (Emily sings her ASS off!)

AWESOME-ELITE 

1B (exactly elite)

top exactly elite = i 

Last awesome-elite-1B-i:  -I Feel the Christmas Spirit (HHD):  C, I, L, N, U (blue grass) = 1bii

-Devotion (SDtBD):  C, L, N = 1bi

-Happy Joyous Hanukkah (HHD):  C, I (BASS!), L, P, U (mandolin?) = 1Bi

-Happy in the Sorrow Key (OLD):  C, I, L, N = 2Bii (ENDING!)

-World Falls (1200-live):  C, L, N, S = 1bi

-Moment of Forgiveness (BY):  C, L, N, S =1bi

-Yoke (BQS):  C, I, L, P, S = 1bi

-Become You (SDtBD);  C, L, P, S, U (accordian?) = 1bi

-Chickenman (1200):  C, I, L, N, P, U (harmonica= 1bi (best version?

-Hammer and a Nail (NIS):  C, L, N, P, S! = 1bi

-Yield (BY):  C, I, L, N, S = 1bi

-Moment of Forgiveness (SDtBD):  C, L, N, S = 1bi

-Kid Fears (SDtBD):  C, L, S, U (feat Shreena Mead sounds good) = 1bi

Top Awesome-Elite-1-B-i:  -Galileo (1200):  C, L, P, S = 1bi

IG AWESOME-ELITE 1

 1A top of the top 

Last awesome-elite-1A:  -Compromise (LwUoCSO):  C, I, N = 1a

-Become You (BY):  C, I, L, P, S = 1a

-Second Time Around (SDtBD):  C, I, L, P, S, U (live = more emotional) 1A

-Prince of Darkness (ST):  C, L, N, P, S =1a

-Pushing the Needle Too Far (NIS):  C, L, P, S = 1a

-Closer to Fine (ST);  C, L, N, S = 1a (I felt like I was somehow betraying these staple-favorites ranking any song higher)

-Kid Fears (ST):  C, L, N, S, U (feat Michael Stipe) =1a

-Fill It Up Again (AtWLI);  C, L, N, S = 1a

-Galileo (RoP):  C, L, P, S = 1a (same with this old friend-felt guilt out-ranking it)

-The Rise of the Black Messiah (OLD):  C, I, L, N, P, U (strong & haunting) =1a

-Go (LwUoCSO):  C, I, L, N, P = 1A (Amy belts it out!)

-Watershed (NIS):  C, L, N, S(!) = 1a

-Don’t Think Twice, It’s Alright (SDtBD): C, L, N (harmonies), S, U (Brandi!) = 1a (this song makes me super-enthusiastic!)

***Very top of all IG songs:  -Closer to Fine (1200):  C, L, N, S(!), U (pennywhistle?) = 1a (b/c you can hear how important/popular this song is w/the crowd = pure joy & a lesbian initiation)

Taylor Swift’s Catalogue Ranked by Kit10Phish (final)

14 Mar

I ranked all album songs from least favorite to my very most delightful favorite of all the songs!

How I made this list:

https://kit10phish.wordpress.com/wp-admin/post.php?post=11721&action=edit

and check out the many (not final) lists for more description

(numbers) are the album/era

(C)atchy, (D)etailed story, (G)aylor references, (I)nstrumentals, (L)yrical complexity, very high/low (N)otes, (P)roduction stands out in a good way, (S)entimental

Skips
Last Place Song:
Superman (3)

Soon You’ll Get Better (7)
(best skip) Epiphany (8)

Mehs
3 boring:
A Perfectly Good Heart (1): I, N
(best boring-meh) The Archer (7): G, L

Mehs
2 Personally Dislike:
The Lakes (8): G, L, N, P
End Game (6): C, G, L, P (terrible feat!)
(best disliked meh) Coney Island (9): G, L, N (terrible feat!)

Mehs
1 Exactly Meh:
It’s Nice to Have a Friend (7); D, G, L (Ambiguity bothers me; weird production)
The Other Side of the Door (2): I, L, N
A Place in This World (1): I, N
Right Where You Left Me (9): C, G, L, N (repetitive)
(best exactly meh) The Outside (1): I, N (weak)

OK3 = nearly meh (final)
OK-3B BOTTOM OF LIST:
Tell Me Why (2): C, I, N = 3b (thin voice & a bit generic lyrically)
Sad, Beautiful, Tragic (4): C = 3B (both blah and bummer)
Superstar (2); D = 3B (zzzzzz)
I Almost Do (4); C = 3 (too needy/pathetic/un-feminist. Yet catchy)
(best OK-bottom of nearly meh) Jump Than Fall (2): C, I = 3B

OK3 = nearly meh (final)
OK-3A = TOP OF LIST:
The Other Side of the Door (2); C, I, L, N = 3A
Innocent (3): C, I, N = 3A
Last Kiss (3): C, D, N = 3A
The Best Day (2): C, D, = 3A
(best nearly meh) Fearless (2); C, I, N = 3a

OK2 = exactly neutral
OK-2B = BOTTOM OF LIST:
Peace (8): C, D, G, L = 2b (hate pulsing; lyrics condescending(?))
Miss Americana & the Heartbreak Prince (7); C, D, G, L, N = 2b (don’t care for HS/politics mixing & end chant is too much. But lots of good one-liners)
I Wish You Would (5): C, G = 2A
It’s Time to Go (9): C, D, G, L, N = 2B
Illicit Affairs (8); C, D, G, L = 2B
August (8); C, G, L = 2B
(best OK-bottom of exactly neutral) A Place in the World (1): C, I, N = 2B

OK2 = exactly neutral
OK-2A = TOP OF LIST:
The Way I Loved You (2): C, D, I, N = 2A
False God (7): C, G, L = 2A
Breathe (2): C, G(?), L = 2A
Dorthea (9): C, D, G, L, N = 2A
Happiness (9): C, D, L = 2A
Seven (8); C, D, G, L, N = 2a
(best of OK-exactly neutral) Long Live (3): C, D, I, N = 2A

OK1 = almost good
OK-1B= BOTTOM OF LIST:
Mary’s Song (oh my my) (1): C, D, I, N = 1B
This Love (5): C, G, L, N, P = 1b
I Think He Knows (7): C, G, L, P = 1b
(best OK-bottom of almost good) London Boy; C, D, L, P = 1b

OK1 = almost good
OK-1A= TOP OF LIST:
New Romantics (5): C, D, G, L, N, P = 1A
Hey Stephen (2): C, D = C2
Call It What You Want (6); C, G, L, P = 1A
Tied Together w/a Smile (1): C, D, I, N = C2 (less repetition, some more notes & instrumentals
Gorgeous (6): C, D, L, N, P = 1A
King of My Heart (6): C, L, N, P = 1A (ENDING)
Change (2); C, I (@ END!), N = 1A
Back to December-acoustic (3): C, D, I, N, S = 1A
(best OK-almost good) Cornelia Street (7); C, D, G, L, N = 1A

Good c = almost OK
Gc2 = bottom of category:
State of Grace-acoustic (4): C, L = C2
Begin Again (4): D, I, L = C2
The Last Time (4): C, I = C2 (weird collaboration)
(best Good-bottom of almost OK) Cold as You (1): I, N = C2

Good c = almost OK
Gc1 = top of category:
22 (4): C = c1
Untouchable (2): C, I, N = C1
Come in w/the Rain (2): C, I = C1
All Too Well (4): D, I, L, N = C1 (almost a powwow beat; and yup I did rank it this low)
Starlight (4); C, I = C1
(best Good-almost OK) Sparks Fly (3); C, I = C1

Good b= exactly good
Gb2 = bottom of category:
If this was a Movie (3): C, D, I, N = B2
Never Grow Up (3): C, D, I, N = B2 (problematic sentiment)
’tis the damn Season (9): C, D, L, B2
You are in Love (5): C, N = B2
Stay Beautiful (1): C, I, N = B2
Treacherous-demo (4): C, G(!), L = B2
Cardigan (8): C, D, G, L = B2
Red-demo (4): C = B2
The Last Great American Dynasty (8): C, D = B2
How You Get the Girl (5): C, D, G = B2
(best Good-bottom of exactly good) White Horse (2): D, I, N = B2

Good b= exactly good
Gb1 = top of category:
Everything has Changed (4); C, N = B1
Holy Ground (4): C, D, G, L = B1
This is Me Trying (8): C, I, L(!) = B1
Afterglow (7): C, P = B1
Treacherous (4): C, G(!), L =B1
Daylight (7): C, G, L, N = b1
Come Back…Be Here (4): C, N = B1
Mirrorball (8): C, G, L = B1
I’m Only Me When I’m w/You (1): C, I(!) = b1
Forever & Always-piano (2): C, I, N = B1
The Lucky One (4): C, D, N, = B1
(best Good-exactly good) Fifteen (2): C, D, I = B1

Good a= almost awesome
Ga2 = bottom of category:
This is Why We Can’t Have Nice Things (6): a2
Welcome to New York (5): C, D, G, N, P = A2
Me! (7): C, G, I, N = A2 (yup, I ranked it this high–it grew on me)
Wildest Dreams (5): C, N, S = A2 (sexy)
Delicate (6): C, D, G, L, P = A2
So It Goes…(6): C, G, P, L, N = A2 (sexy lines)
Mine-pop (3): D, I, N = A2
Clean (5): C, G, L, P = A2
Tim McGraw (1): C, D, G, I, N = A2
Champagne Problems (9): C (bridge), D, G, L = A2a
(best Good-bottom of almost awesome) Betty (8): C, D, I, G, L = A2a (catchy, & swelling instrumentals)

Good a= almost awesome
Ga1 = top of category:
Mine (3): C, D, I, N = A1
Haunted-acoustic (3): C, I, N, P = A1
Getaway Car (6): C, D, G, P = A1
Death by a Thousand Cuts (7): C, D, G, L, = A1b
Gold Rush (9): C, G, L = A1b
tolerate it (9): G, I, L = A1
Cruel Summer (7): C, G, L, N = A1b
Red (4): C, I, L, P = A1
New Year’s Day (6): C, D, I, N =A1
Cowboy Like Me (9): C, D, G, I, L = A1
willow (9): C, G, L, N = A1 (so effing catchy!)
Dress (6): C, G, L = A1 (SEXY)
Haunted (3): C, I (!), N, P = A1a
Teardrops On My Guitar-RADIO (1): C, I, L, N = A1 (sounds almost the same to me)
(best Good-almost awesome) Teardrops On My Guitar-POP (1): C, I, L, N = A1 (more beat & echo)

Awesome- 3 BETTER THAN GOOD:
All You had to do was Stay (5): C, N = 3
Evermore (9): C, L, N = 3
Stay, Stay, Stay (4): C, D, S = 3
Bad Blood (6): C, N = 3
The Moment I Knew (4): D, N = 3
(best Awesome-better than good) Ours (3); C, L, N = 3

Awesome-2 SOLID AWESOME
2b = bottom of list:
You Belong w/Me (2); C, D, I, N, S = 2b
I Forgot that You Existed (7); C = 2b
Girl at Home (4): C, N = 2b
Our Song (1): C, D, I =2b
Paper Rings (7): C, D, G, P = 2b
No Body, No Crime (9): C, D, L (pronoun/subject) = 2a
Closure (9); C, G, L, P = 2b
The 1 (8): C, D, G, L = 2b
Wonderland (5); C, G, L, N, P = 2b
(best Awesome-bottom of solid awesome) Ivy (9); C, G, L = 2b

Awesome-2 SOLID AWESOME
2a = top of list:
my tears ricochet (8): D, L, P = 2a
Mad Women (8): C, L, N = 2a
Out of the Woods (5): D (bridge), G, L = 2a (is this car crash real? who and when? major gay closet vibes)
The Man (7): C, G, L = 2a
Invisible String (8); C, D, L = 2A
You Need to Calm Down (7): C, G, S = 2a (the 3 things being compared aren’t related? enthusiastic!)
Back to December (3): C, D, S(!) = 2a
Blank Space (5): C, G, L, N = 2a
(best of Awesome-solid awesome) I Knew You Were Trouble (4); C, N, P = 2a (subtle-moag)

Awesome-1 ELITE
1b= bottom of list:
Love Story (2-TV): C, D, I, N = 1a (same except staccato reme-o & fa-ding)
Love Story (2): C, D, I, N = 1a (her 1st crowd favorite, but rom-com effect w/princess stuff & severe heteronormativity)
Dear John (3); C, D, L, N = 2a
Enchanted (3): C, D(!), I, N, S = 1b
Better Than Revenge (3): C, D, I(!), N, S = 1B (sounds like Paramore; problematic mean-girl stuff, but it was a time)
Exile (8): C, G, I, L, N = 1b
Dancing with Our Hands Tied (6): C, G, L, N, P = 1b
Marjorie (9); C, G, L, P, S = 1b (I love the sentiment more than the song. Intense memories of my Grandma, thanks Taylor, for that)
(best of awesome- bottom of elite) Long Story Short (9): C, G, L, P = 1b

Awesome-1 ELITE
1a = top of list:
Style (5): C, G, I, L, N, P = 1a (who is she talking about, what car crash is referenced, is it real?)
Lover (7): C, G, L, S = 1a
Shake It Off (5): C, N = 1a (love the sentiment, & catchiest of ever!)
I Did Something Bad (6): C, N, P = 1a (moag is the star here)
We Are Never Ever Getting Back Together (4): C, I, P = 1a
Look What You Made Me Do (6): C, P = 1a (exciting like several songs w/in 1 song, I don’t trust nobody bridge)
The Story of Us (3): C, I, S = 1a ( like the next chapter, the end)
Picture to Burn (1): C, I, S = 1a
Shoulda Said No (1): C, I, N, S(!) = 1a
…Ready for It? (6); C, G, N, P = 1a (sexy sounds & moag)
(4th best song) I Know Places (5): C, G, L, N, P = 1a

–and the top 3 songs in the entire catalogue (in my opinion):
*Don’t Blame Me (6): C, G, L, N(!), P = 1a (that moag! She sings her ASS off! Probably the best, barring sentimental favorites)

You’re Not Sorry (2): C, I, N, S(!) = 1a

(My #1 song) Mean (3): C, L, S(!) =1a (after all the listening I learned sentimental really does trump every other characteristic.)