Tag Archives: Tim McGraw

Robo-Music: Countdown of Top Albums from 2015

29 Dec

I’m not certain if it’s this era in music I don’t really care for or if it’s the tastes of Utah.  Here in Salt Lake City, at least, everyone is in to DJs.  And electronic.  And very pop-1980s throwbacks.  It’s nothing live, nothing that has heart.  And that’s the whole thing for me.  I need substantial lyrics and some belting out.  Instrumentation.  The popular music in the Salt Lake City area is computer-generated or superficial.  So I feel like I’m musically starved.  And I hope it’s just this region that doesn’t know the story.  I did manage to scrape up some contenders for this list.

music- robot 2

This list was compiled based on album alone. Catalog, concerts, expectations, hype, and cuteness were not factors.  And as an aside, I posted this before really going through it with a fine-toothed comb, so to speak.  In the interest of time.  I’ve been  notorious in previous years for wanting to perfect these or wanting to listen to ALL the options, then not ever posting them.  Or posting them a year late.  So up it goes, but I may edit or add some things later.

 

DIDN’T Likes (Worst to Don’t Love Listening):

Diddy

What happened to the Puffy/Biggy days when there was a melody or two within the rap?  This is harsh and displeasing.  Almost grating.  I think it’s that electronic influence rearing it’s ugly head again.   Also, rapping was not really a thing (which is the point?) so I didn’t really connect with any lyrics either.  A disappointment.

Sleater-Kinney

Some people might like “No Cities to Love”.  I am not one of them.  But I don’t think this album is bad, it seems well thought-out and well-executed.  It is just not my taste AT ALL.

Sara Bareilles

I have liked her past albums.  Like a lot.  I think she is one of few that speaks for feminists.  And that’s so important, especially in the male-dominated music industry.  This album was barely listen-able for me.  It felt like a cheesy Disney soundtrack or a musical.  Very overwrought and sappy to the point of-barf.  I hope she goes back to her roots.

Matt and Kim

It’s TOO harsh.  I understand they are supposed to be electronic and robotic.  But “New Glow”  is robots in a war.  I need something to sing to, some catchy chorus, somewhere.  All the noise makes that difficult to find.  And even as an exercise album, which I expect substantially less from lyrically, it was too jarring and too syncopated.

music- robot

Blah-Neutral, Try Harder in the Future, and Up and Coming in no particular order (Medium-Passion from Me):

Emmylou Harris, Rodney Crowell

The first two songs made me think they were going to steal the Grammy from Brandi.  Which, despite a flagging enthusiasm for Brandi’s latest, I most definitely want her to WIN that prize.  So I was horrified, I really liked a couple of Emmylou’s songs.  It’s old country and Americana as the category has nominated her for, but every song was not a winner.  The album lost steam in a few places.  Aside from some boring tunes, it’s a down-home oldy-feeling work of art that a person could listen to one or two times before totally losing interest.

Jason Isbell

It’s hard not to compare Isbell to Brandi Carlile–since they’re up for the same Grammy and all.  But, this artist is ranked under Brandi, because I said I would look at the albums singularly.  And his is a whole different thing.  I think in some ways it is more listen-able then “Firewatcher’s Daughter” in that it makes easy, background music.  I like the gentleness of the sound.  But when it comes down to it, I personally like catchy things sung well and with feeling.  And this album has no hooks or unbelievable vocal range, as Brandi’s does.  But it’s a chill-mood and none of the songs are unlikeable (which I can’t always say about Brandi’s songs).  So check it out–but it BETTER not steal Brandi Carlile’s Grammy if it knows what’s good for it!

Kelly Clarkson

More of the same.  I’ve always liked Clarkson, especially her breaking up songs.  Except, I feel like her albums and sound are becoming more and more of a manufactured machine.  The genuineness is simply  not there.  I think Clarkson should write from her heart and sing from her soul rather then doing mathematical calculations in trying to secure top chart numbers and album sales.  I want to hear her stripped down and authentic–even at the risk of being less corporate.

Tim McGraw

Went skating.  Skating by on prior success, on his image, and on his fan-base.  I thought there was nothing at all special about this album.  I would like to see him strive for the next work–I know he is capable of growth, of branching out, and getting out of his comfort zone a little.  This album was put out for the sake of remaining relevant, and unfortunately, you can tell.

Jewel

On the other hand, Jewel tried too hard.  I can hear that she tried to replicate her earlier success.  But the effort had a disingenuous, forced quality about it that I didn’t like.  The poetry was there, some sweet-signing, and a little discord.  Folk was full-force, but “Picking Up the Pieces” still wasn’t comparable to “Pieces of Me” as I’m sure she intended.  Jewel formerly sold out and went straight pop for the money.  Then she tried to recapture success easily by going to the easier realm of country.  After that failed, she’s floundering–and it shows.  I wish Jewel would forget the record sales and corporate numbers and actually be genuine.  I think she has a place in music–but it’s not going to be  through her own force of will.  She needs to get in tune (pun!) with herself and her story if she’s going to get out of her slump.

Papa Roach

Also offered nothing really special or nothing really groundbreaking here.  I used to like their rebellious sound.  The blend of punk, pop, and rock they had going.  Now, it’s a little formulaic, with no real standouts.  Can’t music forgo corporate manufacture and be real?!

Avicii

“Stories” could be a great album.  But the first album, “True” (?) that I listened to raised my expectations very high so this newest one was sort of a big yawn for me.  After falling in LOVE with the last album, I just could find anything to attach to in this one.  I think it’s still OK, but it hardly equals “True.”

music- electronic

Worth Mentioning (but not a blurb):

Adele-  probably would rank on my list, but no Spotify, no rank.

Christine and the Queens- self titled

Death Cab for Cutie- Kintsugi

The Decemberists- What a Terrible World. . .

Imagine Dragons- Smoke + Mirros

Kendrick Lamar- To Pimp a Butterfly

Luke Bryan- Kill the Lights

Sports- All of Something

music- robot 3

 

AAANNNNNND Top Albums of 2015 Countdown from Good to Very Best:

11 (honorable mention).

Kid Rock

Dave Matthews Band’s Lovely Ladies must have stepped into the recording studio with Kid Rock.  This album is good, but very, very different from previous efforts.  It’s more grown up and country/blues, than rebel rock.  I liked the gospel and southern flair and thought they were appropriate to the tracks.  The thing that would make the album stronger is a little more variation in the songs.  They all started to sound the same to me.  And though cohesive as an album, even the 80’s hard-rock Gods knew to throw in a ballad once in awhile.  There should be something that doesn’t meet expectations in here to really flesh it out.  And fans of the first few albums–prepare your ears–I’m not sure you’re going to like this even a little bit.

 

10.  rebel heart

Madonna

This album would have ranked higher, because the songs that I like, I really, REALLY like.  But there was some electronic/club influence that I’m trying to get away from—as you heard.  My top 10 is all about the human aspect of music.  What I liked was the variability in the album.  It all meshed together, but the songs were distinct and had different feels and influences in them.  We have a broken heart, dancy-club, a Jamaican sound, and of course electronic.  I especially give top marks for this seldom-seen vulnerability in many of the tracks.  It’s a softer, riskier sound for Madonna, and I feel like I know her better as a person because of it.  Of course I also like the stronger side of her personality and artistry, and that’s here as well.  Madonna’s sound has matured and she has leaned tons from her years topping the charts–but she’s still got IT.

9.  firewatchers daughter

Brandi Carlile

Let me just get it out there.  No, I have to soften it a little by saying Brandi is perhaps my favorite artist of the last 6 years.  And her shows are THE best!  She seems genuine and she’s personable, and of course she’s cute.  So my expectations for a new album were SKY-high.  Bear Creek was phenomenal, in my opinion.  The follow-up was sure to be even better.  But it wasn’t.  Not to me, at least–the rest of the world seems to disagree and is finally catching on to MY band.  Washington state, especially Seattle, feel like the band is OURS.  So I very much hate to say “Firewatcher’s Daughter” just seemed to meander too far to the right for me.  I’m not saying it was bad by any means.  But usually I attach to all but 1, or maybe 2 songs on Brandi’s albums.  This time, I only really-liked 2-3.  “These Things I Regret” was good and I think sort of a fan-song.  It was more the old style, the one I fell in love with.  “Mainstream Kid” with its strength and rock-flavor is the other obvious hit on the record.  And “Wherever is Your Heart” shows the band’s range and energy.  Honorable mention goes to “The Stranger at my Door” for most awesome song-ending ever.   The rest?  Too. . .  I don’t know, maybe just not MY style.  “The Eye” is not an album-song.  It’s meant for the live, breath-taking, ‘wow that’s almost a Capella  and look how they blend together as a group’ sentiment.  But even live (at the Gorge) the choruses repeat to the point of boredom and it just got tedious to me.  The Avette Brother’s cover is good.  But it also bothers me.  One, it seems too soon cover them–the Avettes (though their catalog is HUGE) are JUST going mainstream.  Mostly, though it seems (as gleaned from show commentaries and interviews) to be Brandi’s love song to her family and a gay anthem (from her perspective, I gather).  But it’s obviously written (and unchanged) for brothers, or at least siblings.  With the ‘which one of us would Dad be proud of’ stuff.  I want her to tailor it to her needs or really, just leave it to the Avette Brothers.  And “Wilder, We’re Chained” if it’s not a direct Fleetwood Mac cover, it’s MUCH too similar, and with “The Eye” having that same tone, it just feels like a throw away song.  I guess I won’t go into any more specific song detail (because I already wrote that blog) but I feel compelled to justify my options.  I don’t like “going against” my favorites.  Because–I feel guilty for being disappointed.  I am happy Brandi Carlile’s career is finally taking off in a mainstream way and she’s getting some long-deserved media-attention.  But, I hope Brandi Carlile does not continue to scout territory which takes her farther away from her core group of fans.  I liked the former albums–even if they didn’t garner all the attention, hype, and accolades.  Though they should have and I don’t know why she’s just now blowing up–it’s long overdue.  Maybe now that everybody’s watching she can go back to the more rock-folk style that I like better?

8.  Kacey Musgravespageant material

I like it:  A cheeky country gal.  The songs are catchy and foster an independent rebel spirit that I like, and that I think is totally necessary in the still good-ol boys country network.  I think she’ll join modern trail-blazers Shania Twain, Carrie Underwood, and especially Miranda Lambert as the new spunky voice of country women, working to bust stereotypes and get outside of the social norms.  This album gives me an idea of what Musgraves stands for, and I like that message even better then the songs.

7.storyteller

Carrie Underwood

Is back to herself–thank goodness!  I love her bitter songs where she gets feisty and this album has that in spades.  Seeing Underwood sell-out and try to please mainstream (impossible/boring) was sad, so “Storyteller” is all the better.  It offers almost every song as independent woman, talking trash to some loser who mistreated her.  The passion in Underwood’s voice is back to go nicely with her always strong voice.  Love.  And I hope she remains true to her roots from now on.

6.

Mumford & Sonswilder mind

I loved their sound so much.  When “Babel” exploded onto the scene, it was stripped down, featured a kind of country feel, and was completely different.  So I’m a little disappointed the band has chosen to deviate to the sound that contributed to their huge mainstream popularity.  I liked it because it WAS different and not the normal mainstream sound.  But alas, though I’m not sure I’m on board with the band changing its tune (another pun!), but I’m judging “Wilder Mind” by itself.  And it’s masterfully done.  Really, it’s a solid work as a group.  You can listen to the album over and over and it’s a really great work.  There are no real individual songs that pop though.  And as a side-note to the band–get back to your acoustic roots.

5.Mika-1st albumMika

Mika- The Origin of Love

Yes, this album is pretty-pure pop.  BUT it is strong in a socially-conscious way.  Mike SAYS something in this album.  Opposed to Cee Lo’s closet-case, Mike is totally uninhibited gay.  Like, old-school, flamboyant, proud to be a little feminine, gay.  This album is an anthem for all the homos everywhere, even going so far as to ask, “Where Have All the Gay Guys Gone?”  And the songs are catchy and dancy which doesn’t hurt one bit.

4.  The Indigo Girlsone lost day

When I was just thinking about the album, I felt sorry that I was a little disappointed in it.  “One Lost Day” is not an evolution.  Some past albums were much stronger, showed more growth, or talked more of political issues.  But if the Indigo Girls can do anything, they can subtly change their sound to remain relevant in current times.  Just look back at how long they’ve been around.  And just TRY to sound two very similar albums from there—they are all different.  And apparently, in order to be relevant in 2015, you have to have an electronic or strong-pop flavor.  I couldn’t remember any stand-out songs when I thought about the tracks of “One Lost Day,”  and I even thought maybe the new album was a little too pop.  When I actually turned on the songs to hone in on my  list-placement, I remembered why the Indigo Girls are masters at what they do:  The album has a clear ark and tells a cohesive story. Each song contributes to an overall story.   The songs are polished and you know the duo has absolutely perfected their writing/recording process.  But there is always a feeling-invoked and an authenticity about their works.  Yes, obvious success and maybe a little pandering is going on, but The Indigo Girls still have their amazing harmonies, their political ideologies, and a personal story to tell.  I call this one polished, but not superficial.

3.  Beth Hart

Beth Hart

I didn’t even want to sample Hart’s new album, because Douche had told me once that she attended a Beth Hart concert and the artist was sloppy.  Like, obviously impaired, and asking the audience for drugs while performing on stage.  And I’m not into supporting obvious drug-addicts.   BUT I came across a recent article about Beth Hart outlining her addiction, new sobriety, and bipolar diagnosis.  So I listened to “Better Than Home”.  And I’m glad I did!  It’s bluesy and stands out from the crowd right now.  Hart’s voice is resonant and her lyrics deep.  Also, she has this vibrato singing style that’s very technical and amazing.  It’s a different sound in a sea of similar female voices.

2.Vanessa Carlton

Vanessa Carlton

Where did she come from?!  All I remember is that “A Thousand Miles” song that was over-played to the extreme until it became hostile to listen to again.  But “Liberman” is so great.  It’s a stripped-down feel, heavy on the piano, and with good song-writing.  It’s a chill listen without being boring.  I don’t know if you could over-play this album–it’s sure been heavy on my rotation and I’ve yet to tire of it.  Think Ben Folds Five, but with a female vocalist.

  1.  Cee Lo GreenHeart Blanche

This is totally beside the point, but does anyone else think Green is a seriously closeted gay?  This album sets off my gay-dar.  It’s upbeat and dancy, but in a good way.  I may not have a lot to write about the album, but I want to convey it’s a fun, yet serious album that has good singing, true writing, and I found it very pleasing to my ears.

Cee Lo Green- gay

P.S.  Yes!  I finished this entire post, BEFORE the next year.  This is the first time in 3(?) years I can say that.  I am very pleased, and this means good omens for 2016.

2013 New Albums

24 Mar

Yes, 2013.  I just want you to know I’ve been working on this all the time (save for Brandi Carlile’s new CD listens) since January.  And I had listened on and off since mid 2013.  The songs were all very long durations.  The albums included a lot of song.  2013 was no small feat!  But finally FINALLY!  I HAVE FINISHED.  Yes, all-caps is necessary.  And yes, this is 3-10-2015.  From good singles, to made the list, to least to most starred songs here’s the list:

freq inside cochlea

Worth mentioning (1 song made my list):

“Sacrilege” Yeah Yeahs

“It Should be Easy” Will-i-am (Brittany Spears).  It has the electric sound of The Flaming Lips, the electric-pop singing of Cher, and the dancey beats of Justin Timberlake.

“Evolve or be Extinct” Wiley.  Who can say no to rap with an English accent?  You don’t hear this every day!

“Fault Lines”  Tom Petty.

“Tik Tik Boom” T.I. (feat. Britney Spears)

“Autobahn” Starfuckers.  It’s long (5:41), it’s electronic, it’s dancy–but it’s a rave-reminding dance fun-time.

“To Hell With You” Sleigh Bell

“Aint Your Right” Sky Ferreira.  It has a little bit of an 80s sound with electric backing and waif-like singing, but unlike the eighties–it has a feminist sentiment.

“Never Wanted Your Love” She & Him

“Blurred Lines” Robin Thicke

“I’ve Got Soul” Hanson.  Was Hansen always this churchy?  I think the three guys probably were, but their sound used to have extremem pop influence.  This new album as a whole was more spiritually-oriented, but I liked their characteristic bounciness was still in “I’ve Got Soul.”

“Axis”  Pet Shop Boys

“Alligator” Paul McCartney

“Immortal” Kid Cudi

“Brave” Josh Groban.  An uplifting, catchy chorus, and obviously that resonant voice.

“State of the Art”  –robot toast remix, Jim James.  a low-key song at first, but warms to a dancable beat good for rockin’ or running.

“Vertigo”  Jason DeRulo feat. Jordan Sparks

“Get Lucky” Daft Punk, featuring everyone & their brother.  I couldn’t help but like this song, but I think the hyped Daft Punk was severely overrated in 2013.

“Water and a Flame” Celine Dion.  She sounds like a smoker and a lot more blues then the romantic style I’m used to.

“Monsters of Sunderland” British Sea Power

“A Light From Home” Bradley Joseph

“Put It In” Blue October

“I’m Not in Love”  10cc

DMB Chicago 2014

Buckcherry- Confessions.  Like Flaming Lips’ newest endeavor, I like this album mostly for the concept.  The songs are OK, and there might be a standout, but it’s not really a song-comparison kind of disc.  This one goes as a set, and must be judged as such.  I like that each song title is a seven deadly sins (mostly).  It’s a really cool idea and you should give the entire thing a listen.

Bret Michaels- Jammin’ With Friends.  Also a conceptually-driven album that has it’s strength in its collaborations.  He plays with a variety of other musicians, some famous, some more obscure.  The re-calibrated versions (covers) are good, and have Michaels’ own spin on them–some even for the better.

Blossom Music Center

–Made the List–

Kenny Chesney = 2 made the list.  I usually don’t love Kenny, and feel he’s waaaay overrated.  I did like the duets and island feel of Life on a Rock.  Even if it’s a Jimmy Buffet rip-off.

Eels = 2 songs made the list.  For some reason they remind me of “Spongebob Square Pants.”  The creepy, scratchy singing is cartoonish, but interesting.  It’s high energy, but almost villain music.

Jay Sean = 2 songs on the list.  I like the caribbean-island feel mixed with rap and R&B.  I also like that these songs don’t disparage anyone (especially women).

Trapt–3 made the list.  Their live sound is a little more edgy.

Stereophonics–4 made the list.

Hugh Laurie = 4 made the list.  This is one to watch!  I like the jazzy-blues feel, soulful singing, and instrumentation.  I hope there is a follow-up.

John Legend = 2 songs on the list.  Hero of the music industry.  Nuff said.

Franz Ferdinand = 2 songs on the list.  Just alright.  I was disappointed there were no beat changes, false-stars, or dancable songs like I remember in 2005(?).

R. Kelly = 2 songs on the list.  As expected it’s sexy, it’s R&B.  The album also features many other artists.

Pearl Jam = 3 songs made the list.  I have a hard time getting in tune with their slurry way of muddling through lyrics.

Lady Gaga = 3 on the list.  It’s fine.  Maybe I’m not her target audience.  It’s dance.  It’s pop.  It features catchy choruses.  I just don’t feel it.

Moby = 3 songs made the list.  This is more of a background album to study to then a forefront album to listen.  I like the mellowness, but said mellowness means no starred stand outs.

Iron and Wine = 3 on the list, none starred.  It’s OK.  Doesn’t make enough of a statement to say much more then this about it though.

Morgan Taylor Reid = 4 on the list.  It’s like a toned-down One Republic.  With a little The Fray sprinkled in.  I like the chill easy-listening, but nothing got me excited.

Panic!  At the Disco = 4 songs made the list.  I feel like Too. . .  [long of a title] is a fan-album.  The songs were ok, but there was no song that really hooked me in and spoke to me.  It’s fine and good to write entire albums for the die-hard fans, but I don’t think one catchy mass-appeal single would have killed them.

Sheryl Crow–4 songs, ugh.  Made the list, no favorites.  I HATE to say it, I really, really do.  Side-note] Sheryl Crow was one of the first 12 CDs I ever owned, the first album under heavy rotation, and the first poster of any musician to ever grace my bedroom wall.  I loved Tuesday. . .  Sang along with her self-titled album, and felt The Globe Sessions.  She is one artist that I’ve continuously appreciated.  So that’s why it hurts me to say with Feels Like Home, her country crossover album–she sold out.  I think this country is forced, and a way to play it safe in the ultra-competitive world of music.  As an (aging) female rock gal, I think she went to country where older women have more of a chance.  But it doesn’t really suit her and it’s contrived.  I always hoped to catch Sheryl Crow at a live show or festival before she’s ancient and washed up–I really hope I’m not too late. . .

Arcade Fire = 5 on the list.  I liked their other albums a lot, and they went on heavy rotation.  Reflektor is not only poor spelling, I didn’t get a feel for it in the same way.  It’s just OK, and that disappoints me.

Aaron Neville = 5 on the list.  I love his voice, so crooning and gentle.  The reworked classics sound nice too.  I don’t think they are starrable songs, because none are original.

Eric Clapton = 6 on the list.  Old Sock has a different sound from how I remember Clapton’s signature.  It’s country-blues, and it’s good.  There are no stand-outs, despite it’s easy listening.

The Dear Hunter = 6 on the list.  They sound like a softer Fall Out Boy.  It’s just ok, but there’s potential.

Kings of Leon = 7 on the list, none starred.  And not because I didn’t like Mechanical Bull, (random title) just because it’s kind of down-low music.  It’s good to study to or good chill party background.  I do think it’s as good as the last album though.

Gregory Allen Isakov = 8 on the list.  He’s a quiet, study song-writer, mello guy.  Not the kind of artist you star for catchy choruses.  More of a staying-power kind of vibe.

Nelly =  8 on the list.  I liked them enough to put on the list, but there are no new favorites here.  No club anthem or running song. . .  M.O. was good, not great.

DMB Australia

98 = 1 starred.  And 1 other song made the list.  It’s old school by now, but the starred song, “No Part of You” is ahh-mazing!

Nine Inch Nails = 1 starred and 1 more song on the list.  It sounds like dark computer electronica.  Really, it kind of bummed me out.  The sound is a little unfeeling.  But I guess it’s good. . .  I do like “Copy of a” for it’s catchy beat and a little more listener-friendly tone.

Vampire Weekend–3 on the list, 1 starred.  I like the fast music and frantic singing.

Natalie Maines =  1 starred, 3 on the list.  I thought she had a respectable solo effort.  Mother showed good potential.  And I liked her newfound seriousness.  But I don’t think showing her characteristic playfulness would hurt the next album.  I’d like to see more of a mix of both.

KT Tunstall = 3 on the list, 1 starred.  Invisible Empire is very different from KT’s other records in that it’s quiet and has an old-school country vibe.  Sure, it’s not as immediately catchy, but  don’t think that takes away from the quality.  The instrumentation is more nuanced and the vocals more thoughtful.  It’s a quiet album, but good.

Luke Bryan = 1 starred, 3 on the list.  Crash My Party certainly feels like you’re at a bonfire party.  Before I looked at the album title, I was going to write that.  Aptly titled.  I see a lot of potential here, but it’s a little superficial to be outstanding just yet.  With maturity, I think Bryan can be a key player.

Jake Bugg = 1 starred, 3 total on list.  It’s an interesting sound.  Hipster.  Across-the-pond.  (Soft?) punk.  He’s one to watch.

B.O.B = 1 starred, 3 on the list.  They have a more easy sound to them these days, and I liked the softer vibe.  BUT the starred song, is still a heavy-rock/rap tune that will help motivate me as I’m sprinting.

Dido = 1 starred, 3 on the list.  I usually don’t like Dido, but Girl Who Got Away was more jazzed up with a stronger percussion then before.  I also felt the lyrics were less meditative and more provocative in that she has feelings.

Lissie = 1 starred, 4 on the list.  What she lacks in superior singing ability, she makes up with passion.  There is something about her vocal quality that isn’t stellar (nasal-tone?  Crackle?) but I really didn’t even notice it til I was listening carefully in order to write this post.  I like her cheekiness and the fact she says important things.

Neko Case = 4 on the list, 1 starred.  I really like the mix of old-school country and hipster.  It’s sort of friendly and chill with just enough “you’re not in the scene” to remain cool.

Ciara =  1 starred, 4 on the list.  I liked the rapping in “I’m Out” but that may have been Nicki Minaj.

Everything Everything = 1 starred, 5 on the list.  Unapologetically superficial and clubster.  Listening makes me think of the gay-boys lip-syncing and choreographing moves for the club.  Arc is FUN, but don’t expect seriousness here.

Fall Out Boy = 1 starred, 5 on the list.  Save Rock & Roll makes me conger an outdoor rally trying to accomplish. . .  things.  The album seems motivational, with unifying cries, but for what, I’m not certain.  Maybe that’s not the point.  The point is to remind people that music is a driving force that still has the ability to MOVE people to action–of any kind.

Golgol Bordello = 1 starred, 6 total songs on the list.  This album is still good.  It’s still energetic.  Pura Vida Conspiracy is relatively quieter then their last album.  Which isn’t quiet at all, but it doesn’t make me want to spring like their past offerings.

Linkin Park = 1 starred, 6 made the list.  As one of my long-term favorites, Linkin Park rarely disappoints me.  Sadly, Recharged, did.  I didn’t like their new highly electronic sound that deviated from their passionate rock.  I get the impression this album is more of a filler between “real” albums. . .  Get back to your roots, Linkin Park.

Paramore = 1 starred, which I really like a lot, because it is different from most of the rest.  It’s a very serious tune–what can I say?  I like the heavy, substantial songs?  When I’m in the right mood, I like 6 songs off their self-titled album of 2013.  I have to say, they’re a little 80s-centric for my usual mood though.  It’s just too pseudo-punk, clappy, pop for my norm.  And for some reason I think the band (or maybe their core fans?) are a little too over the edge of hipster for us real, down-to-Earth-types.  But, in a light, dancy mood, I’m in!

DMB flower instruments

Everything, Everything-  I had 2 of their songs on my list and I would classify it as hipster bubble-gum gay.  The songs are in a falsetto for the most part (that gay) and it’s catchy (pop), but seems a little too cool for school (hipster).

Of Montreal = 2 starred, on the list.  This hipster, English sound reminds me of listening to a Juno movie.  It’s too cool for school.  But I like it–even if I’m not in the club.

James Blunt = 2 starred, 2 songs on the list.  Though he always reminds me of Douche, Moon Landing deviates from his past sound enough to take a new place in my mind.  The 2 songs I liked had his characteristic voice, but a new feel.

Sarah Brightman = 2 starred, 2 on the list.  It’s relaxed and easy-going.  Kind of like a more instrumental, less new-agey Enya.

Robin Thicke = 2 starred, 2 on list.

Demi Lovato = 2 starred, 2 on the list.  I really liked her independence and anger on Demi.  It’s still dancy, but she has something to say.  Can’t wait for the next album.

Frightened Rabbit = 2 starred, 2 on the list.  It’s a low-key listen, and that’s OK.

The Saturdays = 2 starred, and 3 on the list.  It’s very poppy, and a little eighties-electronic, but I think they have some potential.

Sara Bareilles = 2 starred, 4 on the list.  Same great singing and emotion, less anger.

Justin Bieber = 4 on the list, 2 starred.  Yes, the kid is a major-douche.  BUT I did like a few songs from Believe Acoustic.  I like the concept of making a filler-album acoustic.  Also, it’s got a nice, laid-back vibe that I enjoy and could study to.  Again, I acknowledge this dude is a tool-bag in real life.

Gary Allen = 2 starred, 4 on the list.  The songs have drinkin’, lovin’, and love lost as every good country album should.  It’s melancholy though–a sort of recovery album.  I look forward to a brighter version in the future.

Britney Spears = 2 starred, 4 on the list.  It’s very clubby.  Very dancy.  Some of the songs are unemotional as a result, but there’s one sentimental lyrically-driven song here.  Britney Jean is solid, but not a top contender.

Backstreet Boys = 2 starred, 5 on the list.  They’re baaacccck!  And not quite relevant in today’s market, especially given their humongous popularity in the late 1990s, but there’s still a little something there.  I am a fan of the highly polished slick studio magic, but the singing and ballads seem a little forced and phony this time around. . .

Cold War Kids = 2 starred, 5 on the list.  Seattle or not–I don’t think I’m a big fan.  I find the singing a little whiny and tedious and get this off-putting emo-hipster vibe that I can’t tolerate.  Tuxedos is quiet, without a radio-friendly stand-out, but if you like this kind of thing, you might feel it more than I do. . .

Twenty-One Pilots–6 on the list, 2 starred.  I get a gay-vibe and superficial dancey beats.

Arctic Monkeys = 2 starred, 7 songs.  Some might be disappointed, because the sound is very different from the first album.  It has more of a. . .  beat?  It’s more uptempo?  Something like that.

Sean Kingston = 2 starred, 7 made the list.  Has a fun sound.  I like the island influenced rap.

Elton John = 2 starred, 17 on the list.  Sir Elton John is always one of my favorites and The Diving Board is no exception.  Though the tracks aren’t star-material for the most part, the album as a whole is really great.  The songs work together to tell a story.  It’s a thoughtful and mature album, saturated with instrumentals.  I like the cover art and concept, and the meloncholy sound is great for concurrent reading or reflection.  It’s heavy on piano, which is a great reemergence of his skills.  There’s a definite sadness/blues feel to the 17 songs (entire album?) that I placed on my list.  And I feel like I’m sitting in a deep South, smoky bar while I listen.

John Mayer = 2 starred.  I like John.  Always have.  He was my 2nd concert ever, and I’m completely out of the celeb-gossip loop so I don’t know of any of his D-bag ways.  Anyway, with this album, which I added 10 songs to my list from, he’s gone country *insert Taylor Swift joke here* and I think it suits him.  I think the last album was deeper, more heartfelt, and more sincere, but this one is moving–in a cross-over type of way.  And there are shades of the last introspective tunes in songs like, “Waitin’ on the Day.”  I can see the John is trying to project a more adult, mature version of himself, but I’m not jaded by the marketing, it’s still John’s low-key voice and mellow strummings.

J.T. = 2 starred.  And an amazing 11 songs made my list.  But he kind of made me annoyed.  After such a long hiatus, I was expecting greatness that matched his last effort.  And I found the first CD of 20/20 just. . .  Meh.  There was no “Sexy Back,” that’s for sure.  And I felt it was–too much–that his songs were ALL so lengthy.  Like, Justin, who do you think you are?!  When he put out a part 2, I was so over it.  I felt like he thought the first CD would be more popular, then he thought–oops try again.  So instead of the 11 songs being awesome and wonderful, the whole marketing skeme mostly annoys me.  And the songs need to be snipped in half–or shorter.

fish bowl 2

Ra Ra Riot = 3 starred and 4 on the list.  They are heavy with the gay-sounding pop and pleads “I wanna be your toy…”  I like the upbeat, dancy tunes and hope to hear more in coming years.

Brad Paisley = 3 starred, 4 songs on the list.  I admit, I liked “Celebrity” a ton, but I never liked Brad Paisley as a person/lyrically.  I think thought he was sexist.  The words in his songs just rubbed me the wrong way.  Wheelhouse has a slightly different tone to it though–are you kidding me a song about a survivor of domestic abuse getting revenge?  Alright!  I can stand behind that.  I’m still undecided if Paisley is a chauvinist, but I can give him the benefit of the doubt for this album.

Daughtry = 3 starred, 5 on the list.  Baptized is a little stronger of a statement then the last album, and I like the feeling that jumps out of both the lyrics and the instrumentation.  It’s harder, but still meaningful.  I approve.

Barenakid Ladies = 3 starred, 5 on the list.  Like the other albums, Grinning Streak has a playful, fast-lyric thing going on.  This makes it catchy, and it also lends to a jingle-type sound.  I don’t mind, but it’ll never go on heavy rotation because of that.

Skillet = 3 starred and 7 made the list.  They are like a non-douchy Creed.  It’s hard-rock, but with an uplifting vibe.  I can tell they’re not posers like the afore-mentioned band, in it for the money.  They sing with authenticity and feeling.

Avril Lavigne = 3 starred, 9 on the list.  Her self-titled album has little to no substance, but that’s what we like about Lavigne, right?  She’s a mindless edgy-pop guilty pleasure.

dmb stage

Bon Jovi = starred, 4 on the list.  What about Now is more subtle, more thoughtful, but no less cool then any previous album.  There is a hopeful tone that I really like and though its less hard-rock, there are still catchy riffs and riveting choruses.  And “Because We Can” is probably my all-time favorite song of 2013.  It’s upbeat, yet sentimental, introspective, yet energetic and motivating.

Darius Rutger = 4 starred, 4 on the list.  I felt a lot of emotion in True Believers, and thought it was a nice mix between country and contemporary soft-rock.

New Kids. . . = 4 starred.  Out of 4 songs that made the cut.  They’re back!  And surprisingly, they are not totally washed up.  I liked the broken heart song, the dance party song, and I thought they were still surprisingly relevant.

Bad Religion = 4 starred, 6 on the list.  It’s heavy punkish-rock.  The songs jam out, and are super-short (unlike almost every other 2013 album).  I like the catchiness and harmonies, but wish each song was slightly longer. . .

Saliva = 4 starred, 9 made the list.  Saliva wasn’t as whiny!  Thank goodness they’ve matured a little, because I have always liked their hard-rock sound.

stage close up

Top Ten:  Tim McGraw-6 made the list, 5 starred.  There’s a real energy on this album.  It’s upbeat and well-thought.  The songs are catchy and have main-steam appeal without being contrived, formulaic, and sell-out.

#9:  Miley Cyrus = 5 starred, 13 on the list.  She’s a horrible human being (from what the media tells me) but the gal can sing.  And her sound is a deeper, different range than I’m used to hearing.

#8:  Gabriella Cilmi = 6 starred, 12 on the list.  My vote for Best New Artist.  Think Macy Gray with a thinner, more blues Southern vibe.  The Sting is solid, and she’s one to watch.

#7:  Avett Brothers = 6 starred, 13 on the list.  OK, last year I was mad they skewed my listening stats b/c I had investigated them as DMB’s Gorge opener.  And I hadn’t liked a lot of their library because they tend to scream a lot.  This year’s Magpie and the Dandilion has a nice album title, and I purposely added 13 songs to my list.  It’s more of a quiet, sweet, introspective sound this time around, a little love-lost.  I liked the seriousness the band has found.

#6:  Eminem = 1 super-starred (“Rap God”), several starred, 17 songs made the list.  The Marshall Mathers LP2 capitalizes on past fame and on current connections.  It’s heavy on featured artists and samples.  Em, has still got it though.  His raps are solid, hitting the right note between fun, catchy, and seriously making you question social issues.  I’m still a fan, even though he’s so controversial as an artist.

#5 of 2013:  Robbie Williams = 6 starred, 7 songs made the list.  He was smart to jump into the ring with Michael Buble who was the sole artist reaping the rewards of the vortex of swing/big-band.  What ever you call it, when ‘ol blue eyes was gone, so was a genre.  And Micheal Buble has certainly reaped many rewards for instilling new life into it.  Robbie Williams, I think, saw the success and left pop/electric to put out his best album to date-Swings Both Ways.  Good business decision, and surprisingly well backed up by the talent.  And a duet with Micheal Buble?  Sign me up!  He’s always a pleasant listen and one of my faves.

#4 of 2013:  Dropkick Murphys = 7 starred, 10 made the list.  They sound like a drunken Irish brawl band, high energy, lots of fight in their lyrics.  Signed and Sealed in Blood is in my top 5 for 2013, and I would get their next album in a heartbeat.

#3 of 2013:  Cher = 8 starred, 13 songs on the list.  Yes, she’s still got it.  Washed up?  Not at ALL!  Closer to the Truth is relevant, fun/clubby, yet mature and well-thought.  Her voice is clear and hopeful.  Listening to the album made me motivated to. . .  I don’t know what, but do more then dance.

#2 of 2013:  Rod Stewart = 7 starred, 8 made the list.  Rod Stewart shows that despite age, he KNOWS how to make a hit record.  Yes, the themes are slightly different–love for family, and gaining maturity.  Instead of sexy or superficial–it’s substancial and hopeful.  I’d dare to say that Time is Rod’s best album yet.  I really liked the instrumental backgrounds, the catchy hooks, and the more introspective lyrics.  I super-like most of the songs, but especially fell in love with, “Can’t Stop Me Now,” an autobiographical call to action.

#1 of 2013:  Michael Buble = 12 made the list.  Obviously, and of course.  All starred, 1 super-starred (“It’s a Beautiful Day”).  Aside from thinking Buble is genius for filling an abandoned genre, I think his music is universally pleasing.  He has a pleasant, crooning voice and a real likability within his albums.  Like his past records, I think To Be Loved appeals to a wide audience, including staple covers, duets, love songs, and even a bitter break up anthem–my afore-mentioned super-starred.  Come ’em coming Micheal I (and all the Vegas gagsta wannabes, and of course the cougars) can’t get enough!

And YES!  I did it.  I finished the listen and finished typing the list!!!!!!!!!!!!!

Music and Growing Up (Part II)

10 Jun

23. If your life was a movie, what would your soundtrack be?

– John Williams

 

-Jurassic Park

09. A song that reminds you of your mom

“I Think We’re Alone Now,” Tiffany

because when I was little I would crawl into my parents’ bed in the mornings and my mom and I sing along when the radio-alarm clock played it every day.

0.9.5 A song that reminds you of your dad

“Big Bad John,” Jimmy Dean

-Dad always does an awesome job singing the deep “big john” in the lyrics.  He would play oldies a lot when we went on our father-daughter weekly grocery shopping trips.

10. A song that describes your other family members

-Gnarles Barkley, “Crazy”

08. A song that describes your childhood

“Somewhere Over the Rainbow”

-I like pretty much all versions, so no link.

11. A song that describes you right this moment

-“Closer,” Melissa Ferrick

13. A song that describes who you want to become

“My Next 30 Years,” Tim McGraw

I think I’ll take a moment, celebrate my age, The ending of an era and the turning of a page, Now it’s time to focus in on where I go from here, Lord have mercy on my next thirty years

Hey my next thirty years I’m gonna have some fun, Try to forget about all the crazy things I’ve done, Maybe now I’ve conquered all my adolescent fears, And I’ll do it better in my next thirty years

My next thirty years I’m gonna settle all the scores, Cry a little less, laugh a little more, Find a world of happiness without the hate and fear, Figure out just what I’m doing here, In my next thirty years

Oh my next thirty years, I’m gonna watch my weight, Eat a few more salads and not stay up so late, Drink a little lemonade and not so many beers, Maybe I’ll remember my next thirty years

My next thirty years will be the best years of my life, Raise a little family and hang out with my wife, Spend precious moments with the ones that I hold dear, Make up for lost time here ,In my next thirty years

In my next thirty years