Tag Archives: The Lakes

Kelsea Ballerini Tells Taylor She’s Being as Fickle as the Weather as Long as She’s Not Over Kaylor

29 Sep

OK this is going to be all about Taylor because I’m trying to convey the connections I noticed. And maybe some of it is a “reach” as the more mean-girl Gaylors and the homophobes accuse anything that’s outside the well-established narrative.  I heard many things, that alone, didn’t mean much, but compiled all together made me think, hmmmmm.  So this is me looking at Kelsea’s work through a frame of trying to find proof she is into women and also that her and Taylor had a fling/are together/are WLW besties–something is there!  But please know that I like Kelsea Ballerini as an artist, on her own terms.

[ellipses indicate lines I omitted.  Highlighted text is her lyrics, plain text is my commentary]:

Weather

I’ve been thinkin’ you’ve been thinkin’ ’bout something else (Mm-hmm, mm-hmm, mm-hmm)

I suspect at least 10 songs on Taylor’s last (true vs re-recordings) album Evermore contain Karlie references.

The, I Bet You Think About Me music video dropped 11/15/21 was practically overt in it’s Karlie images and symbolism.

On the left, music video groom on the right, Jo$h Ku$hner, Karlie’s husband:

Taylor knocks the groom over on the wedding cake:

I think she’s going for some symbolism here:

And Taylor eats a cherry: 

Whatever the red scarf represents (many Swifties say it’s Taylor’s virginity)…  Taylor gave it to the bride:

At the first dance, the groom (Jo$h) pulls the bride in, and to me, it looked like a “you’re mine” gesture.  As in Jo$h made known he owns Karlie, or there is a contract, or he will keep her:

When Taylor/bride walks away from the dance, she shows us red sneakers under the wedding dress.  I’m sure you can guess who else wore sneakers under her wedding gown?  It’s Karlie.

And in the lyrics of this same vault track I think Taylor snuck in a more modern reference to some shoes that Karlie was recently marketing:

Aside from this video, as well as a preponderance of lyrics from folklore, Evermore, and some vault tracks, and the general sadness on Taylor’s face and in her voice for every event/performance she’s attended since 2020–the new album about to drop is called Midnights.

Karlie is a spokeswoman for this Midnight perfume released July of 2022:

And Taylor, wearing silver (right picture), said TS10 will be called Midnights.  A month later:

And during this Midnights Era, Taylor wore gold, which is similar in aesthetic to the gold in Karlie’s Midnight perfume ad.

This was not an exhaustive list of the times Taylor has referenced Karlie in recent times.  So you can see why Kelsea would feel the person she’s talking to in the song (Taylor?) is thinking about something else–breakup with Karlie.

Yeah, we felt perfect, now I’m nervous, can you even tell? (Oh,oh)

This headline says, “. . . perfect for a date. . .”  when Taylor and Kelsea were photographed shopping together.  It just might fit with the perfect lyric if Kelsea is trying to contrast the current unsettled times in a relationship, where someone is not over their ex, and maybe a flight risk, with the good times they had.

Did I wake you up on the wrong side of the bed?

Kelsea just might be alluding to Taylor sleeping with Karlie, and the image that Taylor snuck into her video while dressed in drag.  In The Man music video Taylor, as the man, gets out of bed with a slender woman.  And when the man gets out of the bed, this sun-looking item on the wall is obscured, bringing “my loaded gun, my eclipsed sun” lyrics from Hoax (a song probably about the Kaylor break-up) to mind.  Make of that what you will.  

Is there someone’s body that you’d rather be laying with instead?

The line in this song might be intended to conjure the mental image of that video clip and its wink to Kaylor.  Also, the expression ‘wrong side of the bed’ means grumpy, bad day, etc…  Kelsea (if my theory pans out about her and Taylor being together in some manner) may be telling Taylor that she’s acting moody, and negative, and grumpy, because she is missing a different person in the bed (Karlie).  Or missing the person that used to be on that side of the bed (Karlie).  Without more info it’s hard to say for sure, but if all these references across Kelsea’s new album are about Taylor, I can see how anyone would have had enough of their fling/new relationship/GF being hung up on an ex.

I’m so tired of your weather/Stormy when we’re together/Yeah, we used to be sunny and seventy-five/We wеre dancing, baby, rain or shine

Kelsea met Taylor June of 2015.  And they danced at that first party:

…Now somehow, I need a sweater

Kelsea is possibly talking about the cardigans Taylor sent her close friends for the folklore rollout (for the song/single, Cardigan):

Aside from this lyric possibly talking about the cardigan gift, a deeper meaning could be Taylor’s album/era.  During folklore, it was clear in a lot of lyrics that Kaylor were breaking up or broken up, and Taylor didn’t want that.  It’s full of regret and longing, and Taylor seems very preoccupied with Karlie in this time frame.  If Taylor had seen, was currently seeing Kelsea, or even if Kelsea wished Taylor would see her as a love interest–Taylor’s heartbreak over Karlie would get in the way.  It would not be happy, sunny times, it would be gloomy, sad times that made Kelsea feel chilly and left out. 

How’d we go from summer to cold as ice?

The romance with this person went from steamy and hot and comfortable to distant and chilly.  If Taylor was unable to move on from an ex, or held out hope of getting back with Karlie, it would put a relationship with Kelsea on the back burner.  

In Taylor’s The Lakes, she says she can’t move on.  And Taylor wishes Karlie would come back to where they had been (in the closet together) in total privacy.  The red rose is a Kaylor reference we talked about earlier, and the ice frozen ground is all the depression and loneliness and heartache and chilliness toward one another.  In Taylor’s wishful thinking Karlie and her could be together and that difficult, calamitous love, is causing her a grief she can’t overcome.

Right Where You Left Me is another of Taylor’s songs that uses frozen imagery to show she is not moving on from the Kaylor breakup:

Because Taylor can’t move on from the Kaylor breakup, any relationship between Kelsea and Taylor cannot move forward either.  If Taylor is frozen in place to where she had been with Karlie, it would be distant and chilly inside any relationship between Kelsea and Taylor.  Kelsea is left out in the cold, feeling the aloofness of a Taylor stuck in the past, or in a fantasy in her head.

Are we really lovers if you’re changing your mind/Like the weather? (Weather)

Taylor can’t decide if she wants to pine and be heartbroken about Karlie, or if she wants to move forward with someone new.  She is not committed, and Kelsea can feel how this person she’s trying to be in a relationship with is fickle, running hot, then cold as her moods change.

Uh-huh, oh/Get in or get out

Kelsea tells Taylor to either be present in the relationship with her or be alone wishing that Kaylor would have worked out.

But honestly, right now, you’re killin’ my vibe/(Killin’ it, killin’ it, killin’ it)/(Killin’ it, killin’ it, killin’ it)/So, if you wanna stay stuck in the clouds/Keep ’em around but not in my sky (Mm-hmm)

Taylor doesn’t own clouds.  Put clouds and sky were constant themes in the Lover era.  

Me! video:

Taylor didn’t want to date the man, nor did she want this man’s hand in marriage.  She accepted a kitten.  She’s saying no to men here.

Many Gaylors think Kaylor broke up or were on and off before 2019, and the Lover era was Taylor trying to get Karlie back. Evidence for the beginning of the Lover era wooing Karlie back are the lyrics around New York and the butterfly mural commission:

I think the commissioned mural looks a lot like Karlie’s Victoria’s Secret wings!

Here is a well-worded comment from a Gaylor on Reddit that explains the many reasons the Lover album isn’t a romantic love story, it’s a plea to Karlie; begging her to get back together:

Kelsea using “stuck in the clouds” in this song is not accidental.  A lot of the Lover album, imagery, videos and roll-out focused on the sky.

When Kelsea says you can stay stuck in the clouds, I think she means the mindset of trying to get Karlie back.  Just like in the Lover era.  And Kelsea tells Taylor, it’s fine if Taylor stays stuck in the Lover-era clouds, pining for Karlie, but not in her sky.  Kelsea doesn’t need anyone who is moody and hung up on their ex.

When it hits the fan, I don’t know who you’re gonna be/I’m not asking for much, just a little reliability

Kelsea is emphasizing the point that Taylor’s heartbreak about Kaylor is making her a flake in their relationship.

I’m so tired of your weather/Stormy when we’re together/Yeah, we used to be sunny and seventy-five

The number/temperature 75 is very specific.  Kelsea is saying her and Taylor(?) used to be happy, but are now gloomy.  And I found this tweet from Kelsea:

It is exactly the same temperature in the lyric!  If we can find out who Kelsea saw in L.A. on July 1, 2022 (or the few days before) we will know who this song is about!

I tried to figure out where Taylor was late June to July 1 of this year, 2022, and had a very difficult time (since I don’t know anything about Jet tracking).  If anyone can get the jet data, or other sources showing if Taylor Swift was at her L.A. house June-July, we’d be one step closer to knowing if this song is about her.

This was as close as I could get to narrowing down where Taylor was:

June 11, 2022 (Tribeca Film Festival, NY)

July 4, 2022

…[Bridge]

Baby, talk to me/Tell me what you need/Don’t leave me hanging anymore

Taylor’s song, Cowboy Like Me has a lyric about hanging.

Skeletons in the closet means a dirty secret.  Something bad in your past you hide from others.

It’s funny Taylor mentions closets in this context.  I’d say part of the point of this song is having gay-dar and being able to identify other gays (because you’re one too, so you know the signs).  And gay people hide in the closet before they’re out.  A secret and hiding in the closet??!

Here’s an excerpt about the Gardens of Babylon:

As a sidenote: The central club in America’s Queer as Folk series, about mostly gay men and a pair of lesbians, was called Babylon.

The fact that another track on Kelsea’s same album called, Love is a Cowboy really puts it over the top!

…  Are we really lovers if you’re changing your mind/Like the weather? (Weather)

And the word, “Lovers” to end the song???  OMG.  I think I’m on to something here.

Don’t Jump Ship

14 Nov

Kaylor was real. And I think they’re still together.

I have no insider information. I’m not in PR, and I’m not super-engaged in any fandom. I only hear current info after the fact, and I’m not up on the latest liked tweets, gossip columns, or sightings.

But I am a gay gal who just celebrated her 11 year anniversary with her soulmate (yesterday, 11/13 actually). And I also listen and analyze song lyrics. And between those two sources of knowledge, I think Taylor Swift and Karlie Kloss are still together.

Karlie preceded Taylor’s secret album drop with a cardigan, and the exact album imagery–13 days (Taylor’s favorite number?!) prior. Let’s unpack that:

1) How would Karlie even know? No one knew. Even the magazines and people that usually get albums early, in order to write their reviews, were surprised with the album drop like everyone else. Would an ex know?

2) Covid is on the scene. It’s harder, or disallowed, to gather. Getting inside information when you’re not an insider is even more difficult than usual. And Taylor said she wrote folklore in quarantine. So even if she started a bit earlier, how did Karlie know specific details if they weren’t together?

3) Have you heard Taylor’s catalogue? She has never been exactly friendly with past exes. These boys that upset her, even when it was a mutual show-mance, got some bitter lyrics sent their way. Taylor has been known to hold a grudge, and to put shit-heads right in thier place. Even Diana Agron. Everything I know about Diana is through the lens of Taylor’s music, and it’s not exactly positive. So why would Taylor just sit back and let Karlie walk all over her? We’re majorly underestimating Taylor’s self-worth and grit. She is not a doormat! Taylor has the people in her life that she wants to be there.

4) If Karlie spoiled a secret album drop bc of ill-intent, baiting, or hate–don’t you think Taylor’s team would take legal action? Taylor is the queen of NDAs, and has all the money–she’s not afraid to sue. Her team has litigated the smallest copyright infractions. Do you really think Taylor would let an ex spoil the surprise with no consequence?

Everyone is turning Kaylor off primarily because of a People article. We know People is not a reliable source. How many times have they reported that Ellen Degeneres and Portia deRossi are broken up? How many times has Jennifer Aniston been pregnant in that magazine? And we know they’ve reported Taylor Swift’s various engagement and pregnancies–that never came to fruition.

Even if the teams feed them the articles–what evidence is there that Karlie is actually pregnant? She might be, IDK, but let’s not jump to conclusions based on one or two sketchily sourced headlines. Couldn’t it be that the Ku$hners currently have bad publicity, and the team is trying to add a sympathy card? Divert attention? People are less likely to be haters when a baby is involved. Babies would change the narrative, and provide good, sympathetic distraction from an election loss and criminal accusations. I really have no idea about these things. What I do know, is people shouldn’t just jump to conclusions over one magazine announcement. Wait until more facts are garnered. My guess? There’s no baby. But we’ll see what comes to light.

OK, we talked about how the source is incomplete at best, fabricated at worst. Now, let’s discuss the logistics of a pregnancy. I hope you know, gay people don’t just fuck the opposite sex. That’s not a thing, and it’s disgusting for people to admit the Ku$hner has a long-term husband, and that Karlie is bi (more likely lesbian) but still assert they had sex with each other. I’m a gay, and would NEVER mess around with a penis–it’s like the #1 rule of lesbianism. Desire for children or no. And to think a gay man would have intercouse with a woman–Just. No. And why would he do that–it would make his husband, Mike crazy and hurt their relationship (the real relationship).

Yes, I know there are alternate ways to make a baby. But let’s talk careers also. Don’t you think the Ku$hners have been a little busy with the election and all? And Karlie is constantly working, and in the public eye. Are they going to so abruptly change their M.O. and career trajectories to start a family? I mean, it’s possible, but let’s use some critical thinking skills also. I thought they were in a lavender marriage precisely to further their respective careers?

Aside, from not buying into incomplete, sketchy-sourced evidence, and logistic implausibility of a pregnancy, I have personal experience with relationships. Mine is solid. I’m happy, and so is my mate. But I broke up with my mate before and kicked her out of our apartment after 6.5 years together.

Some mean girls we worked with were jealous of my schedule and took it upon themselves to punish me by sabotaging my and my mate’s relationship. And my trusting, somewhat naive mate, fell right under their manipulations. My mate mean-girrled me after 6.5 years together! And we broke up. I was upset–still am. The situation sucked very bad. But you don’t choose your soulmate, Invisible String is absolutely correct. So despite misgivings, I let my mate back into my life. I wouldn’t do that for anybody else. I’m happy to cut off toxic relationships, usually–I’m no doormat. But your soulmate is special. She is my heart, and even though what she did is unforgivable really, I am more happy with her in my life then without. I am not whole without her. So we’re together and she’s sorry that ever happened, and changed her behavior. People grow, and I chose to let us grow together.

Sometimes long term relationships have blips. And having experienced it firsthand, I think many times they can be overcome. And I think Taylor feels the same. I think she considers Karlie her soulmate. And after all the yearning, dreaming, and wanting a fairytale ending–I don’t think Taylor is going to let that slip away easily. She wrote The Lakes to follow Hoax, to show the listener that yeah, all the content of Hoax sucks, and is depressing and toxic–but there’s still that rose that grew out of frozen ground (mentioned in Hoax), and Taylor still wants to take her muse with her. And if you think that muse is some boy–you have ZERO gay-dar!

I think Taylor feels topsy-turnvy more because of internal homophobia than anything shitty Karlie is doing (which let’s not forget Taylor does this hurtful bearding stuff also). Internal homophobia is what drives being closeted, and it leads to depression. Living a secret, closeted life is both high-maintenance and mentally/emotionally taxing. I was closeted (still am in some circles), and it feels BAD. Of course Taylor is sad. Bearding is stressful and phony and horrible to put an S.O. through.

When my mate and I visit my rural hometown, I never touch her, and want us to appear to outsiders (who are bigots) as just friends. And when I say “friend” or “roommate when those small-town people press, I feel ugly and disgusting inside. I feel ashamed with myself for not being stronger. Even so, the fear outweighs all those feelings. Now amplify that by a million for Taylor and Karlie. And they’re both participating in that game of secrecy. it’s a lot of stress.

What I’m saying is–don’t be a weak Kaylor and give up so soon. Taylor and Karlie may have broken up, but the evidence we have is not very great. At least wait for more substantial proof.